A) Applying gesso B) Choosing brushes C) Sketching the composition D) Mixing paints
A) Stiff, angular brush B) Soft, round brush C) Fan brush D) Filbert brush
A) Turpentine B) Damar varnish C) Linseed oil D) Stand oil
A) Each layer should be thinner than the previous B) Each layer should dry faster than the previous C) Each layer should be darker than the previous D) Each layer should have more oil than the previous
A) Green B) Red C) Yellow D) Blue
A) Applying paint thickly B) Removing paint with a cloth C) Applying a broken layer of paint D) Blending two colors together
A) Applying paint thinly B) Blending two colors together C) Applying paint thickly D) Removing paint with a cloth
A) To help compose the scene B) To protect the canvas C) To hold the brushes D) To mix paints
A) Objects fade into the distance B) Objects have sharper edges in the distance C) Objects are more detailed in the distance D) Objects appear brighter in the distance
A) Orange B) Green C) Violet D) Blue
A) Mixing and applying paint B) Thinning paint C) Cleaning brushes D) Stretching canvas
A) A thick, opaque layer of paint B) A mixture of paint and varnish C) A thin, transparent layer of paint D) A layer of gesso
A) A technique for cleaning brushes. B) A layer of varnish. C) A thick, impasto layer of paint. D) A very thin, diluted layer of paint.
A) Varnishing in direct sunlight. B) Ensuring the paint is completely dry. C) Applying a thick layer of varnish. D) Using the correct type of brush.
A) To protect the painting from UV light B) To alter the properties of the paint C) To add texture to the canvas D) To create a more realistic painting
A) Slows down the drying time of oil paint B) Thins the oil paint C) Thickens the oil paint D) Speeds up the drying time of oil paint
A) Blue B) Orange C) Yellow D) Green
A) Easier to blend B) Greater color intensity C) Faster drying time D) Lower cost
A) Water and soap B) Acetone C) Turpentine or mineral spirits D) Bleach
A) The sky B) The foreground C) The trees D) The water
A) Painting with a palette knife B) Wet-on-wet painting C) Painting in layers D) Painting from a photograph
A) The color created by mixing two colors B) The color of light reflecting off an object C) The actual color of an object D) The color of the shadows on an object
A) The technique of painting clouds. B) The perspective of objects seen from above. C) The use of perspective lines to create depth. D) The effect of atmosphere on distant objects.
A) Soaked in water and sealed in a metal container B) In the regular trash C) Burned D) Recycled
A) Umbers B) Reds C) Yellows D) Blues
A) To save money on paint B) To create a more realistic painting C) To speed up the painting process D) To create color harmony
A) To paint the subject quickly B) To paint the subject in a very detailed manner C) To paint the subject at its actual size D) To paint the subject from memory
A) A monochrome underpainting B) A full-color underpainting C) A textured underpainting D) A transparent underpainting
A) The saturation of a color. B) The lightness or darkness of a color. C) The intensity of a color. D) The hue of a color.
A) To protect the painting from UV light B) To create texture C) To prepare the surface for painting D) To add color to the canvas |