A) The actors determining how to put on their play B) The king conquering a new land C) The fairies taking over the land of the mortals D) Lovers working out their relationships
A) Each line had ten syllables, which start with unstressed and alternate with stressed B) Each line has five syllables, that alternate between stressed and unstressed C) Each line alternates between stressed and unstressed, no matter how many syllables D) Each line has a steady rhythm which is mostly consistent depending on the character
A) Ten syllables: which make up a line of the play B) Three syllables: first stressed, then two unstressed C) Two syllables: first stressed, then unstressed D) Five syllables: alternating stressed and unstressed
A) Hermia B) Hippolyta C) Titania D) Bottom E) Mustardseed
A) Helena B) Puck C) Hermia D) Titania E) Hippolyta
A) Puck B) Egeus C) Oberon D) Bottom E) Theseus
A) Conflict B) Oxymoron C) Alliteration D) Genre E) Soliloquy
A) Alliteration B) Genre C) Soliloquy D) Imagery E) Double Entendre
A) Alliteration B) Resolution C) Soliloquy D) Double Entendre E) Conflict
A) Metaphor B) Simile C) Symbol D) Hyperbole E) Contrast
A) Soliloquy B) Double Entendre C) Oxymoron D) Hyperbole E) Simile
A) Theseus plans to marry Hippolyta B) Titania gives up the boy to Oberon C) Demetrius and Lysander both fall in love with Helena D) Puck distributes the love potion
A) Bottom turns into a donkey B) The actors put on a play C) Hermia and Helena get into a big fight D) Egeus protests his daughter's marriage with Theseus
A) The actors B) The fairies C) The men D) The ladies
A) A character pretends to be a tree to provide shade B) A character plays a wall separating lovers C) A characters is a rock for someone to sit on D) A character echos sounds effects from the background
A) The fairies, who are disregarded as meaningless and ineffective B) The undefended, who end up marrying he who conquered them C) The children, who must abide by the decisions of their parents D) The ladies, who have no power of decision E) The actors, who are at the mercy of their audience |