A) The king conquering a new land B) The actors determining how to put on their play C) Lovers working out their relationships D) The fairies taking over the land of the mortals
A) Each line alternates between stressed and unstressed, no matter how many syllables B) Each line has a steady rhythm which is mostly consistent depending on the character C) Each line has five syllables, that alternate between stressed and unstressed D) Each line had ten syllables, which start with unstressed and alternate with stressed
A) Three syllables: first stressed, then two unstressed B) Ten syllables: which make up a line of the play C) Two syllables: first stressed, then unstressed D) Five syllables: alternating stressed and unstressed
A) Bottom B) Hermia C) Mustardseed D) Hippolyta E) Titania
A) Hippolyta B) Titania C) Puck D) Hermia E) Helena
A) Puck B) Theseus C) Bottom D) Oberon E) Egeus
A) Genre B) Conflict C) Alliteration D) Soliloquy E) Oxymoron
A) Genre B) Alliteration C) Soliloquy D) Double Entendre E) Imagery
A) Alliteration B) Double Entendre C) Conflict D) Resolution E) Soliloquy
A) Simile B) Symbol C) Hyperbole D) Contrast E) Metaphor
A) Hyperbole B) Simile C) Oxymoron D) Soliloquy E) Double Entendre
A) Titania gives up the boy to Oberon B) Puck distributes the love potion C) Demetrius and Lysander both fall in love with Helena D) Theseus plans to marry Hippolyta
A) Egeus protests his daughter's marriage with Theseus B) The actors put on a play C) Hermia and Helena get into a big fight D) Bottom turns into a donkey
A) The fairies B) The ladies C) The men D) The actors
A) A character pretends to be a tree to provide shade B) A character echos sounds effects from the background C) A characters is a rock for someone to sit on D) A character plays a wall separating lovers
A) The actors, who are at the mercy of their audience B) The fairies, who are disregarded as meaningless and ineffective C) The undefended, who end up marrying he who conquered them D) The children, who must abide by the decisions of their parents E) The ladies, who have no power of decision |