A) The king conquering a new land B) The actors determining how to put on their play C) Lovers working out their relationships D) The fairies taking over the land of the mortals
A) Each line had ten syllables, which start with unstressed and alternate with stressed B) Each line has a steady rhythm which is mostly consistent depending on the character C) Each line has five syllables, that alternate between stressed and unstressed D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Two syllables: first stressed, then unstressed B) Five syllables: alternating stressed and unstressed C) Ten syllables: which make up a line of the play D) Three syllables: first stressed, then two unstressed
A) Bottom B) Hermia C) Hippolyta D) Mustardseed E) Titania
A) Puck B) Hippolyta C) Titania D) Hermia E) Helena
A) Puck B) Bottom C) Theseus D) Egeus E) Oberon
A) Soliloquy B) Oxymoron C) Genre D) Alliteration E) Conflict
A) Soliloquy B) Imagery C) Genre D) Double Entendre E) Alliteration
A) Conflict B) Resolution C) Double Entendre D) Alliteration E) Soliloquy
A) Hyperbole B) Simile C) Symbol D) Contrast E) Metaphor
A) Oxymoron B) Hyperbole C) Soliloquy D) Double Entendre E) Simile
A) Demetrius and Lysander both fall in love with Helena B) Theseus plans to marry Hippolyta C) Puck distributes the love potion D) Titania gives up the boy to Oberon
A) The actors put on a play B) Egeus protests his daughter's marriage with Theseus C) Hermia and Helena get into a big fight D) Bottom turns into a donkey
A) The actors B) The men C) The fairies D) The ladies
A) A character echos sounds effects from the background B) A character plays a wall separating lovers C) A character pretends to be a tree to provide shade D) A characters is a rock for someone to sit on
A) The undefended, who end up marrying he who conquered them B) The children, who must abide by the decisions of their parents C) The ladies, who have no power of decision D) The fairies, who are disregarded as meaningless and ineffective E) The actors, who are at the mercy of their audience |