A) Costume selection
B) The inner life of the actor
C) Stage direction
D) Lighting design

A) The director's vision
B) The character's overall goal
C) The actor's personal goal
D) The setting of the play

A) Lee Strasberg's approach
B) System of acting
C) Meisner technique
D) Method acting

A) Designing costumes
B) Creating conflicts
C) Driving the action
D) Establishing setting

A) Rigid structure
B) Learning lines
C) Costume fittings
D) Exploration and experimentation

A) Real-life celebrities
B) Shakespeare's plays
C) Stanislavski's own experiences
D) Historical figures

A) Underlying meaning of dialogue
B) Actor's biography
C) Director's notes
D) Stage movement

A) To describe costume choices
B) To create depth for the character
C) To outline stage directions
D) To write the script