A) The fairies taking over the land of the mortals B) The actors determining how to put on their play C) Lovers working out their relationships D) The king conquering a new land
A) Each line has a steady rhythm which is mostly consistent depending on the character B) Each line has five syllables, that alternate between stressed and unstressed C) Each line alternates between stressed and unstressed, no matter how many syllables D) Each line had ten syllables, which start with unstressed and alternate with stressed
A) Five syllables: alternating stressed and unstressed B) Ten syllables: which make up a line of the play C) Two syllables: first stressed, then unstressed D) Three syllables: first stressed, then two unstressed
A) Hippolyta B) Hermia C) Titania D) Mustardseed E) Bottom
A) Puck B) Hippolyta C) Hermia D) Helena E) Titania
A) Theseus B) Egeus C) Puck D) Oberon E) Bottom
A) Conflict B) Genre C) Alliteration D) Oxymoron E) Soliloquy
A) Genre B) Imagery C) Soliloquy D) Alliteration E) Double Entendre
A) Soliloquy B) Alliteration C) Resolution D) Double Entendre E) Conflict
A) Contrast B) Metaphor C) Hyperbole D) Simile E) Symbol
A) Hyperbole B) Simile C) Double Entendre D) Soliloquy E) Oxymoron
A) Demetrius and Lysander both fall in love with Helena B) Titania gives up the boy to Oberon C) Puck distributes the love potion D) Theseus plans to marry Hippolyta
A) Hermia and Helena get into a big fight B) Egeus protests his daughter's marriage with Theseus C) Bottom turns into a donkey D) The actors put on a play
A) The men B) The ladies C) The actors D) The fairies
A) A characters is a rock for someone to sit on B) A character plays a wall separating lovers C) A character echos sounds effects from the background D) A character pretends to be a tree to provide shade
A) The ladies, who have no power of decision B) The fairies, who are disregarded as meaningless and ineffective C) The undefended, who end up marrying he who conquered them D) The children, who must abide by the decisions of their parents E) The actors, who are at the mercy of their audience |