A) Lovers working out their relationships B) The actors determining how to put on their play C) The king conquering a new land D) The fairies taking over the land of the mortals
A) Each line has a steady rhythm which is mostly consistent depending on the character B) Each line has five syllables, that alternate between stressed and unstressed C) Each line had ten syllables, which start with unstressed and alternate with stressed D) Each line alternates between stressed and unstressed, no matter how many syllables
A) Three syllables: first stressed, then two unstressed B) Ten syllables: which make up a line of the play C) Five syllables: alternating stressed and unstressed D) Two syllables: first stressed, then unstressed
A) Mustardseed B) Hermia C) Bottom D) Hippolyta E) Titania
A) Hippolyta B) Puck C) Hermia D) Helena E) Titania
A) Puck B) Egeus C) Oberon D) Theseus E) Bottom
A) Alliteration B) Oxymoron C) Conflict D) Genre E) Soliloquy
A) Soliloquy B) Genre C) Alliteration D) Double Entendre E) Imagery
A) Double Entendre B) Conflict C) Alliteration D) Soliloquy E) Resolution
A) Symbol B) Simile C) Hyperbole D) Metaphor E) Contrast
A) Double Entendre B) Hyperbole C) Oxymoron D) Soliloquy E) Simile
A) Theseus plans to marry Hippolyta B) Titania gives up the boy to Oberon C) Puck distributes the love potion D) Demetrius and Lysander both fall in love with Helena
A) Hermia and Helena get into a big fight B) Bottom turns into a donkey C) The actors put on a play D) Egeus protests his daughter's marriage with Theseus
A) The men B) The fairies C) The ladies D) The actors
A) A character pretends to be a tree to provide shade B) A character plays a wall separating lovers C) A characters is a rock for someone to sit on D) A character echos sounds effects from the background
A) The children, who must abide by the decisions of their parents B) The ladies, who have no power of decision C) The fairies, who are disregarded as meaningless and ineffective D) The undefended, who end up marrying he who conquered them E) The actors, who are at the mercy of their audience |