A) Stage direction
B) Costume selection
C) Lighting design
D) The inner life of the actor

A) The character's overall goal
B) The director's vision
C) The actor's personal goal
D) The setting of the play

A) Lee Strasberg's approach
B) Meisner technique
C) System of acting
D) Method acting

A) Director's notes
B) Stage movement
C) Underlying meaning of dialogue
D) Actor's biography

A) Driving the action
B) Establishing setting
C) Designing costumes
D) Creating conflicts

A) To describe costume choices
B) To write the script
C) To outline stage directions
D) To create depth for the character

A) Exploration and experimentation
B) Rigid structure
C) Learning lines
D) Costume fittings

A) Historical figures
B) Real-life celebrities
C) Shakespeare's plays
D) Stanislavski's own experiences