A) Costume selection B) Stage direction C) The inner life of the actor D) Lighting design
A) The setting of the play B) The director's vision C) The actor's personal goal D) The character's overall goal
A) Meisner technique B) System of acting C) Method acting D) Lee Strasberg's approach
A) Creating conflicts B) Designing costumes C) Establishing setting D) Driving the action
A) Costume fittings B) Exploration and experimentation C) Rigid structure D) Learning lines
A) Historical figures B) Real-life celebrities C) Shakespeare's plays D) Stanislavski's own experiences
A) Underlying meaning of dialogue B) Actor's biography C) Stage movement D) Director's notes
A) To outline stage directions B) To create depth for the character C) To write the script D) To describe costume choices |