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A) Literature B) Physics C) Photography D) Medicine
A) 1826 B) 1700 C) 1787 D) 1850
A) Solarization B) X-Ray C) Daguerreotype D) Pixelation
A) Paris B) New York C) London D) Tokyo
A) Banned it B) Revolutionized it C) Minimized it D) Abandoned it
A) Distortion B) Monochrome C) Sharpness D) Soft focus
A) 1776 B) 1954 C) 1839 D) 1900
A) Plastic B) Gold C) Copper D) Silver
A) Paris, France B) London, UK C) Rome, Italy D) New York, USA
A) Lyon, France B) Cormeilles-en-Parisis, Val-d'Oise C) Paris, France D) Bry-sur-Marne, France
A) Samuel Morse B) François Arago C) Henry Fox Talbot D) Nicéphore Niépce
A) Heliograph B) Calotype C) Daguerreotype D) Ambrotype
A) Sodium thiosulfate B) Iodine crystals C) Mercury vapour D) Salt water
A) One minute B) Half an hour C) Ten minutes or more D) A few seconds
A) Abstract art B) Landscape views C) Portraits D) Still life photography
A) A form of theatrical illusion B) A painting technique C) An early film projector D) A type of camera
A) Mathematics and physics B) Photography and chemistry C) Literature and history D) Architecture, theatre design, and panoramic painting
A) Thirty B) Twenty-one C) Fifteen D) Ten
A) Palais Garnier B) Boulevard des Capucines C) Place Vendôme D) Place du Château d'Eau (now Place de la République)
A) 1822 B) 1841 C) 1839 D) 1824
A) Sodium thiosulfate B) Silver iodide C) Bitumen of Judea D) Mercury vapour
A) Antoine Claudet B) Charles Marie Bouton C) William Henry Fox Talbot D) Miles Berry
A) The ambrotype process B) The wet collodion process C) The bitumen process D) The calotype process
A) 50 °C B) 25 °C C) 100 °C D) 75 °C
A) Daguerreotypes were only for portraits B) Long exposure times made moving objects invisible C) The camera was broken D) People avoided being photographed
A) Ambrotype process B) Daguerreotype process C) Tintype process D) Calotype process
A) France B) Germany C) Italy D) The United Kingdom
A) 19 August 1839 B) 7 January 1839 C) 10 July 1851 D) 18 November 1787
A) Chartres Cathedral B) Holyroodhouse Chapel C) Trinity Chapel in Canterbury Cathedral D) Roslin Chapel
A) Nicéphore Jr. B) Isidore C) Louis D) François
A) Charles Marie Bouton B) Niépce C) William Henry Fox Talbot D) Antoine Claudet
A) Thinking they were digital prints B) Believing all were made by Daguerre C) Assuming they were color photographs D) Describing any image as 'a daguerreotype'
A) 'We need more time to perfect it.' B) 'It will revolutionize photography.' C) 'I have seized the light – I have arrested its flight!' D) 'This is a simple trick.'
A) 100,000 francs B) 200,000 francs C) 150,000 francs D) 300,000 francs
A) Using special glasses. B) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. C) By walking through the scene. D) From multiple angles around the room.
A) Having no reflective surface B) Being easily duplicated C) Appearing as a faint negative when viewed with reflected light D) Showing vibrant colors |