A) Peder Balke
B) Christoffer Wilhelm Eckersberg
C) Martinus Rørbye
D) Johan Christian Dahl

A) French Impressionism
B) German Romanticism
C) Dutch Baroque
D) Danish Golden Age

A) Castle tower
B) Church spire
C) Windmill
D) Bridge

A) Pastel colors
B) Earth tones and muted colors
C) Monochrome
D) Bright primary colors

A) Residential building
B) Palace
C) School
D) Church

A) Mirror reflects both spaces
B) Window acts as transitional element
C) Doorway connects the areas
D) Curtain separates the spaces

A) Religious devotion
B) Observation of everyday life
C) Political commentary
D) Mythological narrative

A) Oil on canvas
B) Fresco
C) Tempera on wood
D) Watercolor on paper

A) Circular movement
B) Zigzag pattern
C) From interior to distant view
D) Bottom to top

A) Peasant farmers
B) Industrial workers
C) Royal aristocracy
D) Middle class

A) Introduction of perspective
B) Beginning of abstract art
C) Early example of urban view painting
D) First use of oil paint

A) National Gallery, London
B) Louvre Museum
C) Metropolitan Museum
D) Statens Museum for Kunst

A) Color theory
B) Perspective
C) Abstract forms
D) Brushstroke texture