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A) Literature B) Physics C) Photography D) Medicine
A) 1787 B) 1700 C) 1850 D) 1826
A) Pixelation B) Solarization C) X-Ray D) Daguerreotype
A) Paris B) New York C) London D) Tokyo
A) Banned it B) Abandoned it C) Minimized it D) Revolutionized it
A) Monochrome B) Sharpness C) Distortion D) Soft focus
A) 1900 B) 1954 C) 1776 D) 1839
A) Silver B) Gold C) Copper D) Plastic
A) London, UK B) Rome, Italy C) New York, USA D) Paris, France
A) Lyon, France B) Paris, France C) Cormeilles-en-Parisis, Val-d'Oise D) Bry-sur-Marne, France
A) Henry Fox Talbot B) François Arago C) Nicéphore Niépce D) Samuel Morse
A) Calotype B) Ambrotype C) Daguerreotype D) Heliograph
A) Salt water B) Iodine crystals C) Mercury vapour D) Sodium thiosulfate
A) Ten minutes or more B) A few seconds C) One minute D) Half an hour
A) Abstract art B) Still life photography C) Portraits D) Landscape views
A) An early film projector B) A type of camera C) A form of theatrical illusion D) A painting technique
A) Architecture, theatre design, and panoramic painting B) Photography and chemistry C) Mathematics and physics D) Literature and history
A) Fifteen B) Ten C) Twenty-one D) Thirty
A) Place du Château d'Eau (now Place de la République) B) Boulevard des Capucines C) Palais Garnier D) Place Vendôme
A) 1841 B) 1822 C) 1839 D) 1824
A) Bitumen of Judea B) Mercury vapour C) Silver iodide D) Sodium thiosulfate
A) Antoine Claudet B) William Henry Fox Talbot C) Charles Marie Bouton D) Miles Berry
A) The bitumen process B) The calotype process C) The wet collodion process D) The ambrotype process
A) 50 °C B) 75 °C C) 100 °C D) 25 °C
A) Long exposure times made moving objects invisible B) The camera was broken C) Daguerreotypes were only for portraits D) People avoided being photographed
A) Daguerreotype process B) Calotype process C) Ambrotype process D) Tintype process
A) Italy B) The United Kingdom C) Germany D) France
A) 18 November 1787 B) 7 January 1839 C) 19 August 1839 D) 10 July 1851
A) Trinity Chapel in Canterbury Cathedral B) Chartres Cathedral C) Roslin Chapel D) Holyroodhouse Chapel
A) François B) Louis C) Isidore D) Nicéphore Jr.
A) William Henry Fox Talbot B) Antoine Claudet C) Charles Marie Bouton D) Niépce
A) Describing any image as 'a daguerreotype' B) Thinking they were digital prints C) Assuming they were color photographs D) Believing all were made by Daguerre
A) 'It will revolutionize photography.' B) 'This is a simple trick.' C) 'I have seized the light – I have arrested its flight!' D) 'We need more time to perfect it.'
A) 200,000 francs B) 150,000 francs C) 100,000 francs D) 300,000 francs
A) From multiple angles around the room. B) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. C) By walking through the scene. D) Using special glasses.
A) Showing vibrant colors B) Being easily duplicated C) Appearing as a faint negative when viewed with reflected light D) Having no reflective surface |