A) Sketching the composition B) Choosing brushes C) Mixing paints D) Applying gesso
A) Soft, round brush B) Filbert brush C) Fan brush D) Stiff, angular brush
A) Linseed oil B) Damar varnish C) Stand oil D) Turpentine
A) Each layer should have more oil than the previous B) Each layer should dry faster than the previous C) Each layer should be darker than the previous D) Each layer should be thinner than the previous
A) Blue B) Red C) Green D) Yellow
A) Removing paint with a cloth B) Applying paint thickly C) Applying a broken layer of paint D) Blending two colors together
A) Applying paint thickly B) Removing paint with a cloth C) Applying paint thinly D) Blending two colors together
A) To protect the canvas B) To help compose the scene C) To mix paints D) To hold the brushes
A) Objects are more detailed in the distance B) Objects fade into the distance C) Objects have sharper edges in the distance D) Objects appear brighter in the distance
A) Green B) Violet C) Blue D) Orange
A) Stretching canvas B) Mixing and applying paint C) Cleaning brushes D) Thinning paint
A) A layer of gesso B) A thick, opaque layer of paint C) A thin, transparent layer of paint D) A mixture of paint and varnish
A) Bleach B) Acetone C) Water and soap D) Turpentine or mineral spirits
A) To create texture B) To prepare the surface for painting C) To add color to the canvas D) To protect the painting from UV light
A) The color of light reflecting off an object B) The actual color of an object C) The color created by mixing two colors D) The color of the shadows on an object
A) Painting with a palette knife B) Wet-on-wet painting C) Painting from a photograph D) Painting in layers
A) Green B) Yellow C) Orange D) Blue
A) To save money on paint B) To speed up the painting process C) To create a more realistic painting D) To create color harmony
A) In the regular trash B) Burned C) Soaked in water and sealed in a metal container D) Recycled
A) To alter the properties of the paint B) To add texture to the canvas C) To create a more realistic painting D) To protect the painting from UV light
A) A transparent underpainting B) A full-color underpainting C) A monochrome underpainting D) A textured underpainting
A) Reds B) Umbers C) Blues D) Yellows
A) Greater color intensity B) Easier to blend C) Lower cost D) Faster drying time
A) Slows down the drying time of oil paint B) Thins the oil paint C) Thickens the oil paint D) Speeds up the drying time of oil paint
A) The technique of painting clouds. B) The effect of atmosphere on distant objects. C) The use of perspective lines to create depth. D) The perspective of objects seen from above.
A) Ensuring the paint is completely dry. B) Varnishing in direct sunlight. C) Applying a thick layer of varnish. D) Using the correct type of brush.
A) To paint the subject in a very detailed manner B) To paint the subject from memory C) To paint the subject at its actual size D) To paint the subject quickly
A) The saturation of a color. B) The lightness or darkness of a color. C) The hue of a color. D) The intensity of a color.
A) The trees B) The water C) The sky D) The foreground
A) A thick, impasto layer of paint. B) A technique for cleaning brushes. C) A layer of varnish. D) A very thin, diluted layer of paint. |