3RD PERIODICAL TEST IN 21ST CENTURY LITERATURE
  • 1. The word 'Literature' is derived from the Latin word 'littera.' Based on its etymology, what was the original focus of the term?
A) The art of rhythmic speech
B) Oral storytelling traditions
C) Philosophical exploration
D) A letter of the alphabet
  • 2. A student is reading a text written in complete sentences and paragraphs that follows a natural flow of speech. Which major form of literature is this student reading?
A) Narrative Poetry
B) Prose
C) Poetry
D) Lyric
  • 3. If a writer produces a story based on their 'wild imagination' where characters react to fictional conflicts, how should this work be classified?
A) Fiction
B) Creative Non-fiction
C) Lyric Poetry
D) Non-fiction
  • 4. A character is standing alone on a stage, speaking their private thoughts and emotions directly to the audience. This is an example of:
A) A ballad
B) A haiku
C) A standard monologue
D) A soliloquy
  • 5. Which poetic form is characterized by exactly fourteen lines and often uses iambic pentameter?
A) Elegy
B) Ode
C) Sonnet
D) Haiku
  • 6. In the riddle, 'Naligo ang kapitan, hindi nabasa ang tiyan' (The captain took a bath, but his belly did not get wet) has the answer 'Bangka' (Boat). This is an example of what literary tradition?
A) Post-colonial Literature
B) Spanish Colonial Literature
C) American Colonial Literature
D) Pre-colonial Philippine Literature
  • 7. How does a 'Metrical Tale' differ from a 'Short Story' even though both tell a straightforward story about ordinary people?
A) The Metrical Tale is always about heroic legends, unlike short stories.
B) There is no difference; they are two names for the same thing.
C) The Metrical Tale is written in verse, while the Short Story is written in prose.
D) The Short Story must have a rhyme scheme, while the Metrical Tale does not.
  • 8. A poem that is written to lament the loss of a person or reflect on death is known as:
A) An Ode
B) An Elegy
C) A Ballad
D) A Song
  • 9. What are the three types of Fiction?
A) Epic, Tragedy, and Comedy
B) Narrative, Lyric, and Dramatic
C) Short story, Novel, and Novella
D) Essay, Journal, and Diary
  • 10. A student finds a poem with exactly 17 syllables arranged in a 5-7-5 count. What is the focus of this type of poetry?
A) Providing a serious reflection on death
B) Images from nature and simplicity
C) Telling a tragic story with a repeating chorus
D) Celebrating a heroic figure's history
  • 11. During the Pre-Colonial period, Philippine literature was primarily preserved through oral traditions. Which of the following best describes the function of oral literature such as chants and songs during this era?
A) To serve as a written record for future historians.
B) To replace the use of native dialects like Tagalog and Cebuano.
C) To provide a platform for political campaigns against colonizers.
D) To express emotions, thoughts, and reflect religious observances during rites and ceremonies.
  • 12. A "Sawikain" or idiom is a phrase with a figurative meaning. If a person is described as "Bukas ang Palad," what does this suggest about their character?
A) They are very hardworking.
B) They are helpful or generous.
C) They are starting a new conversation.
D) They are slow in their actions.
  • 13. Read the following text: "Habang maikli ang kumot, matutong mamaluktot." This traditional saying is an example of a:
A) Bugtong (Riddle)
B) Bulong (Chant)
C) Salawikain (Proverb)
D) Sawikain (Idiom)
  • 14. In Pre-Colonial literature, how do "Myths" differ from "Legends"?
A) Myths feature characters with supernatural powers to explain existence, whereas legends have more realistic human characters.
B) There is no difference; both terms are used interchangeably for folk tales.
C) Myths deal with the origin of a thing, while legends are anonymous tales.
D) Myths are long narrative poems about heroes, while legends are short riddles.
  • 15. Which literary form is characterized as a long narrative poem focusing on the heroic achievements and deeds of a main character?
A) Myth
B) Legend
C) Epic
D) Folk Song
  • 16. The introduction of the "Xylographic Press" during the Spanish Colonial Period was significant because it led to:
A) The end of religious influence on Philippine literature.
B) The widespread use of the English language in schools.
C) The immediate banning of all Tagalog literature.
D) The publication of the first book in the Philippines, Doctrina Cristiana.
  • 17. Which of the following was the mouthpiece of the Reform Movement during the later part of the Spanish Period?
