A) Lighting design
B) Stage direction
C) The inner life of the actor
D) Costume selection

A) The actor's personal goal
B) The director's vision
C) The setting of the play
D) The character's overall goal

A) Method acting
B) Lee Strasberg's approach
C) Meisner technique
D) System of acting

A) Stage movement
B) Underlying meaning of dialogue
C) Director's notes
D) Actor's biography

A) Driving the action
B) Designing costumes
C) Creating conflicts
D) Establishing setting

A) To write the script
B) To create depth for the character
C) To describe costume choices
D) To outline stage directions

A) Learning lines
B) Rigid structure
C) Exploration and experimentation
D) Costume fittings

A) Stanislavski's own experiences
B) Historical figures
C) Real-life celebrities
D) Shakespeare's plays