A) To provide a sharp, crisp backbeat. B) To solely keep time. C) To produce a low, resonant tone. D) To replace the bass drum.
A) Tighten the snare wires. B) Position the snare stand. C) Tune the batter head. D) Place the snare on the floor.
A) The batter head. B) The drum's bottom hoop/shell. C) The throw-off lever. D) The snare wires.
A) The bottom head. B) The top head. C) The snare head. D) The resonant head.
A) The batter head. B) The impact head. C) The top head. D) The resonant head.
A) To make it easier to carry. B) To make it louder. C) To achieve the desired tone and resonance. D) To prevent damage to the drum.
A) Batter head. B) They are always tuned the same. C) Resonant head. D) Depends on the weather.
A) A drum key. B) Pliers. C) A screwdriver. D) A wrench.
A) Clockwise pattern. B) Counter-clockwise pattern. C) Star pattern. D) Random pattern.
A) Each tension rod being tightened the same amount. B) Only tightening the rods on one side. C) Using different types of tension rods. D) The resonant head being tighter than the batter head.
A) To create a buzzing sound when the drum is struck. B) To protect the resonant head. C) To dampen the sound of the drum. D) To hold the drum together.
A) The butt plate. B) The throw-off lever. C) The tension rods. D) The snare bed.
A) The space between the batter head and resonant head. B) The metal frame holding the snare wires. C) The area on the batter head you strike. D) Indentations in the shell where the snare wires sit.
A) They will make a ringing sound. B) They will buzz excessively. C) They will choke the sound. D) They will break.
A) They will choke the drum's resonance. B) They will break. C) They will buzz excessively. D) They will increase the drum's volume.
A) To protect the batter head. B) To control overtones and sustain. C) To adjust the snare wire tension. D) To make the drum louder.
A) Underneath the snare wires. B) Around the drum shell. C) On the batter head. D) On the resonant head.
A) Plastic only. B) Wood or Metal. C) Rubber. D) Glass.
A) Maple. B) Pine. C) Birch. D) Mahogany.
A) Dampens the resonant head. B) Tensions the batter head. C) Attaches the drum to the stand. D) Secures the snare wires on one side.
A) Depth has no effect on sound. B) Shallower drums always have more sustain. C) Deeper drums are always higher pitched. D) Deeper drums generally have more resonance.
A) Striking the rim with the shoulder of the stick. B) Using two drumsticks simultaneously. C) Hitting the snare wires directly. D) Placing a stick across the snare drum.
A) A loud, accented note. B) A very quiet, subtle note. C) A note that is intentionally missed. D) A note played on the rim.
A) To prevent it from getting stolen. B) To maintain its tuning. C) To prevent damage to the shell, heads, and hardware. D) To keep it clean.
A) Amplifying the drum's sound. B) Replacing the drum stand. C) Dampening the drum's vibrations. D) Protecting the drum during transport and storage.
A) Water only. B) A soft cloth and drum cleaner. C) Abrasive cleaner. D) Steel wool.
A) Every month. B) Only when they break. C) Every year. D) When they become worn or lose their tone.
A) Muffling the drum with your hand. B) Striking the head near the rim. C) Striking only the rim. D) Striking the rim and head simultaneously.
A) A single, loud note. B) A silent beat. C) A type of drum fill. D) Two notes played very close together.
A) A hammer and nails. B) A vacuum cleaner and polishing cloth. C) Cooking oil and a sponge. D) Duct tape, extra snare wires, dampening gel. |