A) The inner life of the actor
B) Stage direction
C) Costume selection
D) Lighting design

A) The director's vision
B) The character's overall goal
C) The setting of the play
D) The actor's personal goal

A) Meisner technique
B) System of acting
C) Lee Strasberg's approach
D) Method acting

A) Underlying meaning of dialogue
B) Stage movement
C) Director's notes
D) Actor's biography

A) Establishing setting
B) Creating conflicts
C) Driving the action
D) Designing costumes

A) To write the script
B) To create depth for the character
C) To outline stage directions
D) To describe costume choices

A) Rigid structure
B) Costume fittings
C) Exploration and experimentation
D) Learning lines

A) Historical figures
B) Shakespeare's plays
C) Real-life celebrities
D) Stanislavski's own experiences