A) literary devices B) themes C) symbols D) rhymes
A) The celebration of cultural heritage and African identity B) the beauty of African landscape C) the weakness of black woman in the face of adversity D) the remembrance of forgotten African heroes
A) solemn contralto voice B) I sing your beauty C) carved tom tom, taut tom tom D) my promised land
A) playful and lighthearted B) confident and arrogant C) worshipful and dismissive D) proud and admiring
A) by contrasting their beauty with that of woman from another culture B) by describing their physical features in explicit detail C) by revealing their past achievements D) by comparing them to natural elements and symbols of African culture
A) climax B) metonymy C) synecdoche D) personification
A) John Donne B) Maya Angelou C) Chibuike Onu D) Leopold Senghor
A) The importance of song B) joy of retirement C) The power of time D) The oppression of woman
A) England B) Africa C) Nairobi D) Europe
A) run - on - lines B) symbolism C) rhetorical question D) continuation
A) symbolism B) epilogue C) imagery D) flashback
A) two rhyming lines of Poetry B) four rhyming lines of Poetry C) five rhyming lines of Poetry D) five alternate rhyming lines
A) Rejection of European B) Racism C) African land D) Blackness as a subject of beauty
A) plot B) setting C) tone D) theme
A) tone B) diction C) mood D) setting
A) dissatisfaction B) ambivalence C) disgust D) pessimism
A) Niyi Osundare B) Omar Farouk Sesay C) Agustino Neto D) John Donne
A) Black Woman B) None of the above C) A Taxi Driver on His own Retirement D) The Grieved Lands of Africa
A) A Government Driver on His own Retirement B) None of the above C) The Good Morrow D) The Song of the Woman of my Land and
A) A and B B) Raider of the Treasure Trove C) Neither A nor B D) Government Driver on His own Retirement
A) growth and maturity B) limitation C) live is evil D) music as a channel for emotional discharge, action and freedom
A) Good Morrow B) Bat C) Caged bird D) Binsey Poplars
A) simile B) pun C) alliteration D) bathos
A) The problem of leadership in Africa B) Hope in adversity C) Africa as land of grieve D) Slavery :ancient and modern
A) Rabbit B) Tortoise C) Elephant D) Lion
A) Modern city life B) Animal characters C) Outer space D) Technology
A) anxiety B) laughter C) suspense D) horror
A) epic B) resolution C) peak D) climax
A) genre B) placement C) toning D) group
A) criticism B) stigmatization C) abuse D) reformation
A) imagery B) fiction C) epic D) . pastoral
A) setting B) preface C) plot D) direction
A) a stage writer B) a dramatist C) Wole Soyinka D) stage man
A) taught B) mimed C) danced D) read aloud
A) They are performed as plays in threater B) They are passed down through generations by word of mouth C) They are broadcasted on radio and television D) They are only written and never spoken
A) The importance of bravery and courage B) The value of hard work and preserverance C) The benefits of technology and modernization
A) evocation of feeling and imagination B) plot and setting C) suspence D) preponderance of figures of speech
A) ode B) elegy C) ballad D) dirge
A) tragedy B) burlesque C) pantomime D) epigram
A) cunning and deceitful B) Animals are never portrayed in African C) aggressive and dangerous D) wise and helpful
A) A story set in Africa B) A story passed down verbally from one generation to another teaching morals and cultural beliefs C) A story written by a famous African author D) A story with magical elements
A) drama B) scene C) playlet D) act
A) beauty B) mood C) scenery D) structure
A) pantomimes B) mimes C) songs D) dances
A) narration B) autobiography C) personification D) anaphora
A) maverick B) Chief character C) feminine antagonist D) heroine
A) epilogue B) prologue C) closing remarks D) soliloquy
A) iambic B) run - on C) blank verse D) free verse
A) rhyming scheme B) rhythm formation C) stanzas D) verification
A) anthology B) poetry C) edit D) amalgam |