A) Surrealism B) Impressionism C) Expressionism D) Cubism
A) 1905 B) 1920 C) 1935 D) 1912
A) Oil on canvas B) Tempera on wood C) Watercolor on paper D) Charcoal on paper
A) A dancer performing B) A waiter serving coffee C) A couple conversing D) A musician playing violin
A) Sfumato B) Pointillism C) Impasto D) Geometric fragmentation
A) To depict dreamlike imagery B) To show multiple viewpoints simultaneously C) To capture a fleeting moment D) To express raw emotion
A) As fragmented geometric shapes B) As a hazy impression C) As a realistic interior D) As a dark expressionist space
A) Historical events B) Urban entertainment C) Rural landscapes D) Religious themes
A) Clement Greenberg B) Guillaume Apollinaire C) Harold Rosenberg D) John Ruskin
A) Creating elongated proportions B) Breaking it into geometric forms C) Making it completely abstract D) Using photographic realism
A) Documenta B) Salon des Indépendants C) First Impressionist Exhibition D) Armory Show
A) Theorist and practitioner B) Late follower C) Opposing critic D) Sole founder
A) It contradicts his published views B) It predates his theoretical work C) It illustrates his theoretical ideas D) It has no relation to his writings
A) Pablo Picasso B) Georges Braque C) Henri Matisse D) Jean Metzinger
A) In a theater B) In a studio C) In a café D) In a park
A) Flattened perspective B) Linear perspective C) Atmospheric perspective D) Isometric projection
A) Piano B) Guitar C) Violin D) Flute
A) Random placement B) Interlocking planes C) Symmetrical arrangement D) Radial composition
A) Spanish B) French C) Italian D) German
A) The dancer's pose B) Blurred edges C) Flying objects D) Speed lines
A) Atmospheric perspective B) Linear perspective C) Overlapping planes D) Size diminution |