A) The king conquering a new land B) Lovers working out their relationships C) The actors determining how to put on their play D) The fairies taking over the land of the mortals
A) Each line has a steady rhythm which is mostly consistent depending on the character B) Each line alternates between stressed and unstressed, no matter how many syllables C) Each line had ten syllables, which start with unstressed and alternate with stressed D) Each line has five syllables, that alternate between stressed and unstressed
A) Five syllables: alternating stressed and unstressed B) Ten syllables: which make up a line of the play C) Two syllables: first stressed, then unstressed D) Three syllables: first stressed, then two unstressed
A) Hermia B) Mustardseed C) Titania D) Bottom E) Hippolyta
A) Titania B) Hermia C) Helena D) Puck E) Hippolyta
A) Theseus B) Egeus C) Oberon D) Puck E) Bottom
A) Genre B) Soliloquy C) Alliteration D) Oxymoron E) Conflict
A) Genre B) Double Entendre C) Soliloquy D) Imagery E) Alliteration
A) Double Entendre B) Resolution C) Conflict D) Soliloquy E) Alliteration
A) Contrast B) Metaphor C) Simile D) Symbol E) Hyperbole
A) Soliloquy B) Hyperbole C) Oxymoron D) Double Entendre E) Simile
A) Titania gives up the boy to Oberon B) Demetrius and Lysander both fall in love with Helena C) Theseus plans to marry Hippolyta D) Puck distributes the love potion
A) Bottom turns into a donkey B) The actors put on a play C) Hermia and Helena get into a big fight D) Egeus protests his daughter's marriage with Theseus
A) The actors B) The fairies C) The ladies D) The men
A) A character pretends to be a tree to provide shade B) A character plays a wall separating lovers C) A character echos sounds effects from the background D) A characters is a rock for someone to sit on
A) The undefended, who end up marrying he who conquered them B) The ladies, who have no power of decision C) The fairies, who are disregarded as meaningless and ineffective D) The children, who must abide by the decisions of their parents E) The actors, who are at the mercy of their audience |