A) Lovers working out their relationships B) The fairies taking over the land of the mortals C) The king conquering a new land D) The actors determining how to put on their play
A) Each line has five syllables, that alternate between stressed and unstressed B) Each line had ten syllables, which start with unstressed and alternate with stressed C) Each line has a steady rhythm which is mostly consistent depending on the character D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Ten syllables: which make up a line of the play B) Five syllables: alternating stressed and unstressed C) Three syllables: first stressed, then two unstressed D) Two syllables: first stressed, then unstressed
A) Mustardseed B) Titania C) Bottom D) Hermia E) Hippolyta
A) Hermia B) Helena C) Puck D) Hippolyta E) Titania
A) Bottom B) Puck C) Oberon D) Egeus E) Theseus
A) Soliloquy B) Genre C) Conflict D) Alliteration E) Oxymoron
A) Soliloquy B) Double Entendre C) Genre D) Alliteration E) Imagery
A) Soliloquy B) Conflict C) Double Entendre D) Alliteration E) Resolution
A) Hyperbole B) Contrast C) Symbol D) Metaphor E) Simile
A) Hyperbole B) Simile C) Oxymoron D) Soliloquy E) Double Entendre
A) Puck distributes the love potion B) Titania gives up the boy to Oberon C) Theseus plans to marry Hippolyta D) Demetrius and Lysander both fall in love with Helena
A) Bottom turns into a donkey B) The actors put on a play C) Egeus protests his daughter's marriage with Theseus D) Hermia and Helena get into a big fight
A) The actors B) The men C) The ladies D) The fairies
A) A character plays a wall separating lovers B) A characters is a rock for someone to sit on C) A character echos sounds effects from the background D) A character pretends to be a tree to provide shade
A) The ladies, who have no power of decision B) The undefended, who end up marrying he who conquered them C) The fairies, who are disregarded as meaningless and ineffective D) The children, who must abide by the decisions of their parents E) The actors, who are at the mercy of their audience |