A) Fritz Lang B) Alfred Hitchcock C) Robert Wiene D) F.W. Murnau
A) 1925 B) 1920 C) 1915 D) 1930
A) German Expressionism B) Surrealism C) Cubism D) Impressionism
A) Francis B) Dr. Caligari C) Cesare D) Alan
A) Hans Janowitz and Carl Mayer B) Robert Wiene C) Fritz Lang D) Alfred Hitchcock
A) Der Schrankenschreck von Dr. Caligari B) Der Schrank des Dr. Caligari C) Das Cabinet des Dr. Caligari D) Die Schublade des Dr. Caligari
A) Yellow B) Green C) Blue D) Red
A) Kurt B) Ludwig C) Rudolf D) Cesare
A) Hans Janowitz B) Carl Mayer C) Werner Krauss D) Conrad Veidt
A) Doctor B) Hypnotist C) Police Officer D) Criminal
A) Naturalistic style B) Minimalist style C) Fantastic, graphic style D) Realistic style
A) The common man conditioned to kill B) A symbol of freedom and independence C) A representation of artistic creativity D) An embodiment of justice
A) Best Silent Films B) Top 10 Horror Films C) Brussels 12 list D) Classic Cinema Awards
A) Carl Mayer B) Roger Ebert C) Danny Peary D) Hans Janowitz
A) A documentary-style narration B) An open-ended conclusion C) A linear, straightforward plot D) A frame story with a twist ending
A) Franzis's fiancée who suffers a great ordeal B) A police officer investigating the murders C) An unrelated bystander D) Dr. Caligari's assistant
A) Franzis is revealed to be an asylum inmate. B) Jane marries Franzis and they leave the asylum. C) Dr. Caligari escapes from the asylum. D) Cesare returns as a ghost.
A) Erich Pommer, head of Decla-Film studio. B) Ernst Deutsch, their mutual friend. C) Hermann Warm, set designer. D) Gilda Langer
A) Italian spelling 'Cassettino' B) English spelling 'Cabinet' C) German spelling 'Kabinett' D) French spelling 'Cabinet'
A) 141 scenes B) 50 scenes C) 100 scenes D) 200 scenes
A) Julius Sternheim B) Erich Pommer C) Hermann Warm D) Fritz Lang
A) Calligaris B) Cagliostro C) Callisto D) Caligaro
A) 5,000 marks B) 15,000 marks C) 3,500 marks D) 10,000 marks
A) Hermann Warm B) Erich Pommer C) Gilda Langer D) Ernst Deutsch
A) Director B) Writer C) Actress D) Fortune teller
A) A military psychiatrist. B) Portraits of Arthur Schopenhauer. C) A circus sideshow performer. D) Stendhal's letters.
A) By serving as a pacifist officer B) By fleeing to another country C) By joining the film industry D) By feigning madness
A) 'The Hypnotist's Dream' B) 'Man or Machine?' C) 'The Great Illusion' D) 'The Enigma Show'
A) Peter Sellars B) Stephen Sayadian C) Tom Palazzolo D) Robert Lippert
A) Peter Michael Hamel B) Brian Satterwhite C) Timothy Brock D) Jeff Beal
A) Karl Freund B) Gustav Ucicky C) Willy Hameister D) Fritz Arno Wagner
A) Jeff Beal B) Brian Satterwhite C) Karl Bartos D) Timothy Brock
A) Geoff Smith B) Brian Satterwhite C) Timothy Brock D) Peter Michael Hamel
A) Murnau Studios, Munich B) UFA Film Studio, Neubabelsberg C) Lixie-Film studio in Weißensee, Berlin D) Babelsberg Studios, Potsdam
A) Timothy Brock B) Geoff Smith C) Peter Michael Hamel D) Brian Satterwhite
A) A subconscious need for a tyrant B) A call for democratic reform C) An endorsement of military service D) Support for bureaucratic efficiency
A) Jeff Beal B) Timothy Brock C) Brian Satterwhite D) Karl Bartos
A) Timothy Brock B) Jeff Beal C) Brian Satterwhite D) Peter Michael Hamel
A) One month B) Seven consecutive years C) Three months D) Two weeks
A) Werner Krauss B) Conrad Veidt C) Lil Dagover D) Friedrich Feger
A) Metro-Goldwyn-Mayer B) Goldwyn Distributing Company C) Universal Studios D) Paramount Pictures
A) Fritz Lang B) Carl Mayer C) Robert Wiene D) Hans Janowitz
A) Three months B) One month C) A few days D) About two weeks
A) 1921 B) 1919 C) 1918 D) 1920
A) Louis Delluc B) Erich Pommer C) Ernö Rapée D) Samuel Roxy Rothafel
A) Doug Jones B) Luke Treadaway C) John de Lancie D) Rob Zombie
A) Scottish Opera B) The Club Foot Orchestra C) Brussels Philharmonic D) Dallas Chamber Symphony
A) Edison Studio B) Club Foot Orchestra C) Toundra D) Monomyth
A) It was missing from the script. B) It included a detailed epilogue. C) It confirmed Kracauer's theory. D) It ended with Caligari becoming institutionalised.
A) World War II era B) Pre-World War I Europe C) Post-World War I Germany D) Cold War tensions
A) Universal Studios B) Paramount Pictures C) Goldwyn Distributing Company D) Cosmograph company
A) To achieve a realistic look. B) Due to lack of skilled set builders. C) It was a significant financial saving. D) To follow Alfred Kubin's style.
A) Alan B) Cesare C) Franzis D) Jane
A) Fritz Lang B) Robert Lippert C) Stephen Sayadian D) Tom Palazzolo
A) Werner Krauss B) Conrad Veidt C) Lil Dagover D) Friedrich Feger
A) Acting was considered the key factor. B) Scripts were prioritized over visual style. C) Costumes were the most important element. D) Sets held more importance than anything else.
A) Rob Zombie B) Jean Cocteau C) Tom Palazzolo D) Fritz Lang
A) : Noon B) Dawn C) : Afternoon D) : Midnight
A) Producer B) Screenwriter C) Set designer D) Director
A) John Moran B) Peter Michael Hamel C) Jeff Beal D) Timothy Brock
A) Artistic experimentation B) A focus on commercial success C) An adherence to traditional storytelling D) A realistic portrayal of events
A) Peter Michael Hamel B) Deepan Sivaraman C) Jeff Beal D) Timothy Brock
A) A character called 'Cranford' B) Erich Pommer C) Samuel Roxy Rothafel D) Louis Delluc
A) Friedrich Feger B) Gilda Langer C) Hans-Heinz von Twardowski D) Lil Dagover
A) Surviving soldiers B) : Artists C) : Economists D) : Political leaders
A) Cubist B) Romantic C) Expressionist D) Realistic
A) Sergei Rachmaninoff B) Johann Strauss III C) Claude Debussy D) Arnold Schoenberg
A) Silent Horror. B) German Expressionists. C) Weimar Republic. D) Cali Gari.
A) Realist characters in stylised settings B) Minimalist stage design C) Naturalistic dialogue and settings D) Historical accuracy
A) London B) Los Angeles C) New York City D) Paris |