A) To create hidden compartments for art pieces B) To dictate how the audience should interpret the artwork C) To select and arrange artworks for display D) To disassemble the artworks after display
A) To cast shadows and obscure the artwork B) To reduce the worth of the artwork C) To make it difficult for viewers to appreciate the art D) To enhance the visibility and atmosphere of the artwork
A) To provide a neutral backdrop that enhances the artworks B) To make the space look smaller C) To distract viewers from the art D) To prevent viewers from getting close to the art
A) To create a barrier between the art and the viewers B) To engage the audience and make them active participants C) To restrict any interaction with the artworks D) To intimidate the audience
A) To create immersive and dynamic experiences for viewers B) To limit the audience's access to art C) To make the art less appealing D) To hide the artworks from the public
A) To diminish the significance of the artwork B) To deter viewers from engaging with the art C) To confuse viewers about the artwork's meaning D) To create a sense of drama, impact, or intimacy
A) To cover up the artwork B) To provide context, explanation, or provoke thought C) To mislead viewers about the artwork D) To prevent viewers from reading about the art
A) By blocking the architecture from view B) By positioning the artworks randomly within the space C) By creating dialogue and interactions with the surroundings D) By ignoring the architecture completely
A) To overpower the artworks B) To introduce organic beauty and connect with the environment C) To pollute the exhibition space D) To alienate viewers from nature
A) By breaking down boundaries and exploring new forms of expression and experience B) By conforming to outdated methods of display C) By banning access to the art D) By limiting the viewers' understanding of the artwork |