Portrait painting - Quiz
A) Emperor Gaozong B) Kublai Khan C) Araniko D) Yang Qian
A) On the walls of the city gate B) In the Emperor's private palace C) On a stone tablet at the Imperial University D) In a forest near the capital
A) To document fashion trends B) To educate students as a moral code C) To highlight the wealth of the dynasty D) To celebrate the Mongol conquest
A) To claim his policies were supported by Confucianism B) To increase tax revenues C) To improve relations with foreign empires D) To establish a new religion
A) Yang Qian B) Emperor Gaozong C) Araniko D) Confucius
A) Moral rightness B) Financial wealth C) Loyalty to the Mongol government D) Reclusion from nature
A) The potential choice between reclusion and political service B) A specific historical battle site C) The absolute rejection of the Mongol government D) The standard interior of a scholar's study
A) Pure ink wash without coloring B) Outlining with ink and reinforcing with color C) Oil layering and brush strokes D) Charcoal sketching and water wash
A) Song Chinese B) European C) Himalayan D) Japanese
A) They focus heavily on emotional spirit B) They are more fluid and narrative C) They are highly symmetrical and rigid D) They avoid the use of color
A) The blurred facial expressions of the sitters B) The inclusion of handwritten inscriptions C) Full frontal orientation and centered pupils D) The use of bright, contrasting landscapes
A) Song portraits lacked spirit compared to Yuan B) Yuan portraits lack the emphasis on the sitter's spirit C) Both emphasize the capture of spirit equally D) Yuan portraits emphasize spirit more than Song portraits
A) Choosing between moving to the Himalayas or staying in China B) Choosing between Buddhism and Confucianism C) Choosing between landscape and portrait painting D) Choosing between reclusion or new political careers
A) Otto Dix B) Pablo Picasso C) Gustav Klimt D) Henri Matisse
A) Gustav Klimt B) Amedeo Modigliani C) Oskar Kokoschka D) Max Beckmann
A) Otto Dix B) Francis Picabia C) Oskar Kokoschka D) Max Ernst
A) Hyper-realistic B) Traditionalist C) Highly simplified D) Grossly distorted
A) Dadaism B) Cubism C) Vorticism D) French impressionism
A) Landscapes B) Abstract murals C) Sculptural reliefs D) Self-portraits
A) Max Ernst B) Olga Boznańska C) George Bellows D) Tamara de Lempicka
A) Max Ernst B) George Bellows C) Robert Henri D) Andy Warhol
A) Lucian Freud B) Andrew Wyeth C) Chuck Close D) Jamie Wyeth
A) 247 B) 100 C) 500 D) 27
A) Lucian Freud B) Chuck Close C) Andy Warhol D) Francis Bacon
A) Byzantine motifs B) Nightmarish quality C) Hyper-realistic detail D) Streamlined Art Deco style
A) Chuck Close B) Jamie Wyeth C) Andy Warhol D) Alex Katz
A) All Friends Together B) Orange Prince C) Benefits Supervisor Sleeping D) Orange Shot Marilyn
A) George Bellows B) Robert Henri C) Jamie Wyeth D) Andrew Wyeth
A) Vorticists B) Impressionists C) Dadaists D) Expressionists
A) Digital art B) Lithography C) Photography D) Sculpture carving
A) Three-quarter view B) Full-length C) Bust D) Half-length
A) The eyes B) The mouth C) The ears D) The chin
A) Christina's World B) Portrait of George Washington C) Portrait of Madame X D) Mme. Charpentier and her children
A) About four B) Fifty C) One D) One hundred
A) A mirror B) A second painter C) A photograph D) A professional model
A) Cézanne B) Gilbert Stuart C) Goya D) Raphael
A) Full-length B) Bust C) Three-quarter D) Profile
A) A day B) A month C) A year D) A week
A) A commission success B) A masterpiece C) A lower price D) A client's dissatisfaction
A) China B) Rome C) Greece D) Egypt
A) 5th century BC B) 20th century BC C) 14th century BC D) 10th century BC
A) 500 AD B) 2000 BC C) 100 AD D) Over 1000 BC
A) Papyrus sketches B) Stone murals C) Surviving canvas paintings D) Literary evidence
A) Alexander the Great B) Theodosius I C) Pliny the Elder D) Constantine I
A) Athens, Greece B) Rome, Italy C) Byzantium, Turkey D) Fayum, Egypt
A) Constantine I B) Alexander the Great C) Pliny the Elder D) Socrates
A) It remained the same B) It focused only on children C) It declined considerably D) It increased significantly
