A) The king conquering a new land B) The fairies taking over the land of the mortals C) The actors determining how to put on their play D) Lovers working out their relationships
A) Each line alternates between stressed and unstressed, no matter how many syllables B) Each line had ten syllables, which start with unstressed and alternate with stressed C) Each line has five syllables, that alternate between stressed and unstressed D) Each line has a steady rhythm which is mostly consistent depending on the character
A) Five syllables: alternating stressed and unstressed B) Two syllables: first stressed, then unstressed C) Three syllables: first stressed, then two unstressed D) Ten syllables: which make up a line of the play
A) Hippolyta B) Mustardseed C) Hermia D) Bottom E) Titania
A) Titania B) Puck C) Hippolyta D) Helena E) Hermia
A) Bottom B) Oberon C) Theseus D) Egeus E) Puck
A) Alliteration B) Soliloquy C) Genre D) Conflict E) Oxymoron
A) Soliloquy B) Genre C) Imagery D) Alliteration E) Double Entendre
A) Soliloquy B) Resolution C) Alliteration D) Conflict E) Double Entendre
A) Symbol B) Metaphor C) Hyperbole D) Simile E) Contrast
A) Double Entendre B) Simile C) Oxymoron D) Hyperbole E) Soliloquy
A) Titania gives up the boy to Oberon B) Demetrius and Lysander both fall in love with Helena C) Puck distributes the love potion D) Theseus plans to marry Hippolyta
A) Hermia and Helena get into a big fight B) The actors put on a play C) Bottom turns into a donkey D) Egeus protests his daughter's marriage with Theseus
A) The ladies B) The men C) The fairies D) The actors
A) A character pretends to be a tree to provide shade B) A characters is a rock for someone to sit on C) A character echos sounds effects from the background D) A character plays a wall separating lovers
A) The children, who must abide by the decisions of their parents B) The fairies, who are disregarded as meaningless and ineffective C) The actors, who are at the mercy of their audience D) The undefended, who end up marrying he who conquered them E) The ladies, who have no power of decision |