A) 1959 B) 1967 C) 1971 D) 1984
A) Guy Debord B) Herbert Marcuse C) Marshall McLuhan D) Jean Baudrillard
A) A visual performance art. B) A type of advertising. C) A form of mass entertainment. D) A social relationship mediated by images.
A) Advancements in technology. B) The commodification of social life. C) Increased political protests. D) Cultural revitalization.
A) Greater community engagement. B) Alienation from authentic experiences. C) Increased political awareness. D) Enhanced social connections.
A) As a means for liberation. B) As a tool for maintaining the spectacle. C) As an unbiased informer. D) As a catalyst for action.
A) Marxism. B) Structuralism. C) Existentialism. D) Postmodernism.
A) It leads to revolutionary change. B) It is fully expressed and celebrated. C) It is the primary form of activism. D) It is subordinated to collective images.
A) By avoiding technology. B) By promoting celebrity culture. C) Through critical engagement and social struggle. D) By embracing consumer culture. |