A) Kalayaan
B) Diaryong Tagalog
C) La Solidaridad
D) Sampaguitas
  • 18. Pedro Paterno is a notable figure in Philippine literature for writing Ninay. What is the historical significance of this work?
A) It was the official newspaper of the Katipunan.
B) It won the Pulitzer Prize during the Japanese occupation.
C) It is the first poem written in Tagalog.
D) It is considered the first novel written by a Filipino author.
  • 19. During the American Colonial Period, many Filipino writers initially struggled with English. What was the general characteristic of early Philippine literature in English during the "Period of Apprenticeship"?
A) It was mostly focused on supernatural myths.
B) It used only the vernacular to express nationalism.
C) It was considered imitative of American styles and conventions.
D) It was written exclusively in the form of Haikus.
  • 20. "Dead Stars" by Paz Marquez Benitez is a landmark in Philippine literature. Why is it significant?
A) It is the first novel that portrayed Spanish corruption.
B) It is the first short story written in English by a Filipino.
C) It is a collection of poems exhibited in Europe.
D) It is a play performed during the Japanese era.
  • 21. During the Japanese occupation (1942-1945), what major change occurred regarding the language used in publications?
A) All literature was written in Japanese characters only.
B) American teachers encouraged the use of English.
C) English was strictly prohibited, and only Tagalog and vernaculars were permitted.
D) Spanish became the primary language for all newspapers.
  • 22. The "Haiku" emerged as a popular poetic form during the Japanese Period. What are the structural requirements of a Haiku?
A) A whispered chant used for healing.
B) Four lines with a rhyming AABB pattern.
C) Three lines with a 5-7-5 syllable count (17 total).
D) A long narrative poem about heroic deeds.
  • 23. Which writer won the Pulitzer Prize for notable works like "I Saw the Fall of the Philippines" and "I See the Philippines Rise"?
A) Juan C. Laya
B) Narciso Reyes
C) Francisco Baltazar
D) Carlos P. Romulo
  • 24. What common theme emerged in Philippine novels and short stories after the Japanese period, as seen in the works of Stevan Javellana and Edilberto Tiempo?
A) War experiences and the struggle under occupation.
B) The introduction of the printing press.
C) The beauty of nature and food hunting.
D) Pre-colonial religious rituals.
  • 25. If you were to classify "Florante at Laura" by Francisco Baltazar based on the Spanish Period categories, it would be a:
A) Metrical Romance (Traditional Tagalog Poetry)
B) Folk Tale
C) Haiku
D) Short Story
  • 26. Which statement best explains the difference between literary elements and literary techniques?
A) Elements are required fundamental parts, while techniques are supplementary artistic choices.
B) There is no difference; both terms refer to the same set of writing tools.
C) Elements are for artistic appreciation, while techniques are the basic parts of a story.
D) Techniques are mandatory for every text, while elements are only used by famous authors.
  • 27. A writer wants to convey a message using "typical structures." What broad term describes these structures?
A) Imagery Types
B) Literary Devices
C) Artistic Aspects
D) Figures of Speech
  • 28. If a poet uses language that appeals specifically to the sense of touch, such as "texture, movement, and temperature," which type of imagery is being utilized?
A) Visual Imagery
B) Olfactory Imagery
C) Tactile Imagery
D) Gustatory Imagery
  • 29. Read the sentence: "The fire station burning down."
    Which figure of speech is being used?
A) Personification
B) Irony
C) Hyperbole
D) Simile
  • 30. "The flowers are dancing beside the lake."
    Why is this considered personification?
A) It gives human-like characteristics (dancing) to an inanimate object.
B) It exaggerates the number of flowers in the field.
C) It mimics the sound that flowers make when they move.
D) It compares flowers to a lake using "like" or "as."
  • 31. Identify the figure of speech in the phrase:
    "Better butter always makes a batter better."
A) Onomatopoeia
B) Simile
C) Alliteration
D) Metaphor
  • 32. In the line "He is an old fox, very cunning," why is this a metaphor rather than a simile?
A) It is an exaggerated statement that is not true.
B) It uses "is" to make a direct comparison without word clues like "like" or "as."
C) It uses the word "fox" to represent a human trait.
D) It describes the physical appearance of a fox.
  • 33. "The river was roaring in the mountains."
