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A) Medicine B) Literature C) Photography D) Physics
A) 1850 B) 1700 C) 1826 D) 1787
A) Solarization B) Pixelation C) Daguerreotype D) X-Ray
A) Tokyo B) New York C) London D) Paris
A) Revolutionized it B) Minimized it C) Banned it D) Abandoned it
A) Soft focus B) Distortion C) Monochrome D) Sharpness
A) 1776 B) 1839 C) 1954 D) 1900
A) Copper B) Plastic C) Gold D) Silver
A) London, UK B) Rome, Italy C) New York, USA D) Paris, France
A) Paris, France B) Lyon, France C) Cormeilles-en-Parisis, Val-d'Oise D) Bry-sur-Marne, France
A) Nicéphore Niépce B) Samuel Morse C) Henry Fox Talbot D) François Arago
A) Ambrotype B) Daguerreotype C) Calotype D) Heliograph
A) Iodine crystals B) Salt water C) Sodium thiosulfate D) Mercury vapour
A) One minute B) A few seconds C) Half an hour D) Ten minutes or more
A) Abstract art B) Landscape views C) Portraits D) Still life photography
A) An early film projector B) A form of theatrical illusion C) A type of camera D) A painting technique
A) Photography and chemistry B) Architecture, theatre design, and panoramic painting C) Literature and history D) Mathematics and physics
A) Thirty B) Twenty-one C) Ten D) Fifteen
A) Place Vendôme B) Palais Garnier C) Place du Château d'Eau (now Place de la République) D) Boulevard des Capucines
A) 1839 B) 1841 C) 1824 D) 1822
A) Mercury vapour B) Bitumen of Judea C) Sodium thiosulfate D) Silver iodide
A) William Henry Fox Talbot B) Miles Berry C) Antoine Claudet D) Charles Marie Bouton
A) The ambrotype process B) The calotype process C) The bitumen process D) The wet collodion process
A) 100 °C B) 75 °C C) 25 °C D) 50 °C
A) Daguerreotypes were only for portraits B) The camera was broken C) People avoided being photographed D) Long exposure times made moving objects invisible
A) Calotype process B) Ambrotype process C) Tintype process D) Daguerreotype process
A) France B) Italy C) The United Kingdom D) Germany
A) 7 January 1839 B) 18 November 1787 C) 10 July 1851 D) 19 August 1839
A) Chartres Cathedral B) Holyroodhouse Chapel C) Roslin Chapel D) Trinity Chapel in Canterbury Cathedral
A) Louis B) François C) Isidore D) Nicéphore Jr.
A) Charles Marie Bouton B) Niépce C) Antoine Claudet D) William Henry Fox Talbot
A) Describing any image as 'a daguerreotype' B) Thinking they were digital prints C) Believing all were made by Daguerre D) Assuming they were color photographs
A) 'It will revolutionize photography.' B) 'I have seized the light – I have arrested its flight!' C) 'We need more time to perfect it.' D) 'This is a simple trick.'
A) 300,000 francs B) 200,000 francs C) 100,000 francs D) 150,000 francs
A) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. B) From multiple angles around the room. C) By walking through the scene. D) Using special glasses.
A) Being easily duplicated B) Having no reflective surface C) Showing vibrant colors D) Appearing as a faint negative when viewed with reflected light |