A) The king conquering a new land B) The fairies taking over the land of the mortals C) The actors determining how to put on their play D) Lovers working out their relationships
A) Each line has a steady rhythm which is mostly consistent depending on the character B) Each line has five syllables, that alternate between stressed and unstressed C) Each line had ten syllables, which start with unstressed and alternate with stressed D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Two syllables: first stressed, then unstressed B) Three syllables: first stressed, then two unstressed C) Five syllables: alternating stressed and unstressed D) Ten syllables: which make up a line of the play
A) Hippolyta B) Titania C) Hermia D) Mustardseed E) Bottom
A) Helena B) Hermia C) Titania D) Hippolyta E) Puck
A) Theseus B) Puck C) Oberon D) Egeus E) Bottom
A) Conflict B) Soliloquy C) Oxymoron D) Alliteration E) Genre
A) Alliteration B) Imagery C) Soliloquy D) Genre E) Double Entendre
A) Conflict B) Soliloquy C) Alliteration D) Double Entendre E) Resolution
A) Symbol B) Contrast C) Hyperbole D) Simile E) Metaphor
A) Oxymoron B) Double Entendre C) Simile D) Hyperbole E) Soliloquy
A) Puck distributes the love potion B) Theseus plans to marry Hippolyta C) Demetrius and Lysander both fall in love with Helena D) Titania gives up the boy to Oberon
A) Egeus protests his daughter's marriage with Theseus B) Hermia and Helena get into a big fight C) The actors put on a play D) Bottom turns into a donkey
A) The men B) The actors C) The ladies D) The fairies
A) A character plays a wall separating lovers B) A character pretends to be a tree to provide shade C) A characters is a rock for someone to sit on D) A character echos sounds effects from the background
A) The children, who must abide by the decisions of their parents B) The ladies, who have no power of decision C) The undefended, who end up marrying he who conquered them D) The fairies, who are disregarded as meaningless and ineffective E) The actors, who are at the mercy of their audience |