A) Fairly standardized images B) Abstract geometric shapes C) Caricatures of historical figures D) Highly realistic individual portraits
A) Jan van Eyck B) Hildegard of Bingen C) Robert Campin D) Leonardo da Vinci
A) Henry VIII B) Charles IV C) Cosimo I de' Medici D) Richard II of England
A) Rogier van der Weyden B) Raphael C) Sandro Botticelli D) Michelangelo
A) Fresco B) Oil colors C) Tempera D) Watercolor
A) Canvas was easier to find B) Canvas allows for faster drying C) Canvas resists cracking better than wood D) Canvas was cheaper than wood
A) School of Athens B) The Mona Lisa C) Ginevra de' Benci D) The Arnolfini Marriage
A) Lucas Cranach B) Albrecht Dürer C) Leonardo da Vinci D) Hans Holbein the Younger
A) Henry VIII B) Charles IV C) Richard II D) Sir Thomas More
A) Exaggerated width B) Subtle asymmetry C) Absence of teeth D) Perfect symmetry
A) Masaccio B) Leonardo da Vinci C) Raphael D) Titian
A) Titian B) Raphael C) Leonardo da Vinci D) Agnolo Bronzino
A) Hans Holbein the Younger B) Agnolo Bronzino C) Albrecht Dürer D) El Greco
A) Frans Hals B) The Accademia degli Incamminati C) Rembrandt D) Diego Velázquez
A) Diego Velázquez B) Frans Hals C) Peter Paul Rubens D) Sir Anthony van Dyck
A) Using very long brushes B) Observing exact similitude of every feature C) Taking the general air D) Painting only the background
A) John Trumbull B) William Hogarth C) Thomas Gainsborough D) Gilbert Stuart
A) John Trumbull B) Gilbert Stuart C) John Singleton Copley D) Charles Willson Peale
A) Pointillism B) Chiaroscuro C) Fresco D) Impasto
A) Peter Paul Rubens B) Élisabeth Vigée-Lebrun C) Hyacinthe Rigaud D) François Boucher
A) Madame de Pompadour B) Rosalba Carriera C) Angelica Kauffman D) Élisabeth Vigée-Lebrun
A) Traditional armor B) Ornate floral corsets C) Heavy velvet robes D) Diaphanous gowns
A) Jacques-Louis David B) Jean-Auguste-Dominique Ingres C) Gustave Courbet D) Eugène Delacroix
A) Francisco de Goya B) Piotr Michałowski C) Théodore Géricault D) Honoré Daumier
A) Thomas Eakins B) Gustave Courbet C) Mary Cassatt D) Édouard Manet
A) Cecilia Beaux B) Edgar Degas C) Giovanni Boldini D) John Singer Sargent
A) Jane Avril B) Cecilia Beaux C) Edith Mahon D) Mary Cassatt
A) Honoré Daumier B) Jacques-Louis David C) Pierre-Auguste Renoir D) Claude Monet
A) Edgar Degas B) Gustave Courbet C) Édouard Manet D) Thomas Eakins
A) Mongol Ilkhanids B) Qajar dynasty C) Ottoman Empire D) Mughal Empire
A) Profile B) Frontal C) Full-back view D) Three-quarter view
A) Poor eyesight B) Color blindness C) Blindness D) Dyslexia
A) Halos B) Swords C) Crowns D) Jeweled turbans
A) Foreign dignitaries B) Religious leaders C) The general public D) A very restricted circle
A) Ottoman B) Mughal C) Qajar D) Ilkhanid
A) European-looking features B) Chinese-looking features C) Abstract shapes D) Highly individualized features
A) Imperial palace guards B) Buddhist clergy C) Taoist merchants D) Confucian bureaucrats
A) All government officials B) The most senior ministers C) Foreign dignitaries D) The general public
A) Physiognomy B) Calligraphy C) Astronomy D) Mathematics
A) Once per decade B) Every month C) Only upon the death of an emperor D) Once a year
A) Rong Qiqi B) Ruan Xian C) Gu Kaizhi D) Sima Yan
A) 35 inches B) 96 inches C) 150 inches D) 200 inches
A) Four B) Seven C) Eight D) Ten
A) Liu Ling B) Ruan Ji C) Rong Qiqi D) Ji Kang
A) Playing the flute B) Writing literature C) Dancing D) Drinking alcohol
A) A drum B) A flute C) A harp D) A zither
A) A vase B) An erbei C) A bowl D) A goblet
A) Ruan Xian B) Gu Kaizhi C) Sima Yan D) Shan Tao
A) Song dynasty B) Tang dynasty C) Han dynasty D) Ming dynasty
A) Confucianism B) Shintoism C) Taoism D) Buddhism
A) Imperial legitimacy B) Temporal incorruptibility C) Spiritual consonance D) Chronological succession
A) Twelve B) Ten C) Fifteen D) Thirteen
A) All emperors were dressed in identical royal robes B) Informal costumes indicated bad rulers, formal dress indicated high achievements C) Only the Tang dynasty emperors wore formal attire D) Informal costumes indicated wise scholars, formal dress indicated warriors |
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