A) Lovers working out their relationships B) The actors determining how to put on their play C) The fairies taking over the land of the mortals D) The king conquering a new land
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line had ten syllables, which start with unstressed and alternate with stressed C) Each line alternates between stressed and unstressed, no matter how many syllables D) Each line has a steady rhythm which is mostly consistent depending on the character
A) Five syllables: alternating stressed and unstressed B) Three syllables: first stressed, then two unstressed C) Ten syllables: which make up a line of the play D) Two syllables: first stressed, then unstressed
A) Mustardseed B) Titania C) Bottom D) Hippolyta E) Hermia
A) Titania B) Puck C) Hermia D) Hippolyta E) Helena
A) Oberon B) Theseus C) Egeus D) Puck E) Bottom
A) Oxymoron B) Alliteration C) Genre D) Conflict E) Soliloquy
A) Imagery B) Alliteration C) Soliloquy D) Genre E) Double Entendre
A) Resolution B) Double Entendre C) Conflict D) Alliteration E) Soliloquy
A) Contrast B) Simile C) Hyperbole D) Symbol E) Metaphor
A) Double Entendre B) Hyperbole C) Soliloquy D) Simile E) Oxymoron
A) Titania gives up the boy to Oberon B) Demetrius and Lysander both fall in love with Helena C) Theseus plans to marry Hippolyta D) Puck distributes the love potion
A) The actors put on a play B) Hermia and Helena get into a big fight C) Bottom turns into a donkey D) Egeus protests his daughter's marriage with Theseus
A) The actors B) The men C) The ladies D) The fairies
A) A character echos sounds effects from the background B) A character pretends to be a tree to provide shade C) A characters is a rock for someone to sit on D) A character plays a wall separating lovers
A) The undefended, who end up marrying he who conquered them B) The children, who must abide by the decisions of their parents C) The fairies, who are disregarded as meaningless and ineffective D) The ladies, who have no power of decision E) The actors, who are at the mercy of their audience |