A) The king conquering a new land B) The fairies taking over the land of the mortals C) The actors determining how to put on their play D) Lovers working out their relationships
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line had ten syllables, which start with unstressed and alternate with stressed C) Each line alternates between stressed and unstressed, no matter how many syllables D) Each line has a steady rhythm which is mostly consistent depending on the character
A) Five syllables: alternating stressed and unstressed B) Two syllables: first stressed, then unstressed C) Ten syllables: which make up a line of the play D) Three syllables: first stressed, then two unstressed
A) Hermia B) Hippolyta C) Titania D) Mustardseed E) Bottom
A) Hermia B) Titania C) Puck D) Helena E) Hippolyta
A) Bottom B) Egeus C) Oberon D) Puck E) Theseus
A) Alliteration B) Oxymoron C) Conflict D) Genre E) Soliloquy
A) Genre B) Double Entendre C) Imagery D) Soliloquy E) Alliteration
A) Alliteration B) Resolution C) Double Entendre D) Soliloquy E) Conflict
A) Hyperbole B) Metaphor C) Contrast D) Simile E) Symbol
A) Soliloquy B) Hyperbole C) Double Entendre D) Oxymoron E) Simile
A) Theseus plans to marry Hippolyta B) Titania gives up the boy to Oberon C) Puck distributes the love potion D) Demetrius and Lysander both fall in love with Helena
A) Egeus protests his daughter's marriage with Theseus B) The actors put on a play C) Bottom turns into a donkey D) Hermia and Helena get into a big fight
A) The fairies B) The actors C) The men D) The ladies
A) A character plays a wall separating lovers B) A character echos sounds effects from the background C) A characters is a rock for someone to sit on D) A character pretends to be a tree to provide shade
A) The undefended, who end up marrying he who conquered them B) The ladies, who have no power of decision C) The children, who must abide by the decisions of their parents D) The fairies, who are disregarded as meaningless and ineffective E) The actors, who are at the mercy of their audience |