    This sentence is an example of imagery because it:
A) Uses literal language to describe a mountain.
B) Creates a visual or sensory representation of an idea in the mind.
C) Only uses consonant sounds to create a rhythm.
D) Directly compares a river to a lion.
  • 34. Which of the following phrases is an example of Olfactory Imagery?
A) "Splashing ocean waves"
B) "Zigzag and whirling"
C) "Stinky slum area"
D) "Salty feeling of being left behind"
  • 35. Onomatopoeia is most frequently paired with which type of imagery?
A) Gustatory
B) Visual
C) Auditory
D) Tactile
  • 36. A student writes a poem about "rotting trash" and "fresh baths." What sense is the student trying to engage?
A) Sight
B) Touch
C) Smell
D) Taste
  • 37. In the poem snippet: "May it be as large and high as skyscrapers..." What figure of speech is dominant?
A) Simile
B) Irony
C) Metaphor
D) Personification
  • 38. Analyze the phrase:
    "The sun stretching its muscles."
    This is an example of:
A) Personification
B) Hyperbole
C) Alliteration
D) Gustatory Imagery
  • 39. Consider the words: Sweetest, bitter, salty, and spice. These are primary clues for:
A) Gustatory Imagery
B) Auditory Imagery
C) Tactile Imagery
D) Visual Imagery
  • 40. If a character says, "Your bag weighs a ton!" they are using:
A) Onomatopoeia to mimic the sound of the bag dropping.
B) Metaphor to describe the bag's color.
C) Hyperbole to emphasize that the bag is very heavy.
D) Irony because the bag is actually empty.
  • 41. A student is reading a novel where the characters frequently use 'Spanglish' (a mix of Spanish and English) to communicate. This specific choice of language by the author is best analyzed through which context?
A) Sociocultural Context
B) Geographical Context
C) Biographical Context
D) Linguistic Context
  • 42. If you are researching the author's personal experiences with poverty and how these events influenced the themes of their poetry, which context are you applying?
A) Linguistic Context
B) Biographical Context
C) Sociocultural Context
D) Historical Context
  • 43. An author writes a story set during the 2020 global pandemic, highlighting the digital divide and social isolation. Analyzing this story by looking at the prevailing values and issues of that time is an example of using:
A) Formalist Context
B) Biographical Context
C) Sociocultural Context
D) Linguistic Context
  • 44. In a 21st-century poem, the author uses text-speak (e.g., 'LOL', 'BRB') to reflect modern communication. Why is this considered a 'Linguistic Context' analysis?
A) Because it critiques the lack of proper grammar in modern society.
B) Because it discusses the author's age and hobbies.
C) Because it proves the poem was written in the 21st century.
D) Because it examines how the 'language of the time' is integrated into the text.
  • 45. When a reader analyzes 'The Hunger Games' by looking at how it mirrors modern-day obsession with reality TV and political inequality, they are primarily using:
A) Sociocultural Context
B) Psychological Context
C) Linguistic Context
D) Biographical Context
  • 46. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    The text uses "jagged rhythm" and "sharp blade" to describe the atmosphere. Analyzing these specific word choices to find meaning is an example of:
A) Biographical Context
B) Historical Context
C) Sociocultural Context
D) Linguistic Context
  • 47. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    According to the passage's background, Elias Thorne is "reporting what he has witnessed." This aligns with which definition?
A) Linguistic context focuses on the language used.
B) Context means the dictionary definition of the narrative.
C) Sociocultural context is about the surroundings.
D) Biographical context is when the author writes from their own life experiences.
  • 48. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    The background note mentions the story was published during a time of "massive labor strikes." How does this sociocultural context help the reader?
A) It explains the dictionary meaning of "loom."
B) It helps the reader understand the "political and cultural forces" affecting the work.
C) It tells us the author's exact birth date.
D) It describes the phonemic pattern of the foreman's voice.
  • 49. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    The foreman's "bark" and the description of the boy as "exhausted" reflect the relationship between different social classes. This is a focus of:
A) Personal Context
B) Biographical Context
C) Sociocultural Context
D) Linguistic Context
  • 50. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    If you were to analyze only the "grammar and syntax" of Arthur’s father's quote ("The machine has no heart..."), which lens are you using?
A) Historical Context
B) Sociocultural Context
C) Linguistic Context
D) Biographical Context
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