A) To produce a low, resonant tone. B) To solely keep time. C) To replace the bass drum. D) To provide a sharp, crisp backbeat.
A) Position the snare stand. B) Place the snare on the floor. C) Tighten the snare wires. D) Tune the batter head.
A) The batter head. B) The throw-off lever. C) The snare wires. D) The drum's bottom hoop/shell.
A) The bottom head. B) The snare head. C) The top head. D) The resonant head.
A) The impact head. B) The batter head. C) The resonant head. D) The top head.
A) To prevent damage to the drum. B) To make it easier to carry. C) To achieve the desired tone and resonance. D) To make it louder.
A) Depends on the weather. B) Batter head. C) They are always tuned the same. D) Resonant head.
A) A drum key. B) A wrench. C) A screwdriver. D) Pliers.
A) Clockwise pattern. B) Star pattern. C) Random pattern. D) Counter-clockwise pattern.
A) Each tension rod being tightened the same amount. B) The resonant head being tighter than the batter head. C) Only tightening the rods on one side. D) Using different types of tension rods.
A) To dampen the sound of the drum. B) To create a buzzing sound when the drum is struck. C) To hold the drum together. D) To protect the resonant head.
A) The tension rods. B) The snare bed. C) The throw-off lever. D) The butt plate.
A) The metal frame holding the snare wires. B) The space between the batter head and resonant head. C) The area on the batter head you strike. D) Indentations in the shell where the snare wires sit.
A) They will buzz excessively. B) They will choke the sound. C) They will break. D) They will make a ringing sound.
A) They will choke the drum's resonance. B) They will increase the drum's volume. C) They will buzz excessively. D) They will break.
A) To adjust the snare wire tension. B) To make the drum louder. C) To protect the batter head. D) To control overtones and sustain.
A) Underneath the snare wires. B) Around the drum shell. C) On the batter head. D) On the resonant head.
A) Wood or Metal. B) Glass. C) Plastic only. D) Rubber.
A) Maple. B) Mahogany. C) Pine. D) Birch.
A) Dampens the resonant head. B) Secures the snare wires on one side. C) Tensions the batter head. D) Attaches the drum to the stand.
A) Shallower drums always have more sustain. B) Depth has no effect on sound. C) Deeper drums generally have more resonance. D) Deeper drums are always higher pitched.
A) Hitting the snare wires directly. B) Using two drumsticks simultaneously. C) Striking the rim with the shoulder of the stick. D) Placing a stick across the snare drum.
A) A note played on the rim. B) A note that is intentionally missed. C) A very quiet, subtle note. D) A loud, accented note.
A) To prevent damage to the shell, heads, and hardware. B) To prevent it from getting stolen. C) To maintain its tuning. D) To keep it clean.
A) Protecting the drum during transport and storage. B) Amplifying the drum's sound. C) Dampening the drum's vibrations. D) Replacing the drum stand.
A) A soft cloth and drum cleaner. B) Abrasive cleaner. C) Steel wool. D) Water only.
A) Every year. B) Only when they break. C) Every month. D) When they become worn or lose their tone.
A) Striking the rim and head simultaneously. B) Striking the head near the rim. C) Muffling the drum with your hand. D) Striking only the rim.
A) A single, loud note. B) Two notes played very close together. C) A silent beat. D) A type of drum fill.
A) Cooking oil and a sponge. B) A vacuum cleaner and polishing cloth. C) Duct tape, extra snare wires, dampening gel. D) A hammer and nails. |