A) The fairies taking over the land of the mortals B) Lovers working out their relationships C) The king conquering a new land D) The actors determining how to put on their play
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line had ten syllables, which start with unstressed and alternate with stressed C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Two syllables: first stressed, then unstressed B) Ten syllables: which make up a line of the play C) Three syllables: first stressed, then two unstressed D) Five syllables: alternating stressed and unstressed
A) Mustardseed B) Hippolyta C) Titania D) Bottom E) Hermia
A) Helena B) Hermia C) Titania D) Hippolyta E) Puck
A) Egeus B) Oberon C) Bottom D) Theseus E) Puck
A) Genre B) Conflict C) Alliteration D) Soliloquy E) Oxymoron
A) Imagery B) Genre C) Alliteration D) Double Entendre E) Soliloquy
A) Resolution B) Conflict C) Alliteration D) Double Entendre E) Soliloquy
A) Simile B) Contrast C) Metaphor D) Symbol E) Hyperbole
A) Double Entendre B) Hyperbole C) Soliloquy D) Simile E) Oxymoron
A) Titania gives up the boy to Oberon B) Demetrius and Lysander both fall in love with Helena C) Theseus plans to marry Hippolyta D) Puck distributes the love potion
A) Hermia and Helena get into a big fight B) Egeus protests his daughter's marriage with Theseus C) The actors put on a play D) Bottom turns into a donkey
A) The fairies B) The ladies C) The actors D) The men
A) A character echos sounds effects from the background B) A characters is a rock for someone to sit on C) A character plays a wall separating lovers D) A character pretends to be a tree to provide shade
A) The fairies, who are disregarded as meaningless and ineffective B) The undefended, who end up marrying he who conquered them C) The children, who must abide by the decisions of their parents D) The ladies, who have no power of decision E) The actors, who are at the mercy of their audience |