A) Stage direction
B) Lighting design
C) Costume selection
D) The inner life of the actor

A) The director's vision
B) The setting of the play
C) The actor's personal goal
D) The character's overall goal

A) Method acting
B) System of acting
C) Meisner technique
D) Lee Strasberg's approach

A) Driving the action
B) Creating conflicts
C) Establishing setting
D) Designing costumes

A) Costume fittings
B) Rigid structure
C) Exploration and experimentation
D) Learning lines

A) Real-life celebrities
B) Historical figures
C) Shakespeare's plays
D) Stanislavski's own experiences

A) Underlying meaning of dialogue
B) Director's notes
C) Stage movement
D) Actor's biography

A) To write the script
B) To create depth for the character
C) To describe costume choices
D) To outline stage directions