A) Richard Rodgers B) Trevor Nunn C) Lorenz Hart D) George Abbott
A) John Napier B) Michael Billington C) Guy Woolfenden D) Irving Wardle
A) Olivier Award for Best New Musical B) Grammy Award for Best Musical Theater Album C) Tony Award for Best Musical D) Drama Desk Award for Outstanding Musical
A) Twelfth Night B) A Midsummer Night's Dream C) The Comedy of Errors D) Much Ado About Nothing
A) Joey McKneely B) Michael Williams C) John Napier D) Gillian Lynne
A) Women's Project Theater, New York City B) Aldwych Theatre, London C) Royal Shakespeare Theatre, Stratford-upon-Avon D) West End, London
A) Michael Williams B) Roger Rees C) Mike Gwilym D) Nickolas Grace
A) John Woodvine B) Judi Dench C) Francesca Annis D) Richard Griffiths
A) It does not give you much to hum on the way out, but it supplies a springboard into dramatic song and dance. B) It perfectly integrates text and music by the time it reached the Aldwych in 1977. C) It is reminiscent of Theodorakis with Zorba-like dances. D) It impeded the farcical momentum initially.
A) Much Ado About Nothing B) Twelfth Night C) A Midsummer Night's Dream D) The Boys from Syracuse
A) John Rando B) Trevor Nunn C) Gillian Lynne D) Philip Casson
A) 29 September 1976 B) 18 April 1978 C) May 2001 D) 1977
A) The Acting Company B) Royal Shakespeare Company C) ITV D) West End Theatre
A) Philip Casson B) Gillian Lynne C) John Rando D) Trevor Nunn
A) Michael Williams B) Gillian Lynne C) Joey McKneely D) John Napier |