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A) 126 B) 154 C) 200 D) 160
A) Henry V B) Romeo and Juliet C) Much Ado About Nothing D) Love's Labour's Lost
A) Henry Wriothesley, 3rd Earl of Southampton B) William Hughes, a young actor C) A fictional character with no historical basis D) An unnamed young man addressed by the poet
A) ABBA ABBA CDE CDE B) ABC ABC DEF DEF GG C) AABB CCDD EEFF GG D) ABAB CDCD EFEF GG
A) The Dark Lady B) The Fair Youth C) The Rival Poet D) The narrator
A) 47 seven-line stanzas written in rhyme royal B) 154 sonnets C) Three quatrains and a final couplet D) An epic poem
A) Francis Davison B) A composite of several poets C) Ben Jonson D) John Davies of Hereford
A) Rejection and independence B) Infidelity and betrayal C) Admiration for the youth's beauty and a plea to marry and have children D) Lust and homoeroticism
A) Leaves of Grass B) The Canterbury Tales C) Shakespeare's Sonnets D) Paradise Lost
A) The end of the poem B) A repetition of ideas C) The beginning of the poem D) A turn or shift in thought or mood
A) Romeo and Juliet B) Love's Labour's Lost C) Henry V D) Much Ado About Nothing
A) It is a subject of speculation regarding his identity B) It reveals him to be the Dark Lady C) It confirms Mr. W.H. as the author D) It identifies him as the Fair Youth
A) Spenserian sonnet B) English or Shakespearean sonnet C) Free verse D) Petrarchan sonnet
A) The misery of a woman victimized by male desire B) The beauty of nature C) The triumphs of love D) The adventures of a knight
A) Much Ado About Nothing B) Romeo and Juliet C) Henry V D) Love's Labour's Lost
A) They consist of three quatrains and a couplet B) They are free verse C) They follow the Shakespearean sonnet form D) They are written in rhyme royal
A) Ben Jonson B) Edward Alleyn C) Henry Wriothesley, 3rd Earl of Southampton D) William Hughes
A) Overt sexuality and a defiant departure from traditional themes B) Admiration for her intelligence C) Rejection of her advances D) Praise for her beauty
A) Dactylic hexameter B) Anapestic trimeter C) Iambic pentameter D) Trochaic tetrameter
A) Much Ado About Nothing B) Henry V C) Romeo and Juliet D) All’s Well that Ends Well
A) George Eld B) Thomas Thorpe C) William Shakespeare D) Edward Alleyn
A) Venus and Adonis B) The Phoenix and the Turtle C) A Lover's Complaint D) The Rape of Lucrece
A) 28 B) 14 C) 126 D) 40
A) Thomas Thorpe B) George Eld C) William Aspley D) John Wright
A) ABABBCBCCDCDDC B) AABBCCDDEEFFGG C) ABBAABBACDCDCD D) ABABCDCDEFEFGG
A) Eight B) Five C) Twenty D) Thirteen
A) Thomas Thorpe B) The Earl of Southampton C) William Shakespeare D) Mr. W.H.
A) Epigrammes (1616) B) Every Man in His Humour C) The Alchemist D) Volpone
A) Christopher Marlowe B) Ben Jonson C) Thomas Kyd D) William Haughton
A) Hamnet Shakespeare B) Richard Burbage C) Edward Alleyn D) William Hart
A) Resolution B) Climax C) Volta D) Denouement
A) Samuel Johnson B) Oscar Wilde C) Thomas Tyrwhitt D) Edmund Malone
A) Female roles B) Comedic roles C) Villainous roles D) Male lead roles
A) 15 B) 26 C) 20 D) 30
A) 1592 B) 1609 C) 1588 D) 1616
A) 1597 B) 1609 C) 1598 D) 1612
A) William Jaggard B) Thomas Heywood C) Francis Meres D) Edmond Malone
A) Shakespeare's Sonnets B) Palladis Tamia C) Poems: Written by Wil. Shakespeare Gent D) The Passionate Pilgrime
A) Francis Meres B) John Benson C) Edmond Malone D) Shakespeare
A) Indifferently B) Admiringly C) Scornfully D) With great respect
A) Linguistic structure. B) Literary ambition. C) Cultural context. D) Biographical aspects.
A) New Criticism. B) Historical criticism. C) Biographical criticism. D) Cultural criticism.
A) Ignoring abstract meanings. B) Dealing with perplexity on their own. C) Focusing only on concrete meanings. D) Having experts simplify double meanings.
A) Unknown. B) Highly esteemed. C) Widely celebrated. D) Relatively low.
A) John Milton. B) Sir Philip Sidney. C) Edmund Spenser. D) William Shakespeare.
A) Never. B) Many times. C) Only once. D) Twice.
A) King of Navarre B) Lord Longaville C) Dumaine D) Lord Berowne
A) One B) Four C) Two D) Three
A) Henry V B) Much Ado About Nothing C) Romeo and Juliet D) Love's Labour's Lost
A) 1612 B) 1588 C) 1596 D) 1601
A) "that time of year thou mayst in me behold" B) "scarlet ornaments" C) "budding of this purple bud" D) "my love is as a fever longing still" |