A) 1892 B) 1889 C) 1885 D) 1878
A) Saint-Paul-de-Mausole asylum B) His parents' home in Nuenen C) With his brother Theo in Paris D) The Yellow House in Arles
A) Winter B) Autumn C) Spring D) Summer
A) Oak trees B) Palm trees C) Willow trees D) Cypress trees
A) Through swirling, energetic brushstrokes B) Through diagonal composition C) Through blurred figures D) Through repetition of shapes
A) He was voluntarily in an asylum B) He was completely healthy C) He was traveling extensively D) He was teaching art students
A) Close-up view B) Bird's eye view C) Ground-level view D) Elevated, looking across the landscape
A) The Starry Night B) Sunflowers C) The Night Café D) The Potato Eaters
A) Wheat fields B) Vineyards C) Lavender fields D) Olive groves
A) Through humorous elements B) Through precise, controlled technique C) Through dark, somber tones D) Through intense, expressive color and brushwork
A) Through textural variation B) Through overlapping planes and atmospheric perspective C) Through color blocking D) Through linear perspective only
A) A royal palace B) A university C) A monastery and asylum D) A hospital for war veterans
A) More realistic and detailed B) Larger scale figures C) Brighter, more varied colors D) More expressive and emotional brushwork
A) Wind and atmospheric movement B) Rainstorm approaching C) Solar eclipse D) Northern lights
A) As a vibrant, almost tangible element B) As artificial lighting C) As harsh, direct sunlight D) As subtle, diffused illumination
A) Impasto (thick paint application) B) Pointillism (dots of color) C) Sfumato (soft blending) D) Glazing (thin transparent layers)
A) Burgundy B) Brittany C) Provence D) Normandy
A) Post-Impressionism B) Cubism C) Renaissance D) Baroque
A) Tempera on wood B) Charcoal on canvas C) Watercolor on paper D) Oil on canvas |