Musical theatre - Exam
A) Jason Robert Brown B) Stephen Sondheim C) Claude-Michel Schönberg D) Andrew Lloyd Webber
A) London B) Chicago C) Los Angeles D) New York City
A) Mamma Mia! B) The Phantom of the Opera C) Hamilton D) Wicked
A) Tim Rice B) Andrew Lloyd Webber C) Stephen Sondheim D) Lin-Manuel Miranda
A) Oliver! B) A Chorus Line C) Cats D) Chicago
A) Jersey Boys B) Rent C) Mamma Mia! D) Spring Awakening
A) Sunset Boulevard B) Matilda C) Les Misérables D) Miss Saigon
A) Dummies B) Marionettes C) Puppets D) Muppets
A) Company B) Sweeney Todd C) Rent D) Cats
A) Something Rotten! B) Rent C) Hairspray D) The Producers
A) Sutton Foster B) Kristin Chenoweth C) Lea Michele D) Idina Menzel
A) Maury Yeston B) John Kander C) Stephen Schwartz D) Andrew Lloyd Webber
A) Sunday in the Park with George B) Cats C) The Book of Mormon D) Avenue Q
A) Leonard Bernstein B) Richard Rodgers C) Jerome Kern D) Frank Loesser
A) Opera and dance B) Tragedy and farce C) Melodrama and pantomime D) Comedy and drama
A) Andrew Lloyd Webber, Stephen Sondheim, Rodgers and Hammerstein B) Kander and Ebb, Leonard Bernstein, Cole Porter C) Lin-Manuel Miranda, Claude-Michel Schönberg, Tim Rice D) Jacques Offenbach, Gilbert and Sullivan, Harrigan and Hart
A) Show Boat (1927) B) My Fair Lady (1956) C) Hair (1967) D) The Fantasticks (1960)
A) Two acts with one short intermission B) One act without any intermission C) Four acts with multiple intermissions D) Three acts with two intermissions
A) Musical scenes B) Operatic arias C) Recitatives D) Dance numbers
A) To write the script and compose all the music B) To manage the financial aspects of the production C) To handle marketing and public relations D) To interpret and creatively characterize the production through direction, music, choreography, and design
A) Spoken dialogue only B) Prose recitation C) Song and dance D) Silent acting
A) Novels B) Historical events C) Plays D) Films
A) To replace all spoken dialogue B) To provide background music only C) To serve as intermission entertainment D) To be used especially in sung-through musicals
A) All songs are unrelated to the story B) Dance numbers replace all dialogue C) Songs are crafted to suit characters and their situations D) There are no reprises in the score
A) Evita B) Camelot C) Hamilton D) Wicked
A) Four to six hours B) Less than one hour C) One and a half to three hours D) Over eight hours
A) Lighting B) Set design C) Costumes D) Marketing strategies
A) Dancing B) Choreographed fight scenes C) Poetry recitations D) Silent mime performances
A) Multi-skilled performer B) Versatile artist C) Dual talent D) Triple threat
A) Pit orchestra B) Chamber orchestra C) String quartet D) Symphony orchestra
A) Japanese theatre B) Indian musical theatre C) Taiwanese opera D) Chinese opera
A) Junior versions or minimusicals B) Musical revues C) Full-length productions D) Opera adaptations
A) Parsi theatre B) Bollywood musicals C) Yakshagana D) Indian classical theatre
A) Youth plays B) Minimusicals C) Children's operas D) School musicals
A) Indian classical dance B) Japanese Noh C) Taiwanese opera D) Chinese theatre
A) Indian theatre B) Taiwanese opera C) Japanese Noh D) Chinese opera
A) Egyptian Civilization B) Mesopotamia C) Roman Empire D) Ancient Greece
A) Greek mythology B) Roman law C) Christian parables D) The liturgy
A) Opera buffa B) Ballad operas C) Court masques D) Commedia dell'arte
A) Henry Purcell B) Johann Strauss II C) Jean-Baptiste Lully D) John Blow
A) A Trip to Chinatown B) In Town C) Florodora D) The Belle of New York
A) In Town B) A Chinese Honeymoon C) The Quaker Girl D) Florodora
A) Shuffle Along B) Sally; Lady, Be Good C) The Merry Widow D) Naughty Marietta
A) Operetta B) Minstrel show routines C) Comic opera D) Ragtime
A) Saint Joan B) Candida C) Pygmalion D) Major Barbara
A) Babes in Arms (1937) B) On Your Toes (1936) C) The Boys from Syracuse (1938) D) I'd Rather Be Right (1937)
A) Hello, Dolly! B) Celebration C) I Do! I Do! D) The Fantasticks
A) Leonard Bernstein B) Irving Berlin C) Cole Porter D) Rodgers and Hammerstein
A) Jesus Christ Superstar B) Cabaret C) Evita D) A Chorus Line
A) Cole Porter B) George Abbott C) Ira Gershwin D) Orson Welles
A) German operettas B) French comédie musicale C) British tradition D) American innovation
A) Mame B) La Cage aux Folles C) Dear World D) Hello, Dolly!
