Prelude, Op. 28, No. 15 (Chopin) - Quiz
A) George Sand B) Peter Dayan C) Frederick Niecks D) Frédéric Chopin
A) Nightmare B) Monastery C) Storm D) Raindrop
A) 24 B) 15 C) 30 D) 12
A) One to two minutes B) Five to seven minutes C) Fifteen to twenty minutes D) Ten to twelve minutes
A) Number 24 B) Number 1 C) Number 10 D) Number 15
A) G B) D♭ C) A♭ D) C♯
A) 1848 B) 1828 C) 1858 D) 1838
A) Palma, Spain B) Warsaw, Poland C) Valldemossa, Mallorca D) Paris, France
A) Aural Imitations B) Preludes C) Histoire de ma vie D) Monastery Life
A) Maurice B) Frédéric C) Peter D) Frederick
A) I have just finished the longest prelude. B) Where have you been so long? C) Ah! I knew well that you were dead. D) Listen to the rain falling on the roof.
A) Walking in a heavy rainstorm B) Trapped in a monastery C) Chanting lugubrious prayers D) Drowned in a lake
A) A procession of monks B) Notes from a piano C) Heavy drops of icy water D) Tears from a dark hour
A) He denied having heard it and became angry B) He immediately stopped playing the piano C) He wrote down the exact rhythm in his notebook D) He smiled and agreed it inspired his music
A) As childish aural imitations B) By copying the exact rhythm of raindrops C) Transformed into sublime equivalents in musical thought D) Through slavish imitation of external sounds
A) Because Chopin explicitly named it the Raindrop prelude B) Because it is the shortest piece in the set C) Because it was composed during the rainstorm D) Because of the repeating A♭ suggesting the gentle patter of rain
A) George Sand B) Peter Dayan C) Maurice D) Frederick Niecks
A) The sound of heavy drops of icy water B) A procession of chanting monks C) Nature's harmonies within Chopin's génie D) An oppressive nightmare
A) Peter Dayan B) George Sand C) Frederick Niecks D) Frédéric Chopin
A) A♭ major B) D♭ major C) B♭ minor D) C♯ minor
A) F minor B) C♯ minor C) D♭ major D) A♭ major
A) Smiling freshness B) Serene theme C) Slavish imitation D) Lugubrious interlude
A) The clapping of thunder B) The serene D♭ theme C) The dominant pedal / basso ostinato D) The smiling freshness of nature
A) It shifts to a major key B) It stops entirely C) It becomes more insistent D) It becomes a serene theme
A) With a lugubrious interlude B) With the original theme C) With a monastic chant D) With an oppressive nightmare
A) The smiling freshness of nature B) An oppressive dream C) A sublime musical thought D) A gentle patter of rain
A) The chanting monks B) The dreadful nightmare C) The repeating A♭ note D) The monastery of Valldemossa
A) The smiling freshness of dear, familiar nature B) The dark hours of night C) The heavy drops of icy water D) The lugubrious prayer
A) Before the middle section begins B) Only after these horrors of the imagination C) During the heavy rainstorm in Mallorca D) While listening to raindrops on the roof
A) Composing long preludes B) Writing music in monasteries C) Playing the piano during storms D) Aural imitations
A) Goldfinger B) Casino Royale C) Skyfall D) Moonraker
A) Hugo Drax B) M C) Q D) James Bond
A) On a train B) At MI6 headquarters C) At his estate D) In a casino
A) Stanley Kubrick B) Alfred Hitchcock C) Ridley Scott D) Akira Kurosawa
A) Vincent van Gogh B) Leonardo da Vinci C) Pablo Picasso D) Claude Monet
A) Halo 2 B) Halo 3 C) Destiny D) Call of Duty 4
A) "Halo: Finish the Fight" B) "Halo: Combat Evolved" C) "Halo: Remember Reach" D) "Halo: Believe."
A) Prometheus B) Blade Runner C) The Martian D) Alien
A) 2019 B) 2020 C) 2007 D) 2022
A) Bungie B) Hopoo Games C) Mediatonic D) 343 Industries
A) Signalis B) Halo 3 C) Fall Guys D) Risk of Rain 2
A) "The Ending" B) "The Awakening" C) "The Prelude" D) "The Promise"
A) Hopoo Games B) Bungie C) Mediatonic D) 343 Industries
A) Prismatic Trials B) Eclipse Mode C) The Simulacrum D) The Void Fields
A) Ridley Scott B) Chris Christodoulou C) Akira Kurosawa D) Tom Schley |
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