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A) 200 B) 126 C) 154 D) 160
A) Romeo and Juliet B) Love's Labour's Lost C) Henry V D) Much Ado About Nothing
A) Henry Wriothesley, 3rd Earl of Southampton B) An unnamed young man addressed by the poet C) William Hughes, a young actor D) A fictional character with no historical basis
A) ABBA ABBA CDE CDE B) AABB CCDD EEFF GG C) ABAB CDCD EFEF GG D) ABC ABC DEF DEF GG
A) The narrator B) The Rival Poet C) The Dark Lady D) The Fair Youth
A) 154 sonnets B) 47 seven-line stanzas written in rhyme royal C) An epic poem D) Three quatrains and a final couplet
A) John Davies of Hereford B) Ben Jonson C) A composite of several poets D) Francis Davison
A) Lust and homoeroticism B) Admiration for the youth's beauty and a plea to marry and have children C) Infidelity and betrayal D) Rejection and independence
A) The Canterbury Tales B) Leaves of Grass C) Paradise Lost D) Shakespeare's Sonnets
A) The end of the poem B) The beginning of the poem C) A repetition of ideas D) A turn or shift in thought or mood
A) Love's Labour's Lost B) Romeo and Juliet C) Henry V D) Much Ado About Nothing
A) It confirms Mr. W.H. as the author B) It identifies him as the Fair Youth C) It is a subject of speculation regarding his identity D) It reveals him to be the Dark Lady
A) Spenserian sonnet B) Free verse C) English or Shakespearean sonnet D) Petrarchan sonnet
A) The beauty of nature B) The adventures of a knight C) The misery of a woman victimized by male desire D) The triumphs of love
A) Much Ado About Nothing B) Love's Labour's Lost C) Henry V D) Romeo and Juliet
A) They follow the Shakespearean sonnet form B) They consist of three quatrains and a couplet C) They are free verse D) They are written in rhyme royal
A) William Hughes B) Edward Alleyn C) Henry Wriothesley, 3rd Earl of Southampton D) Ben Jonson
A) Praise for her beauty B) Rejection of her advances C) Admiration for her intelligence D) Overt sexuality and a defiant departure from traditional themes
A) Anapestic trimeter B) Dactylic hexameter C) Trochaic tetrameter D) Iambic pentameter
A) Romeo and Juliet B) Much Ado About Nothing C) Henry V D) All’s Well that Ends Well
A) Thomas Thorpe B) William Shakespeare C) George Eld D) Edward Alleyn
A) A Lover's Complaint B) Venus and Adonis C) The Rape of Lucrece D) The Phoenix and the Turtle
A) 28 B) 14 C) 40 D) 126
A) William Aspley B) John Wright C) George Eld D) Thomas Thorpe
A) AABBCCDDEEFFGG B) ABABBCBCCDCDDC C) ABABCDCDEFEFGG D) ABBAABBACDCDCD
A) Five B) Thirteen C) Eight D) Twenty
A) Mr. W.H. B) The Earl of Southampton C) Thomas Thorpe D) William Shakespeare
A) The Alchemist B) Every Man in His Humour C) Epigrammes (1616) D) Volpone
A) Thomas Kyd B) William Haughton C) Christopher Marlowe D) Ben Jonson
A) William Hart B) Hamnet Shakespeare C) Richard Burbage D) Edward Alleyn
A) Resolution B) Volta C) Denouement D) Climax
A) Thomas Tyrwhitt B) Samuel Johnson C) Oscar Wilde D) Edmund Malone
A) Male lead roles B) Female roles C) Villainous roles D) Comedic roles
A) 26 B) 15 C) 30 D) 20
A) 1588 B) 1609 C) 1592 D) 1616
A) 1609 B) 1612 C) 1598 D) 1597
A) William Jaggard B) Francis Meres C) Thomas Heywood D) Edmond Malone
A) Shakespeare's Sonnets B) The Passionate Pilgrime C) Poems: Written by Wil. Shakespeare Gent D) Palladis Tamia
A) Edmond Malone B) Francis Meres C) John Benson D) Shakespeare
A) Scornfully B) Admiringly C) With great respect D) Indifferently
A) Linguistic structure. B) Biographical aspects. C) Literary ambition. D) Cultural context.
A) Biographical criticism. B) Historical criticism. C) New Criticism. D) Cultural criticism.
A) Focusing only on concrete meanings. B) Ignoring abstract meanings. C) Having experts simplify double meanings. D) Dealing with perplexity on their own.
A) Unknown. B) Relatively low. C) Widely celebrated. D) Highly esteemed.
A) William Shakespeare. B) John Milton. C) Sir Philip Sidney. D) Edmund Spenser.
A) Many times. B) Never. C) Twice. D) Only once.
A) King of Navarre B) Lord Longaville C) Dumaine D) Lord Berowne
A) One B) Two C) Four D) Three
A) Romeo and Juliet B) Henry V C) Much Ado About Nothing D) Love's Labour's Lost
A) 1588 B) 1601 C) 1612 D) 1596
A) "scarlet ornaments" B) "my love is as a fever longing still" C) "budding of this purple bud" D) "that time of year thou mayst in me behold" |