A) Stage direction
B) Costume selection
C) The inner life of the actor
D) Lighting design

A) The setting of the play
B) The actor's personal goal
C) The director's vision
D) The character's overall goal

A) System of acting
B) Method acting
C) Meisner technique
D) Lee Strasberg's approach

A) Director's notes
B) Actor's biography
C) Stage movement
D) Underlying meaning of dialogue

A) Establishing setting
B) Creating conflicts
C) Designing costumes
D) Driving the action

A) To outline stage directions
B) To create depth for the character
C) To write the script
D) To describe costume choices

A) Learning lines
B) Exploration and experimentation
C) Rigid structure
D) Costume fittings

A) Real-life celebrities
B) Historical figures
C) Shakespeare's plays
D) Stanislavski's own experiences