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A) Photography B) Physics C) Medicine D) Literature
A) 1700 B) 1850 C) 1787 D) 1826
A) Solarization B) X-Ray C) Daguerreotype D) Pixelation
A) Tokyo B) New York C) London D) Paris
A) Minimized it B) Abandoned it C) Revolutionized it D) Banned it
A) Sharpness B) Distortion C) Soft focus D) Monochrome
A) 1954 B) 1900 C) 1776 D) 1839
A) Gold B) Copper C) Plastic D) Silver
A) New York, USA B) Rome, Italy C) Paris, France D) London, UK
A) Bry-sur-Marne, France B) Lyon, France C) Paris, France D) Cormeilles-en-Parisis, Val-d'Oise
A) Nicéphore Niépce B) François Arago C) Samuel Morse D) Henry Fox Talbot
A) Calotype B) Daguerreotype C) Heliograph D) Ambrotype
A) Salt water B) Iodine crystals C) Mercury vapour D) Sodium thiosulfate
A) A few seconds B) One minute C) Ten minutes or more D) Half an hour
A) People avoided being photographed B) Daguerreotypes were only for portraits C) Long exposure times made moving objects invisible D) The camera was broken
A) Calotype process B) Daguerreotype process C) Ambrotype process D) Tintype process
A) Thinking they were digital prints B) Believing all were made by Daguerre C) Describing any image as 'a daguerreotype' D) Assuming they were color photographs
A) Being easily duplicated B) Having no reflective surface C) Appearing as a faint negative when viewed with reflected light D) Showing vibrant colors
A) An early film projector B) A painting technique C) A type of camera D) A form of theatrical illusion
A) 19 August 1839 B) 10 July 1851 C) 18 November 1787 D) 7 January 1839
A) Isidore B) François C) Louis D) Nicéphore Jr.
A) 'We need more time to perfect it.' B) 'This is a simple trick.' C) 'I have seized the light – I have arrested its flight!' D) 'It will revolutionize photography.'
A) Sodium thiosulfate B) Bitumen of Judea C) Mercury vapour D) Silver iodide
A) Mathematics and physics B) Architecture, theatre design, and panoramic painting C) Photography and chemistry D) Literature and history
A) 25 °C B) 100 °C C) 75 °C D) 50 °C
A) The ambrotype process B) The calotype process C) The bitumen process D) The wet collodion process
A) Still life photography B) Landscape views C) Abstract art D) Portraits
A) William Henry Fox Talbot B) Charles Marie Bouton C) Niépce D) Antoine Claudet
A) 1839 B) 1822 C) 1841 D) 1824
A) Boulevard des Capucines B) Place Vendôme C) Palais Garnier D) Place du Château d'Eau (now Place de la République)
A) Fifteen B) Thirty C) Twenty-one D) Ten
A) Roslin Chapel B) Chartres Cathedral C) Holyroodhouse Chapel D) Trinity Chapel in Canterbury Cathedral
A) 100,000 francs B) 150,000 francs C) 200,000 francs D) 300,000 francs
A) Antoine Claudet B) Miles Berry C) Charles Marie Bouton D) William Henry Fox Talbot
A) The United Kingdom B) Italy C) France D) Germany
A) By walking through the scene. B) Using special glasses. C) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. D) From multiple angles around the room. |