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A) Paris, France B) Cody, Wyoming C) New York City, New York D) London, England
A) Impressionism B) Cubism C) Surrealism D) Abstract Expressionism
A) 1940s B) 2000s C) 1980s D) 1960s
A) Frida Kahlo B) Vincent van Gogh C) Andy Warhol D) Peggy Guggenheim
A) Realism B) Pointillism C) Fauvism D) Action painting
A) Grace Kelly B) Marilyn Monroe C) Lee Krasner D) Audrey Hepburn
A) Guernica B) Starry Night C) The Persistence of Memory D) Number 1A, 1948
A) The Museum of Modern Art (MoMA) B) The Louvre C) The National Gallery of Art D) The Guggenheim Museum
A) Cubism B) "Drip technique" C) Fauvism D) Pointillism
A) Smith B) McCoy C) Jackson D) Polk
A) José Clemente Orozco B) David Alfaro Siqueiros C) Diego Rivera D) Frida Kahlo
A) Frida Kahlo B) Georgia O'Keeffe C) Thomas Hart Benton D) Pablo Picasso
A) Was an artist B) Worked in a factory C) Taught school D) Made and sold dresses
A) 1956 B) 1930 C) 1945 D) 1928
A) Peggy Guggenheim B) Marcel Duchamp C) The Mexican muralist David Alfaro Siqueiros D) Dr. Joseph L. Henderson
A) 1936 B) 1943 C) 1938 D) 1942
A) Dr. Joseph L. Henderson B) Violet Staub de Laszlo C) Marcel Duchamp D) Peggy Guggenheim
A) Freudian analysis B) Jungian psychotherapy C) Art therapy D) Cognitive-behavioral therapy
A) Clement Greenberg B) Dr. Joseph L. Henderson C) Marcel Duchamp D) Peggy Guggenheim
A) 8-by-20-foot B) 10-by-30-foot C) 5-by-15-foot D) 6-by-12-foot
A) Clement Greenberg B) Dr. Joseph L. Henderson C) Marcel Duchamp D) Peggy Guggenheim
A) Michel Tapié B) David Alfaro Siqueiros C) The Navajo sand artist D) Janet Sobel
A) Figurative elements with vibrant colors B) 'Drip period' paintings C) 'Black pourings' D) Navajo-inspired sand art
A) Alfonso Ossorio's private collection B) Betty Parsons Gallery C) Studio Paul Facchetti in Paris D) Sidney Janis Gallery
A) He faced financial bankruptcy. B) He developed a severe anxiety disorder. C) His alcoholism deepened. D) He became reclusive and stopped painting.
A) 1948 B) 1945 C) 1950 D) 1942
A) John Bernard Myers B) Fritz Bultman C) Herbert Matter D) Peggy Guggenheim
A) "A genius independent of Lee" B) "Krasner's creation, her Frankenstein" C) "Uninfluenced by his wife" D) "An artist who didn't need guidance"
A) 1956 B) 1954 C) 1955 D) 1957
A) Tony Smith B) Ruth Kligman C) Lee Krasner D) Edith Metzger
A) Woodlawn Cemetery, New York B) Forest Lawn Memorial Park C) Cemetery of the Holy Cross, Sedona D) Green River Cemetery in Springs
A) Wolfgang Paalen B) Pablo Picasso C) Janet Sobel D) David Alfaro Siqueiros
A) 'Abstract expressionism'. B) 'Action painting'. C) 'Drip technique'. D) 'Color field painting'.
A) The Museum of Modern Art. B) The Congress for Cultural Freedom, backed by the CIA. C) The National Endowment for the Arts. D) The Guggenheim Foundation.
A) Morris Louis. B) Frank Stella. C) Jackson Pollock. D) Helen Frankenthaler.
A) First. B) Eighth-most influential. C) Not ranked. D) Fiftieth.
A) Barbra Streisand B) Leelee Sobieski C) Marcia Gay Harden D) Ruth Kligman
A) Robert De Niro B) Al Pacino C) Ben Affleck D) Ed Harris
A) Love Affair (1974) B) Jackson Pollock: A Biography C) An American Saga D) To a Violent Grave
A) Robert De Niro B) Barbra Streisand C) Ed Harris D) Harold Becker
A) Paramount Pictures B) TriBeCa Productions C) Barwood Films D) The Pollock-Krasner Foundation
A) Artforum B) Time C) Smithsonian magazine D) The New Yorker
A) $140 million B) $200 million C) $100 million D) $50 million
A) Robert De Niro B) Ed Harris C) Scott Raecker D) Henry Adams
A) Ex Machina B) The Accountant (2016) C) Pollock D) Love Affair
A) Robert De Niro's character B) Ben Affleck's character C) Ed Harris's character D) Harold Becker's character
A) The Accountant B) Love Affair C) Ex Machina D) Pollock
A) Nathan Bateman B) Harold Becker C) Ed Harris D) Ben Affleck
A) French government B) American government C) British government D) Australian Gough Whitlam government
A) Blue Poles B) No. 5, 1948 C) Number 28, 1951 D) Number 19 (1948)
A) 'Number 11, 1952' B) 'No. 5, 1948' C) 'Number 28, 1951' D) 'Number 19 (1948)'
A) 1998 B) 2023 C) 2012 D) 2006
A) Christie's B) Kenneth C. Griffin C) David Geffen D) Gough Whitlam
A) Kasmin B) Museum of Modern Art C) Christie's D) Australian National Gallery
A) 1990 B) 1985 C) 1978 D) 2003
A) Fractal analysis B) Infrared spectroscopy C) Pigment chromatography D) X-ray fluorescence
A) No yellow pigments at all B) Pigments only used in the 1940s C) Yellow paint pigments not commercially available until about 1970 D) Only natural earth pigments
A) 2005 B) 1983 C) 1999 D) 2015
A) 93% B) 85% C) 99% D) 75%
A) 2003 B) 2024 C) 2015 D) 1999
A) Excitement B) Stress-reduction C) Increased anxiety D) Confusion
A) Stony Brook University B) International Foundation for Art Research C) Artists Rights Society D) Archives of American Art
A) Only in winter B) Only during summer C) All year round D) From May through October |