Jackson Pollock - Test
A) London, England B) Cody, Wyoming C) Paris, France D) New York City, New York
A) Cubism B) Impressionism C) Abstract Expressionism D) Surrealism
A) 1960s B) 1980s C) 1940s D) 2000s
A) Andy Warhol B) Peggy Guggenheim C) Vincent van Gogh D) Frida Kahlo
A) Pointillism B) Fauvism C) Action painting D) Realism
A) Marilyn Monroe B) Audrey Hepburn C) Grace Kelly D) Lee Krasner
A) Guernica B) Starry Night C) The Persistence of Memory D) Number 1A, 1948
A) The Museum of Modern Art (MoMA) B) The National Gallery of Art C) The Guggenheim Museum D) The Louvre
A) Cubism B) "Drip technique" C) Fauvism D) Pointillism
A) Jackson B) Polk C) Smith D) McCoy
A) Frida Kahlo B) David Alfaro Siqueiros C) Diego Rivera D) José Clemente Orozco
A) Thomas Hart Benton B) Georgia O'Keeffe C) Pablo Picasso D) Frida Kahlo
A) Made and sold dresses B) Worked in a factory C) Was an artist D) Taught school
A) 1945 B) 1930 C) 1928 D) 1956
A) Marcel Duchamp B) Dr. Joseph L. Henderson C) The Mexican muralist David Alfaro Siqueiros D) Peggy Guggenheim
A) 1938 B) 1942 C) 1943 D) 1936
A) Marcel Duchamp B) Violet Staub de Laszlo C) Dr. Joseph L. Henderson D) Peggy Guggenheim
A) Freudian analysis B) Art therapy C) Cognitive-behavioral therapy D) Jungian psychotherapy
A) Peggy Guggenheim B) Dr. Joseph L. Henderson C) Clement Greenberg D) Marcel Duchamp
A) 6-by-12-foot B) 5-by-15-foot C) 8-by-20-foot D) 10-by-30-foot
A) Dr. Joseph L. Henderson B) Peggy Guggenheim C) Marcel Duchamp D) Clement Greenberg
A) Janet Sobel B) Michel Tapié C) The Navajo sand artist D) David Alfaro Siqueiros
A) Navajo-inspired sand art B) 'Drip period' paintings C) 'Black pourings' D) Figurative elements with vibrant colors
A) Alfonso Ossorio's private collection B) Studio Paul Facchetti in Paris C) Betty Parsons Gallery D) Sidney Janis Gallery
A) He developed a severe anxiety disorder. B) He became reclusive and stopped painting. C) He faced financial bankruptcy. D) His alcoholism deepened.
A) 1942 B) 1948 C) 1945 D) 1950
A) Herbert Matter B) Peggy Guggenheim C) Fritz Bultman D) John Bernard Myers
A) "A genius independent of Lee" B) "Uninfluenced by his wife" C) "Krasner's creation, her Frankenstein" D) "An artist who didn't need guidance"
A) 1957 B) 1956 C) 1955 D) 1954
A) Ruth Kligman B) Edith Metzger C) Tony Smith D) Lee Krasner
A) Cemetery of the Holy Cross, Sedona B) Forest Lawn Memorial Park C) Green River Cemetery in Springs D) Woodlawn Cemetery, New York
A) Pablo Picasso B) Wolfgang Paalen C) Janet Sobel D) David Alfaro Siqueiros
A) 'Abstract expressionism'. B) 'Drip technique'. C) 'Color field painting'. D) 'Action painting'.
A) The National Endowment for the Arts. B) The Museum of Modern Art. C) The Congress for Cultural Freedom, backed by the CIA. D) The Guggenheim Foundation.
A) Frank Stella. B) Helen Frankenthaler. C) Jackson Pollock. D) Morris Louis.
A) Fiftieth. B) Not ranked. C) Eighth-most influential. D) First.
A) Marcia Gay Harden B) Ruth Kligman C) Leelee Sobieski D) Barbra Streisand
A) Al Pacino B) Robert De Niro C) Ben Affleck D) Ed Harris
A) Jackson Pollock: A Biography B) An American Saga C) To a Violent Grave D) Love Affair (1974)
A) Ed Harris B) Barbra Streisand C) Harold Becker D) Robert De Niro
A) Paramount Pictures B) Barwood Films C) TriBeCa Productions D) The Pollock-Krasner Foundation
A) Smithsonian magazine B) Artforum C) The New Yorker D) Time
A) $100 million B) $200 million C) $140 million D) $50 million
A) Ed Harris B) Scott Raecker C) Henry Adams D) Robert De Niro
A) The Accountant (2016) B) Love Affair C) Pollock D) Ex Machina
A) Robert De Niro's character B) Ben Affleck's character C) Ed Harris's character D) Harold Becker's character
A) Ex Machina B) The Accountant C) Love Affair D) Pollock
A) Ben Affleck B) Nathan Bateman C) Harold Becker D) Ed Harris
A) Australian Gough Whitlam government B) French government C) American government D) British government
A) No. 5, 1948 B) Blue Poles C) Number 19 (1948) D) Number 28, 1951
A) 'No. 5, 1948' B) 'Number 11, 1952' C) 'Number 28, 1951' D) 'Number 19 (1948)'
A) 2012 B) 2023 C) 1998 D) 2006
A) Kenneth C. Griffin B) David Geffen C) Gough Whitlam D) Christie's
A) Museum of Modern Art B) Australian National Gallery C) Kasmin D) Christie's
A) 1978 B) 2003 C) 1990 D) 1985
A) Infrared spectroscopy B) X-ray fluorescence C) Pigment chromatography D) Fractal analysis
A) No yellow pigments at all B) Only natural earth pigments C) Yellow paint pigments not commercially available until about 1970 D) Pigments only used in the 1940s
A) 2015 B) 1999 C) 1983 D) 2005
A) 99% B) 75% C) 85% D) 93%
A) 1999 B) 2024 C) 2015 D) 2003
A) Stress-reduction B) Excitement C) Confusion D) Increased anxiety
A) International Foundation for Art Research B) Archives of American Art C) Artists Rights Society D) Stony Brook University
A) Only during summer B) From May through October C) All year round D) Only in winter |
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