A) Lovers working out their relationships B) The actors determining how to put on their play C) The king conquering a new land D) The fairies taking over the land of the mortals
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line alternates between stressed and unstressed, no matter how many syllables C) Each line had ten syllables, which start with unstressed and alternate with stressed D) Each line has a steady rhythm which is mostly consistent depending on the character
A) Two syllables: first stressed, then unstressed B) Three syllables: first stressed, then two unstressed C) Ten syllables: which make up a line of the play D) Five syllables: alternating stressed and unstressed
A) Titania B) Hippolyta C) Hermia D) Bottom E) Mustardseed
A) Hermia B) Puck C) Helena D) Titania E) Hippolyta
A) Theseus B) Egeus C) Puck D) Oberon E) Bottom
A) Genre B) Conflict C) Oxymoron D) Alliteration E) Soliloquy
A) Genre B) Soliloquy C) Double Entendre D) Imagery E) Alliteration
A) Double Entendre B) Soliloquy C) Resolution D) Alliteration E) Conflict
A) Contrast B) Metaphor C) Symbol D) Simile E) Hyperbole
A) Double Entendre B) Soliloquy C) Hyperbole D) Simile E) Oxymoron
A) Puck distributes the love potion B) Demetrius and Lysander both fall in love with Helena C) Theseus plans to marry Hippolyta D) Titania gives up the boy to Oberon
A) Hermia and Helena get into a big fight B) The actors put on a play C) Bottom turns into a donkey D) Egeus protests his daughter's marriage with Theseus
A) The men B) The actors C) The ladies D) The fairies
A) A character plays a wall separating lovers B) A character pretends to be a tree to provide shade C) A characters is a rock for someone to sit on D) A character echos sounds effects from the background
A) The actors, who are at the mercy of their audience B) The fairies, who are disregarded as meaningless and ineffective C) The children, who must abide by the decisions of their parents D) The undefended, who end up marrying he who conquered them E) The ladies, who have no power of decision |