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A) Medicine B) Physics C) Literature D) Photography
A) 1850 B) 1826 C) 1787 D) 1700
A) Solarization B) X-Ray C) Pixelation D) Daguerreotype
A) New York B) London C) Paris D) Tokyo
A) Banned it B) Abandoned it C) Minimized it D) Revolutionized it
A) Sharpness B) Monochrome C) Distortion D) Soft focus
A) 1900 B) 1776 C) 1839 D) 1954
A) Gold B) Plastic C) Silver D) Copper
A) Rome, Italy B) New York, USA C) Paris, France D) London, UK
A) Cormeilles-en-Parisis, Val-d'Oise B) Lyon, France C) Bry-sur-Marne, France D) Paris, France
A) Henry Fox Talbot B) Nicéphore Niépce C) Samuel Morse D) François Arago
A) Daguerreotype B) Ambrotype C) Calotype D) Heliograph
A) Sodium thiosulfate B) Mercury vapour C) Iodine crystals D) Salt water
A) One minute B) Half an hour C) A few seconds D) Ten minutes or more
A) Abstract art B) Still life photography C) Landscape views D) Portraits
A) A type of camera B) A painting technique C) A form of theatrical illusion D) An early film projector
A) Photography and chemistry B) Mathematics and physics C) Literature and history D) Architecture, theatre design, and panoramic painting
A) Twenty-one B) Ten C) Thirty D) Fifteen
A) Place Vendôme B) Place du Château d'Eau (now Place de la République) C) Boulevard des Capucines D) Palais Garnier
A) 1822 B) 1841 C) 1839 D) 1824
A) Bitumen of Judea B) Silver iodide C) Sodium thiosulfate D) Mercury vapour
A) Miles Berry B) William Henry Fox Talbot C) Antoine Claudet D) Charles Marie Bouton
A) The bitumen process B) The ambrotype process C) The calotype process D) The wet collodion process
A) 100 °C B) 50 °C C) 25 °C D) 75 °C
A) The camera was broken B) Daguerreotypes were only for portraits C) Long exposure times made moving objects invisible D) People avoided being photographed
A) Daguerreotype process B) Ambrotype process C) Calotype process D) Tintype process
A) France B) The United Kingdom C) Italy D) Germany
A) 18 November 1787 B) 10 July 1851 C) 7 January 1839 D) 19 August 1839
A) Trinity Chapel in Canterbury Cathedral B) Roslin Chapel C) Holyroodhouse Chapel D) Chartres Cathedral
A) François B) Louis C) Nicéphore Jr. D) Isidore
A) Antoine Claudet B) Niépce C) William Henry Fox Talbot D) Charles Marie Bouton
A) Describing any image as 'a daguerreotype' B) Believing all were made by Daguerre C) Assuming they were color photographs D) Thinking they were digital prints
A) 'It will revolutionize photography.' B) 'This is a simple trick.' C) 'I have seized the light – I have arrested its flight!' D) 'We need more time to perfect it.'
A) 200,000 francs B) 300,000 francs C) 100,000 francs D) 150,000 francs
A) By walking through the scene. B) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. C) Using special glasses. D) From multiple angles around the room.
A) Showing vibrant colors B) Having no reflective surface C) Appearing as a faint negative when viewed with reflected light D) Being easily duplicated |