A) Broadway Theatre B) Albert Theatre C) Goodman Theatre D) Apollo Theater
A) July 8 to September 2024 B) June 25 to August 11, 2024 C) July 8 to August 11, 2024 D) September to December 2024
A) August 11, 2024 B) September 2024 C) June 25, 2024 D) July 8, 2024
A) Jon Weston B) Rob Ashford C) Tanya Birl-Torres D) Christopher Oram
A) Neil Austin B) Toni-Leslie James C) Rob Ashford D) Tanya Birl-Torres
A) Sierra Boggess B) Steven Oxman C) J. Harrison Ghee D) Tom Hewitt
A) Charles Isherwood B) Chris Jones C) J. Harrison Ghee D) Tom Hewitt
A) J. Harrison Ghee B) Sierra Boggess C) Tanya Birl-Torres D) Elisabeth Vincentelli
A) Toni-Leslie James B) Neil Austin C) Jon Weston D) Christopher Oram
A) Toni-Leslie James B) Christopher Oram C) Jamie Platt D) Rob Ashford
A) Toni-Leslie James & Rob Ashford B) Neil Austin & Jamie Platt C) Jon Weston & Christopher Oram D) Tanya Birl-Torres & Tom Hewitt
A) Christopher Oram B) Jamie Platt C) Jon Weston D) Neil Austin
A) September 2024 B) July 2024 C) August 2024 D) June 2024
A) 2025 B) 2026 C) 2027 D) 2024
A) The New York Times B) Variety C) The Wall Street Journal D) Chicago Tribune
A) A triple threat performer at the top of their game B) Too timid in the splashier scenes C) Lacking credible conflict D) As intriguing as it is unwieldy
A) Chris Jones B) Charles Isherwood C) Steven Oxman D) Benjamin Payne
A) A lack of a credible conflict B) The score was weaker than previous works C) The absence of a 1980s jury deliberation D) Problems resulting from adapting a digressive novel
A) Georgia Public Broadcasting B) The New York Times C) Chicago Tribune D) Variety
A) The absence of showing a 1980s jury deliberating B) The lack of a credible conflict C) Too timid direction in splashier scenes D) A weak musical score
A) Steven Oxman B) Elisabeth Vincentelli C) Charles Isherwood D) Chris Jones
A) Its lack of a credible conflict B) Timidity in the splashier scenes C) The absence of a jury deliberation D) Poor set design
A) Benjamin Payne B) Steven Oxman C) Chris Jones D) Elisabeth Vincentelli
A) Extremely bold and chaotic B) Overall too timid C) Overly theatrical and unwieldy D) Brilliant and engaging
A) The best musical adaptation of the decade B) As intriguing as it is unwieldy, and so close to working C) Flawless from start to finish D) A complete failure with no redeeming qualities
A) Taylor Mac B) Jason Robert Brown C) Alfred Uhry D) John Berendt
A) Jason Robert Brown B) Alfred Uhry C) Taylor Mac D) John Berendt
A) 2023 B) 1994 C) 2014 D) 2012
A) John Berendt B) Jason Robert Brown C) Alfred Uhry D) Taylor Mac
A) New York B) Savannah C) Chicago D) London
A) Danny Hansford B) Jason Robert Brown C) John Berendt D) Alfred Uhry
A) Rob Ashford B) Alfred Uhry C) Taylor Mac D) Jason Robert Brown
A) John Berendt B) Alfred Uhry C) Johnny Mercer D) Jason Robert Brown
A) Danny Hansford B) Taylor Mac C) Stratton Leopold D) Tony Goldwyn
A) Jason Robert Brown B) John Berendt C) Alfred Uhry D) Leslie Uggams
A) Taylor Mac B) Jessica Molaskey C) Anne Hamburger D) Rob Ashford
A) July 2024 B) Late 2014 C) February 2023 D) May 2012
A) July B) December C) February D) May
A) Johnny Mercer's catalogue was copyrighted B) Alfred Uhry quit the production C) Mercer songs alone could not drive the story forward D) The director demanded modern pop music
A) Singing without accompaniment B) Puppet performances C) Acrobatic stunts D) Break the fourth wall
A) No B) Yes C) Only the lyrics D) Only the first act
A) Visited Savannah B) Interviewed Alfred Uhry C) Conducted readings in Chicago D) Studied Johnny Mercer's biography
A) Stratton Leopold B) Tony Goldwyn C) Rob Ashford D) Anne Hamburger
A) Williams's B) Berendt's C) Hansford's D) Mercer's
A) An antiques store B) Goodman Theatre C) The Chicago Playhouse D) Mercer House |