A) 1885 B) 1889 C) 1878 D) 1892
A) With his brother Theo in Paris B) His parents' home in Nuenen C) Saint-Paul-de-Mausole asylum D) The Yellow House in Arles
A) Autumn B) Winter C) Spring D) Summer
A) Cypress trees B) Palm trees C) Willow trees D) Oak trees
A) Through swirling, energetic brushstrokes B) Through blurred figures C) Through repetition of shapes D) Through diagonal composition
A) He was voluntarily in an asylum B) He was traveling extensively C) He was teaching art students D) He was completely healthy
A) Close-up view B) Elevated, looking across the landscape C) Bird's eye view D) Ground-level view
A) The Potato Eaters B) The Night Café C) Sunflowers D) The Starry Night
A) Vineyards B) Olive groves C) Lavender fields D) Wheat fields
A) Through humorous elements B) Through intense, expressive color and brushwork C) Through precise, controlled technique D) Through dark, somber tones
A) Through color blocking B) Through textural variation C) Through linear perspective only D) Through overlapping planes and atmospheric perspective
A) A hospital for war veterans B) A monastery and asylum C) A royal palace D) A university
A) More realistic and detailed B) Brighter, more varied colors C) More expressive and emotional brushwork D) Larger scale figures
A) Northern lights B) Rainstorm approaching C) Solar eclipse D) Wind and atmospheric movement
A) As artificial lighting B) As a vibrant, almost tangible element C) As harsh, direct sunlight D) As subtle, diffused illumination
A) Impasto (thick paint application) B) Sfumato (soft blending) C) Glazing (thin transparent layers) D) Pointillism (dots of color)
A) Brittany B) Provence C) Normandy D) Burgundy
A) Cubism B) Renaissance C) Post-Impressionism D) Baroque
A) Charcoal on canvas B) Watercolor on paper C) Tempera on wood D) Oil on canvas |