A) The inner life of the actor
B) Lighting design
C) Stage direction
D) Costume selection

A) The setting of the play
B) The director's vision
C) The actor's personal goal
D) The character's overall goal

A) Method acting
B) System of acting
C) Meisner technique
D) Lee Strasberg's approach

A) Actor's biography
B) Director's notes
C) Stage movement
D) Underlying meaning of dialogue

A) Driving the action
B) Creating conflicts
C) Designing costumes
D) Establishing setting

A) To create depth for the character
B) To write the script
C) To outline stage directions
D) To describe costume choices

A) Rigid structure
B) Costume fittings
C) Learning lines
D) Exploration and experimentation

A) Real-life celebrities
B) Historical figures
C) Stanislavski's own experiences
D) Shakespeare's plays