A) The fairies taking over the land of the mortals B) The king conquering a new land C) Lovers working out their relationships D) The actors determining how to put on their play
A) Each line alternates between stressed and unstressed, no matter how many syllables B) Each line has five syllables, that alternate between stressed and unstressed C) Each line had ten syllables, which start with unstressed and alternate with stressed D) Each line has a steady rhythm which is mostly consistent depending on the character
A) Two syllables: first stressed, then unstressed B) Five syllables: alternating stressed and unstressed C) Ten syllables: which make up a line of the play D) Three syllables: first stressed, then two unstressed
A) Hermia B) Mustardseed C) Hippolyta D) Bottom E) Titania
A) Helena B) Titania C) Hippolyta D) Puck E) Hermia
A) Oberon B) Egeus C) Theseus D) Puck E) Bottom
A) Alliteration B) Genre C) Soliloquy D) Conflict E) Oxymoron
A) Imagery B) Soliloquy C) Double Entendre D) Genre E) Alliteration
A) Resolution B) Soliloquy C) Alliteration D) Conflict E) Double Entendre
A) Symbol B) Hyperbole C) Metaphor D) Simile E) Contrast
A) Soliloquy B) Oxymoron C) Simile D) Double Entendre E) Hyperbole
A) Theseus plans to marry Hippolyta B) Demetrius and Lysander both fall in love with Helena C) Titania gives up the boy to Oberon D) Puck distributes the love potion
A) Bottom turns into a donkey B) The actors put on a play C) Egeus protests his daughter's marriage with Theseus D) Hermia and Helena get into a big fight
A) The men B) The actors C) The ladies D) The fairies
A) A character echos sounds effects from the background B) A character plays a wall separating lovers C) A characters is a rock for someone to sit on D) A character pretends to be a tree to provide shade
A) The fairies, who are disregarded as meaningless and ineffective B) The undefended, who end up marrying he who conquered them C) The ladies, who have no power of decision D) The children, who must abide by the decisions of their parents E) The actors, who are at the mercy of their audience |