A) The fairies taking over the land of the mortals B) The king conquering a new land C) Lovers working out their relationships D) The actors determining how to put on their play
A) Each line had ten syllables, which start with unstressed and alternate with stressed B) Each line has five syllables, that alternate between stressed and unstressed C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Ten syllables: which make up a line of the play B) Three syllables: first stressed, then two unstressed C) Two syllables: first stressed, then unstressed D) Five syllables: alternating stressed and unstressed
A) Titania B) Bottom C) Mustardseed D) Hippolyta E) Hermia
A) Hippolyta B) Puck C) Hermia D) Helena E) Titania
A) Bottom B) Oberon C) Egeus D) Puck E) Theseus
A) Soliloquy B) Genre C) Oxymoron D) Alliteration E) Conflict
A) Imagery B) Genre C) Double Entendre D) Soliloquy E) Alliteration
A) Soliloquy B) Alliteration C) Conflict D) Resolution E) Double Entendre
A) Symbol B) Hyperbole C) Metaphor D) Simile E) Contrast
A) Simile B) Soliloquy C) Hyperbole D) Double Entendre E) Oxymoron
A) Puck distributes the love potion B) Demetrius and Lysander both fall in love with Helena C) Titania gives up the boy to Oberon D) Theseus plans to marry Hippolyta
A) Hermia and Helena get into a big fight B) Bottom turns into a donkey C) Egeus protests his daughter's marriage with Theseus D) The actors put on a play
A) The fairies B) The actors C) The men D) The ladies
A) A character pretends to be a tree to provide shade B) A characters is a rock for someone to sit on C) A character echos sounds effects from the background D) A character plays a wall separating lovers
A) The children, who must abide by the decisions of their parents B) The fairies, who are disregarded as meaningless and ineffective C) The ladies, who have no power of decision D) The undefended, who end up marrying he who conquered them E) The actors, who are at the mercy of their audience |