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A) New York City, New York B) London, England C) Paris, France D) Cody, Wyoming
A) Surrealism B) Abstract Expressionism C) Impressionism D) Cubism
A) 1940s B) 1980s C) 1960s D) 2000s
A) Andy Warhol B) Peggy Guggenheim C) Frida Kahlo D) Vincent van Gogh
A) Action painting B) Realism C) Pointillism D) Fauvism
A) Lee Krasner B) Grace Kelly C) Marilyn Monroe D) Audrey Hepburn
A) Starry Night B) The Persistence of Memory C) Number 1A, 1948 D) Guernica
A) The National Gallery of Art B) The Museum of Modern Art (MoMA) C) The Louvre D) The Guggenheim Museum
A) "Drip technique" B) Pointillism C) Fauvism D) Cubism
A) Jackson B) Polk C) McCoy D) Smith
A) Diego Rivera B) Frida Kahlo C) David Alfaro Siqueiros D) José Clemente Orozco
A) Pablo Picasso B) Thomas Hart Benton C) Frida Kahlo D) Georgia O'Keeffe
A) Taught school B) Worked in a factory C) Was an artist D) Made and sold dresses
A) 1945 B) 1928 C) 1956 D) 1930
A) The Mexican muralist David Alfaro Siqueiros B) Dr. Joseph L. Henderson C) Peggy Guggenheim D) Marcel Duchamp
A) 1938 B) 1943 C) 1942 D) 1936
A) Dr. Joseph L. Henderson B) Peggy Guggenheim C) Violet Staub de Laszlo D) Marcel Duchamp
A) Cognitive-behavioral therapy B) Freudian analysis C) Art therapy D) Jungian psychotherapy
A) Dr. Joseph L. Henderson B) Clement Greenberg C) Marcel Duchamp D) Peggy Guggenheim
A) 8-by-20-foot B) 5-by-15-foot C) 10-by-30-foot D) 6-by-12-foot
A) Dr. Joseph L. Henderson B) Clement Greenberg C) Marcel Duchamp D) Peggy Guggenheim
A) The Navajo sand artist B) David Alfaro Siqueiros C) Janet Sobel D) Michel Tapié
A) 'Drip period' paintings B) Figurative elements with vibrant colors C) Navajo-inspired sand art D) 'Black pourings'
A) Sidney Janis Gallery B) Betty Parsons Gallery C) Alfonso Ossorio's private collection D) Studio Paul Facchetti in Paris
A) He faced financial bankruptcy. B) He developed a severe anxiety disorder. C) He became reclusive and stopped painting. D) His alcoholism deepened.
A) 1950 B) 1948 C) 1945 D) 1942
A) Fritz Bultman B) John Bernard Myers C) Peggy Guggenheim D) Herbert Matter
A) "An artist who didn't need guidance" B) "Krasner's creation, her Frankenstein" C) "A genius independent of Lee" D) "Uninfluenced by his wife"
A) 1955 B) 1957 C) 1956 D) 1954
A) Ruth Kligman B) Tony Smith C) Edith Metzger D) Lee Krasner
A) Green River Cemetery in Springs B) Cemetery of the Holy Cross, Sedona C) Forest Lawn Memorial Park D) Woodlawn Cemetery, New York
A) Wolfgang Paalen B) Pablo Picasso C) Janet Sobel D) David Alfaro Siqueiros
A) 'Action painting'. B) 'Abstract expressionism'. C) 'Drip technique'. D) 'Color field painting'.
A) The Guggenheim Foundation. B) The National Endowment for the Arts. C) The Congress for Cultural Freedom, backed by the CIA. D) The Museum of Modern Art.
A) Frank Stella. B) Morris Louis. C) Helen Frankenthaler. D) Jackson Pollock.
A) Fiftieth. B) Eighth-most influential. C) First. D) Not ranked.
A) Ruth Kligman B) Leelee Sobieski C) Barbra Streisand D) Marcia Gay Harden
A) Ben Affleck B) Robert De Niro C) Al Pacino D) Ed Harris
A) To a Violent Grave B) Jackson Pollock: A Biography C) An American Saga D) Love Affair (1974)
A) Ed Harris B) Barbra Streisand C) Harold Becker D) Robert De Niro
A) TriBeCa Productions B) Paramount Pictures C) The Pollock-Krasner Foundation D) Barwood Films
A) Smithsonian magazine B) Artforum C) The New Yorker D) Time
A) $100 million B) $200 million C) $50 million D) $140 million
A) Robert De Niro B) Henry Adams C) Ed Harris D) Scott Raecker
A) Ex Machina B) The Accountant (2016) C) Love Affair D) Pollock
A) Harold Becker's character B) Ed Harris's character C) Ben Affleck's character D) Robert De Niro's character
A) Love Affair B) The Accountant C) Ex Machina D) Pollock
A) Nathan Bateman B) Ben Affleck C) Harold Becker D) Ed Harris
A) American government B) British government C) Australian Gough Whitlam government D) French government
A) Number 28, 1951 B) Blue Poles C) Number 19 (1948) D) No. 5, 1948
A) 'Number 28, 1951' B) 'No. 5, 1948' C) 'Number 11, 1952' D) 'Number 19 (1948)'
A) 2012 B) 1998 C) 2006 D) 2023
A) Gough Whitlam B) Kenneth C. Griffin C) David Geffen D) Christie's
A) Kasmin B) Museum of Modern Art C) Christie's D) Australian National Gallery
A) 2003 B) 1985 C) 1978 D) 1990
A) Pigment chromatography B) Fractal analysis C) Infrared spectroscopy D) X-ray fluorescence
A) Only natural earth pigments B) No yellow pigments at all C) Pigments only used in the 1940s D) Yellow paint pigments not commercially available until about 1970
A) 2005 B) 2015 C) 1999 D) 1983
A) 75% B) 93% C) 85% D) 99%
A) 2015 B) 2003 C) 1999 D) 2024
A) Confusion B) Increased anxiety C) Excitement D) Stress-reduction
A) Artists Rights Society B) Archives of American Art C) Stony Brook University D) International Foundation for Art Research
A) All year round B) Only in winter C) From May through October D) Only during summer |