A) Lovers working out their relationships B) The actors determining how to put on their play C) The king conquering a new land D) The fairies taking over the land of the mortals
A) Each line had ten syllables, which start with unstressed and alternate with stressed B) Each line has five syllables, that alternate between stressed and unstressed C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Three syllables: first stressed, then two unstressed B) Ten syllables: which make up a line of the play C) Five syllables: alternating stressed and unstressed D) Two syllables: first stressed, then unstressed
A) Titania B) Bottom C) Hermia D) Mustardseed E) Hippolyta
A) Hippolyta B) Hermia C) Helena D) Titania E) Puck
A) Bottom B) Oberon C) Puck D) Theseus E) Egeus
A) Alliteration B) Soliloquy C) Genre D) Oxymoron E) Conflict
A) Alliteration B) Soliloquy C) Imagery D) Genre E) Double Entendre
A) Resolution B) Conflict C) Soliloquy D) Alliteration E) Double Entendre
A) Metaphor B) Contrast C) Symbol D) Hyperbole E) Simile
A) Oxymoron B) Simile C) Hyperbole D) Double Entendre E) Soliloquy
A) Demetrius and Lysander both fall in love with Helena B) Theseus plans to marry Hippolyta C) Titania gives up the boy to Oberon D) Puck distributes the love potion
A) Bottom turns into a donkey B) The actors put on a play C) Egeus protests his daughter's marriage with Theseus D) Hermia and Helena get into a big fight
A) The ladies B) The men C) The fairies D) The actors
A) A character plays a wall separating lovers B) A character echos sounds effects from the background C) A characters is a rock for someone to sit on D) A character pretends to be a tree to provide shade
A) The ladies, who have no power of decision B) The children, who must abide by the decisions of their parents C) The fairies, who are disregarded as meaningless and ineffective D) The undefended, who end up marrying he who conquered them E) The actors, who are at the mercy of their audience |