A) To dictate how the audience should interpret the artwork
B) To select and arrange artworks for display
C) To disassemble the artworks after display
D) To create hidden compartments for art pieces

A) To enhance the visibility and atmosphere of the artwork
B) To cast shadows and obscure the artwork
C) To reduce the worth of the artwork
D) To make it difficult for viewers to appreciate the art

A) To make the space look smaller
B) To prevent viewers from getting close to the art
C) To provide a neutral backdrop that enhances the artworks
D) To distract viewers from the art

A) To restrict any interaction with the artworks
B) To engage the audience and make them active participants
C) To intimidate the audience
D) To create a barrier between the art and the viewers

A) To hide the artworks from the public
B) To make the art less appealing
C) To limit the audience's access to art
D) To create immersive and dynamic experiences for viewers

A) To confuse viewers about the artwork's meaning
B) To diminish the significance of the artwork
C) To create a sense of drama, impact, or intimacy
D) To deter viewers from engaging with the art

A) To provide context, explanation, or provoke thought
B) To prevent viewers from reading about the art
C) To mislead viewers about the artwork
D) To cover up the artwork

A) By blocking the architecture from view
B) By positioning the artworks randomly within the space
C) By ignoring the architecture completely
D) By creating dialogue and interactions with the surroundings

A) To alienate viewers from nature
B) To overpower the artworks
C) To introduce organic beauty and connect with the environment
D) To pollute the exhibition space

A) By conforming to outdated methods of display
B) By banning access to the art
C) By breaking down boundaries and exploring new forms of expression and experience
D) By limiting the viewers' understanding of the artwork