A) Lighting design
B) Stage direction
C) The inner life of the actor
D) Costume selection

A) The character's overall goal
B) The director's vision
C) The setting of the play
D) The actor's personal goal

A) Lee Strasberg's approach
B) System of acting
C) Method acting
D) Meisner technique

A) Creating conflicts
B) Designing costumes
C) Establishing setting
D) Driving the action

A) Exploration and experimentation
B) Rigid structure
C) Costume fittings
D) Learning lines

A) Historical figures
B) Stanislavski's own experiences
C) Shakespeare's plays
D) Real-life celebrities

A) Director's notes
B) Underlying meaning of dialogue
C) Actor's biography
D) Stage movement

A) To write the script
B) To outline stage directions
C) To create depth for the character
D) To describe costume choices