A) Pacific Overtures B) Company C) Assassins D) Sunday in the Park with George
A) Bob Fosse B) Gower Champion C) Jerome Robbins D) Michael Bennett
A) The Music Man B) Gypsy C) My Fair Lady D) West Side Story
A) John Philip Sousa B) Seymour Hicks C) Reginald De Koven D) George M. Cohan
A) South Pacific B) The Sound of Music C) Carousel D) The King and I
A) The Black Domino/Between You, Me and the Post B) Evangeline or The Belle of Arcadia C) The Mulligan Guard Picnic D) The Black Crook
A) Sally; Lady, Be Good B) Shuffle Along C) No, No, Nanette D) Oh, Kay!
A) Merrily We Roll Along B) A Funny Thing Happened on the Way to the Forum C) Anyone Can Whistle D) Company
A) 1936 B) 1934 C) 1938 D) 1939
A) Leonard Bernstein B) Jule Styne C) Stephen Sondheim D) Frederick Loewe
A) Irene B) Chu Chin Chow C) The Beggar's Opera D) Shuffle Along
A) Evita B) Jesus Christ Superstar C) Dreamgirls D) A Chorus Line
A) Oscar Hammerstein II B) Ira Gershwin C) George and Ira Gershwin D) Cole Porter
A) P.T. Barnum B) William Hallam C) Lewis Hallam D) John Gay
A) The Wiz B) Dreamgirls C) Godspell D) Pippin
A) Hello, Dolly! B) Man of La Mancha C) The Fantasticks D) Fiddler on the Roof
A) Chu Chin Chow B) Shuffle Along C) The Maid of the Mountains D) Irene
A) Lionel Monckton B) Ivan Caryll C) Sidney Jones D) John Philip Sousa
A) Of Thee I Sing (1931) B) As Thousands Cheer (1933) C) The Cradle Will Rock (1937) D) Porgy and Bess (1935)
A) Seven Sisters B) The Black Crook C) The Magic Deer D) H.M.S. Pinafore
A) New York musical comedies B) George Edwardes's productions C) Harrigan and Hart pieces D) Gilbert and Sullivan works
A) A Chinese Honeymoon B) Florodora C) In Town D) The Arcadians
A) Widescreen format B) Color film C) 3D technology D) Synchronized sound
A) Two Gentlemen of Verona B) Jesus Christ Superstar C) The Rocky Horror Show D) Evita
A) Julie Andrews B) Mary Martin C) Rex Harrison D) Gypsy Rose Lee
A) Sunday in the Park with George B) Into the Woods C) Company D) Assassins
A) South Pacific B) The King and I C) Carousel D) Oklahoma!
A) Meredith Willson B) Arthur Laurents C) Trevor Nunn D) George Abbott
A) Comic operas B) Minstrel shows C) Tin Pan Alley D) Operettas
A) Me and My Girl B) The Band Wagon (1931) C) Anything Goes (1934) D) Hellzapoppin (1938)
A) Seymour Hicks B) John Philip Sousa C) George Edwardes D) Reginald De Koven
A) Jerome Robbins B) Agnes de Mille C) Michael Bennett D) Bob Fosse
A) Fiddler on the Roof B) Ragtime C) Parade D) West Side Story
A) Anything Goes (1934) B) On Your Toes (1936) C) The Cradle Will Rock (1937) D) Hellzapoppin (1938)
A) George Edwardes B) Charles Frohman C) Reginald De Koven D) John Philip Sousa
A) Shuffle Along B) Ziegfeld Follies C) Princess Theatre shows D) The Merry Widow
A) Victor Herbert B) Cole Porter C) Ivor Novello D) Jerome Kern
A) Man of La Mancha B) Hello, Dolly! C) Hair D) Fiddler on the Roof
A) H.M.S. Pinafore B) Dorothy C) Evangeline or The Belle of Arcadia D) The Mikado
A) Fascinating Rhythm B) Someone to Watch Over Me C) Tea for Two D) Naughty Marietta
A) Noël Coward B) Ethel Merman C) Adele Astaire D) Irving Berlin
A) P. G. Wodehouse B) Victor Herbert C) Franz Lehár D) Oscar Straus
A) My Fair Lady B) Salad Days C) Guys and Dolls D) The Boy Friend
A) A Chinese Honeymoon B) The Geisha C) Florodora D) The Belle of New York
A) Julie Andrews B) Rex Harrison C) Mary Martin D) Gypsy Rose Lee
A) I Am What I Am B) Hello, Dolly! C) We Need a Little Christmas D) Mame
A) Lee Remick B) Angela Lansbury C) Barbra Streisand D) Zero Mostel
A) Follies B) Sweeney Todd C) Company D) Pacific Overtures |
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