A) The fairies taking over the land of the mortals B) Lovers working out their relationships C) The actors determining how to put on their play D) The king conquering a new land
A) Each line had ten syllables, which start with unstressed and alternate with stressed B) Each line alternates between stressed and unstressed, no matter how many syllables C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line has five syllables, that alternate between stressed and unstressed
A) Ten syllables: which make up a line of the play B) Two syllables: first stressed, then unstressed C) Five syllables: alternating stressed and unstressed D) Three syllables: first stressed, then two unstressed
A) Hermia B) Hippolyta C) Mustardseed D) Bottom E) Titania
A) Helena B) Hermia C) Hippolyta D) Titania E) Puck
A) Oberon B) Egeus C) Puck D) Theseus E) Bottom
A) Conflict B) Soliloquy C) Alliteration D) Oxymoron E) Genre
A) Double Entendre B) Alliteration C) Genre D) Soliloquy E) Imagery
A) Soliloquy B) Double Entendre C) Alliteration D) Conflict E) Resolution
A) Metaphor B) Hyperbole C) Simile D) Symbol E) Contrast
A) Simile B) Soliloquy C) Double Entendre D) Hyperbole E) Oxymoron
A) Puck distributes the love potion B) Demetrius and Lysander both fall in love with Helena C) Theseus plans to marry Hippolyta D) Titania gives up the boy to Oberon
A) Bottom turns into a donkey B) The actors put on a play C) Hermia and Helena get into a big fight D) Egeus protests his daughter's marriage with Theseus
A) The men B) The fairies C) The actors D) The ladies
A) A character pretends to be a tree to provide shade B) A character echos sounds effects from the background C) A characters is a rock for someone to sit on D) A character plays a wall separating lovers
A) The undefended, who end up marrying he who conquered them B) The children, who must abide by the decisions of their parents C) The fairies, who are disregarded as meaningless and ineffective D) The actors, who are at the mercy of their audience E) The ladies, who have no power of decision |