A) Lighting design
B) Costume selection
C) The inner life of the actor
D) Stage direction

A) The actor's personal goal
B) The character's overall goal
C) The setting of the play
D) The director's vision

A) System of acting
B) Method acting
C) Lee Strasberg's approach
D) Meisner technique

A) Actor's biography
B) Director's notes
C) Stage movement
D) Underlying meaning of dialogue

A) Establishing setting
B) Driving the action
C) Creating conflicts
D) Designing costumes

A) To create depth for the character
B) To write the script
C) To outline stage directions
D) To describe costume choices

A) Costume fittings
B) Exploration and experimentation
C) Learning lines
D) Rigid structure

A) Real-life celebrities
B) Historical figures
C) Stanislavski's own experiences
D) Shakespeare's plays