A) Stage direction
B) Lighting design
C) Costume selection
D) The inner life of the actor

A) The director's vision
B) The actor's personal goal
C) The character's overall goal
D) The setting of the play

A) Lee Strasberg's approach
B) System of acting
C) Meisner technique
D) Method acting

A) Director's notes
B) Stage movement
C) Actor's biography
D) Underlying meaning of dialogue

A) Establishing setting
B) Creating conflicts
C) Driving the action
D) Designing costumes

A) To write the script
B) To outline stage directions
C) To create depth for the character
D) To describe costume choices

A) Costume fittings
B) Exploration and experimentation
C) Learning lines
D) Rigid structure

A) Real-life celebrities
B) Historical figures
C) Shakespeare's plays
D) Stanislavski's own experiences