A) The fairies taking over the land of the mortals B) The actors determining how to put on their play C) Lovers working out their relationships D) The king conquering a new land
A) Each line has a steady rhythm which is mostly consistent depending on the character B) Each line alternates between stressed and unstressed, no matter how many syllables C) Each line had ten syllables, which start with unstressed and alternate with stressed D) Each line has five syllables, that alternate between stressed and unstressed
A) Ten syllables: which make up a line of the play B) Two syllables: first stressed, then unstressed C) Three syllables: first stressed, then two unstressed D) Five syllables: alternating stressed and unstressed
A) Bottom B) Hippolyta C) Titania D) Mustardseed E) Hermia
A) Hippolyta B) Helena C) Titania D) Puck E) Hermia
A) Puck B) Egeus C) Oberon D) Theseus E) Bottom
A) Oxymoron B) Conflict C) Alliteration D) Soliloquy E) Genre
A) Soliloquy B) Alliteration C) Imagery D) Double Entendre E) Genre
A) Conflict B) Resolution C) Double Entendre D) Alliteration E) Soliloquy
A) Simile B) Contrast C) Symbol D) Metaphor E) Hyperbole
A) Soliloquy B) Oxymoron C) Hyperbole D) Simile E) Double Entendre
A) Puck distributes the love potion B) Theseus plans to marry Hippolyta C) Titania gives up the boy to Oberon D) Demetrius and Lysander both fall in love with Helena
A) The actors put on a play B) Hermia and Helena get into a big fight C) Bottom turns into a donkey D) Egeus protests his daughter's marriage with Theseus
A) The fairies B) The men C) The ladies D) The actors
A) A characters is a rock for someone to sit on B) A character pretends to be a tree to provide shade C) A character echos sounds effects from the background D) A character plays a wall separating lovers
A) The children, who must abide by the decisions of their parents B) The ladies, who have no power of decision C) The fairies, who are disregarded as meaningless and ineffective D) The undefended, who end up marrying he who conquered them E) The actors, who are at the mercy of their audience |