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A) 160 B) 200 C) 126 D) 154
A) Love's Labour's Lost B) Romeo and Juliet C) Henry V D) Much Ado About Nothing
A) Henry Wriothesley, 3rd Earl of Southampton B) A fictional character with no historical basis C) An unnamed young man addressed by the poet D) William Hughes, a young actor
A) ABAB CDCD EFEF GG B) ABBA ABBA CDE CDE C) AABB CCDD EEFF GG D) ABC ABC DEF DEF GG
A) The Dark Lady B) The Rival Poet C) The Fair Youth D) The narrator
A) 154 sonnets B) Three quatrains and a final couplet C) 47 seven-line stanzas written in rhyme royal D) An epic poem
A) A composite of several poets B) Francis Davison C) John Davies of Hereford D) Ben Jonson
A) Admiration for the youth's beauty and a plea to marry and have children B) Rejection and independence C) Infidelity and betrayal D) Lust and homoeroticism
A) The Canterbury Tales B) Paradise Lost C) Leaves of Grass D) Shakespeare's Sonnets
A) A repetition of ideas B) The beginning of the poem C) The end of the poem D) A turn or shift in thought or mood
A) Love's Labour's Lost B) Henry V C) Romeo and Juliet D) Much Ado About Nothing
A) It is a subject of speculation regarding his identity B) It identifies him as the Fair Youth C) It confirms Mr. W.H. as the author D) It reveals him to be the Dark Lady
A) Petrarchan sonnet B) Free verse C) Spenserian sonnet D) English or Shakespearean sonnet
A) The adventures of a knight B) The misery of a woman victimized by male desire C) The triumphs of love D) The beauty of nature
A) Romeo and Juliet B) Henry V C) Love's Labour's Lost D) Much Ado About Nothing
A) They are written in rhyme royal B) They follow the Shakespearean sonnet form C) They are free verse D) They consist of three quatrains and a couplet
A) Edward Alleyn B) Ben Jonson C) William Hughes D) Henry Wriothesley, 3rd Earl of Southampton
A) Overt sexuality and a defiant departure from traditional themes B) Rejection of her advances C) Admiration for her intelligence D) Praise for her beauty
A) Iambic pentameter B) Trochaic tetrameter C) Dactylic hexameter D) Anapestic trimeter
A) Romeo and Juliet B) Henry V C) All’s Well that Ends Well D) Much Ado About Nothing
A) Edward Alleyn B) Thomas Thorpe C) William Shakespeare D) George Eld
A) The Phoenix and the Turtle B) The Rape of Lucrece C) Venus and Adonis D) A Lover's Complaint
A) 14 B) 28 C) 126 D) 40
A) Thomas Thorpe B) William Aspley C) George Eld D) John Wright
A) ABBAABBACDCDCD B) AABBCCDDEEFFGG C) ABABCDCDEFEFGG D) ABABBCBCCDCDDC
A) Thirteen B) Five C) Eight D) Twenty
A) William Shakespeare B) Mr. W.H. C) The Earl of Southampton D) Thomas Thorpe
A) Every Man in His Humour B) Epigrammes (1616) C) The Alchemist D) Volpone
A) Ben Jonson B) Thomas Kyd C) William Haughton D) Christopher Marlowe
A) Hamnet Shakespeare B) Richard Burbage C) Edward Alleyn D) William Hart
A) Resolution B) Volta C) Climax D) Denouement
A) Samuel Johnson B) Oscar Wilde C) Thomas Tyrwhitt D) Edmund Malone
A) Male lead roles B) Villainous roles C) Comedic roles D) Female roles
A) 30 B) 15 C) 20 D) 26
A) 1609 B) 1616 C) 1592 D) 1588
A) 1598 B) 1609 C) 1597 D) 1612
A) Thomas Heywood B) Edmond Malone C) William Jaggard D) Francis Meres
A) Poems: Written by Wil. Shakespeare Gent B) Palladis Tamia C) Shakespeare's Sonnets D) The Passionate Pilgrime
A) Shakespeare B) John Benson C) Edmond Malone D) Francis Meres
A) With great respect B) Scornfully C) Indifferently D) Admiringly
A) Literary ambition. B) Biographical aspects. C) Linguistic structure. D) Cultural context.
A) Cultural criticism. B) Historical criticism. C) New Criticism. D) Biographical criticism.
A) Having experts simplify double meanings. B) Ignoring abstract meanings. C) Focusing only on concrete meanings. D) Dealing with perplexity on their own.
A) Relatively low. B) Highly esteemed. C) Widely celebrated. D) Unknown.
A) William Shakespeare. B) Sir Philip Sidney. C) Edmund Spenser. D) John Milton.
A) Twice. B) Many times. C) Only once. D) Never.
A) Lord Longaville B) Lord Berowne C) King of Navarre D) Dumaine
A) Four B) One C) Two D) Three
A) Henry V B) Much Ado About Nothing C) Romeo and Juliet D) Love's Labour's Lost
A) 1596 B) 1601 C) 1588 D) 1612
A) "my love is as a fever longing still" B) "budding of this purple bud" C) "scarlet ornaments" D) "that time of year thou mayst in me behold" |