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A) 160 B) 154 C) 200 D) 126
A) Romeo and Juliet B) Henry V C) Much Ado About Nothing D) Love's Labour's Lost
A) Henry Wriothesley, 3rd Earl of Southampton B) An unnamed young man addressed by the poet C) William Hughes, a young actor D) A fictional character with no historical basis
A) AABB CCDD EEFF GG B) ABC ABC DEF DEF GG C) ABAB CDCD EFEF GG D) ABBA ABBA CDE CDE
A) The narrator B) The Fair Youth C) The Rival Poet D) The Dark Lady
A) Three quatrains and a final couplet B) An epic poem C) 154 sonnets D) 47 seven-line stanzas written in rhyme royal
A) Ben Jonson B) John Davies of Hereford C) Francis Davison D) A composite of several poets
A) Admiration for the youth's beauty and a plea to marry and have children B) Rejection and independence C) Lust and homoeroticism D) Infidelity and betrayal
A) Leaves of Grass B) Shakespeare's Sonnets C) Paradise Lost D) The Canterbury Tales
A) The beginning of the poem B) A turn or shift in thought or mood C) The end of the poem D) A repetition of ideas
A) Henry V B) Romeo and Juliet C) Love's Labour's Lost D) Much Ado About Nothing
A) It is a subject of speculation regarding his identity B) It reveals him to be the Dark Lady C) It identifies him as the Fair Youth D) It confirms Mr. W.H. as the author
A) English or Shakespearean sonnet B) Spenserian sonnet C) Petrarchan sonnet D) Free verse
A) The beauty of nature B) The misery of a woman victimized by male desire C) The triumphs of love D) The adventures of a knight
A) Henry V B) Romeo and Juliet C) Love's Labour's Lost D) Much Ado About Nothing
A) They consist of three quatrains and a couplet B) They follow the Shakespearean sonnet form C) They are free verse D) They are written in rhyme royal
A) Henry Wriothesley, 3rd Earl of Southampton B) Ben Jonson C) Edward Alleyn D) William Hughes
A) Admiration for her intelligence B) Rejection of her advances C) Praise for her beauty D) Overt sexuality and a defiant departure from traditional themes
A) Trochaic tetrameter B) Anapestic trimeter C) Dactylic hexameter D) Iambic pentameter
A) All’s Well that Ends Well B) Much Ado About Nothing C) Henry V D) Romeo and Juliet
A) George Eld B) Thomas Thorpe C) William Shakespeare D) Edward Alleyn
A) A Lover's Complaint B) Venus and Adonis C) The Phoenix and the Turtle D) The Rape of Lucrece
A) 40 B) 28 C) 126 D) 14
A) John Wright B) George Eld C) Thomas Thorpe D) William Aspley
A) AABBCCDDEEFFGG B) ABABCDCDEFEFGG C) ABBAABBACDCDCD D) ABABBCBCCDCDDC
A) Five B) Twenty C) Eight D) Thirteen
A) The Earl of Southampton B) Thomas Thorpe C) William Shakespeare D) Mr. W.H.
A) Every Man in His Humour B) The Alchemist C) Epigrammes (1616) D) Volpone
A) Christopher Marlowe B) Thomas Kyd C) Ben Jonson D) William Haughton
A) William Hart B) Richard Burbage C) Hamnet Shakespeare D) Edward Alleyn
A) Resolution B) Climax C) Volta D) Denouement
A) Edmund Malone B) Thomas Tyrwhitt C) Oscar Wilde D) Samuel Johnson
A) Comedic roles B) Villainous roles C) Male lead roles D) Female roles
A) 20 B) 30 C) 26 D) 15
A) 1616 B) 1592 C) 1609 D) 1588
A) 1598 B) 1597 C) 1609 D) 1612
A) Thomas Heywood B) Francis Meres C) Edmond Malone D) William Jaggard
A) Poems: Written by Wil. Shakespeare Gent B) The Passionate Pilgrime C) Palladis Tamia D) Shakespeare's Sonnets
A) John Benson B) Shakespeare C) Edmond Malone D) Francis Meres
A) Indifferently B) Admiringly C) Scornfully D) With great respect
A) Literary ambition. B) Cultural context. C) Linguistic structure. D) Biographical aspects.
A) Cultural criticism. B) Historical criticism. C) Biographical criticism. D) New Criticism.
A) Ignoring abstract meanings. B) Having experts simplify double meanings. C) Dealing with perplexity on their own. D) Focusing only on concrete meanings.
A) Unknown. B) Widely celebrated. C) Relatively low. D) Highly esteemed.
A) Sir Philip Sidney. B) Edmund Spenser. C) William Shakespeare. D) John Milton.
A) Never. B) Twice. C) Only once. D) Many times.
A) Lord Berowne B) Lord Longaville C) Dumaine D) King of Navarre
A) Four B) Three C) Two D) One
A) Romeo and Juliet B) Love's Labour's Lost C) Henry V D) Much Ado About Nothing
A) 1601 B) 1588 C) 1612 D) 1596
A) "that time of year thou mayst in me behold" B) "my love is as a fever longing still" C) "budding of this purple bud" D) "scarlet ornaments" |