A) Petroglyphs are only found indoors. B) Rock paintings use more modern tools. C) There is no difference; they are the same. D) Petroglyphs are carved, while paintings are applied.
A) Igneous rock with lots of crystals. B) Rock with a dark outer layer and a lighter inner layer. C) Soft, sedimentary rock. D) Any smooth rock will work.
A) Sandpaper and files. B) Metal chisels and hammers. C) Acid etching tools. D) Hammerstone and chisel-like stone.
A) Polishing. B) Pecking or abrading. C) Sedimentation. D) Metamorphosis.
A) Modern acrylic paint. B) Plant sap. C) Iron oxides (ochre). D) Synthetic dyes.
A) Petroleum-based solvents. B) Animal fat or plant resins. C) Super glue. D) Water-based glue.
A) To change the color of the pigment. B) To dissolve the rock. C) To adhere the pigment to the rock surface. D) To make the pigment easier to find.
A) Nylon brushes. B) Sponge applicators. C) Spray cans. D) Fibers from plants or animal hair.
A) Apply a layer of primer. B) Clean the surface to remove loose dirt and debris. C) Sandblast the surface. D) Soak the rock in water.
A) Animals. B) Geometric shapes. C) Detailed portraits of historical figures. D) Human figures.
A) A type of petroglyph. B) A type of sedimentary rock. C) A rock painting. D) A written language.
A) Overpopulation of rabbits. B) Acid rain and weathering. C) Excessive sunlight. D) The use of advanced cleaning methods.
A) To encourage graffiti artists. B) To sell the documentation for profit. C) Documentation isn't important. D) To preserve a record of the art before it deteriorates.
A) Photography and digital scanning. B) Cutting out sections of the rock. C) Taking rubbings with charcoal. D) Applying varnish to the surface.
A) The natural weathering or coating on the rock surface. B) A tool used for carving petroglyphs. C) A specific style of rock art. D) A type of paint used in rock paintings.
A) Rock paintings. B) Neither. C) Both petroglyphs and rock paintings equally. D) Petroglyphs.
A) Cultural significance and availability of appropriate rock. B) Proximity to a shopping mall. C) How much foot traffic the area receives. D) How easy it is to access with a car.
A) Disrespecting existing cultural heritage sites. B) Not having enough rocks. C) Running out of pigments. D) None, art is always good.
A) Use power tools for faster results. B) Use natural, locally sourced materials. C) Clear a large area around the art. D) Import materials from around the world.
A) Relating to the study of rocks. B) Being geometric in design. C) Having animal-like characteristics. D) Having human-like characteristics.
A) Relating to the study of rocks. B) Having human-like characteristics. C) Having animal-like characteristics. D) Being geometric in design.
A) At night with a flash. B) Early morning or late afternoon for softer light. C) Whenever it's most convenient. D) Midday when the sun is directly overhead.
A) Touching it is bad luck. B) It might be booby trapped. C) The rock will crumble immediately. D) Oils from skin can damage the surface and promote growth of organisms.
A) Photorealistic portraits. B) Comic book characters. C) Images of skyscrapers. D) Spirals and geometric patterns.
A) Crushed minerals. B) Charcoal. C) Clay. D) Modern industrial paints with heavy metals.
A) Choose a sheltered location and use durable materials. B) Build a glass case around it. C) Apply a layer of plastic sealant. D) Leave it exposed to the elements to 'age' faster.
A) A large, flat rock used as a canvas. B) A type of paint made from berries. C) A tool used to polish petroglyphs. D) A small, circular depression pecked into a rock surface.
A) Ask a random stranger on the street. B) Ignore the regulations and hope for the best. C) Assume there are no regulations. D) Contact local cultural heritage authorities or land managers.
A) It will attract unwanted attention from aliens. B) There is no danger, it adds to the history. C) It can be considered vandalism and damage the original art. D) The rock will become cursed.
A) It's not important, just make whatever you like. B) So you can copy someone else's art. C) Symbols have no real meaning. D) To avoid misrepresentation or cultural appropriation. |