A) Cubism B) Impressionism C) Surrealism D) Expressionism
A) 1935 B) 1905 C) 1912 D) 1920
A) Charcoal on paper B) Oil on canvas C) Watercolor on paper D) Tempera on wood
A) A waiter serving coffee B) A couple conversing C) A musician playing violin D) A dancer performing
A) Sfumato B) Geometric fragmentation C) Pointillism D) Impasto
A) To show multiple viewpoints simultaneously B) To depict dreamlike imagery C) To capture a fleeting moment D) To express raw emotion
A) As a hazy impression B) As fragmented geometric shapes C) As a realistic interior D) As a dark expressionist space
A) Historical events B) Urban entertainment C) Religious themes D) Rural landscapes
A) Harold Rosenberg B) Clement Greenberg C) Guillaume Apollinaire D) John Ruskin
A) Creating elongated proportions B) Making it completely abstract C) Using photographic realism D) Breaking it into geometric forms
A) Documenta B) First Impressionist Exhibition C) Salon des Indépendants D) Armory Show
A) Theorist and practitioner B) Sole founder C) Opposing critic D) Late follower
A) It predates his theoretical work B) It has no relation to his writings C) It illustrates his theoretical ideas D) It contradicts his published views
A) Georges Braque B) Henri Matisse C) Pablo Picasso D) Jean Metzinger
A) In a studio B) In a theater C) In a café D) In a park
A) Flattened perspective B) Linear perspective C) Atmospheric perspective D) Isometric projection
A) Violin B) Piano C) Guitar D) Flute
A) Symmetrical arrangement B) Radial composition C) Interlocking planes D) Random placement
A) Italian B) French C) Spanish D) German
A) Flying objects B) Speed lines C) The dancer's pose D) Blurred edges
A) Overlapping planes B) Atmospheric perspective C) Size diminution D) Linear perspective |