A) Marxist criticism
B) Postmodernism
C) New Criticism
D) Romanticism

A) Using too many literary devices
B) Making intentional spelling errors
C) Judging a poem by the author's intended meaning
D) Writing with deliberate ambiguity

A) As more important than imagery
B) As an optional decorative element
C) As integral to the poem's meaning and effect
D) As irrelevant to modern poetry

A) Judging a poem by its emotional effect on readers
B) Failing to affect readers emotionally
C) Using affective language excessively
D) Writing without emotional content

A) As a sign of authorial confusion
B) As essential for complexity and depth
C) As inappropriate for serious poetry
D) As merely humorous device

A) As necessary for all good poetry
B) As a source of richness and complexity
C) As evidence of poor editing
D) As a flaw in composition

A) It distracts from the poem itself
B) It should replace close reading
C) It is essential for understanding poetry
D) It works well with New Criticism

A) One that conveys a clear moral message
B) One that is emotionally uplifting
C) One where all elements work together organically
D) One with perfect rhyme and meter

A) As meaningful organization of experience
B) As secondary to thematic content
C) As arbitrary formal requirement
D) As identical to prose structure

A) Poetry should convey factual truth
B) Poetry has no relation to truth
C) Poetry reveals absolute truths
D) Poetry creates its own complex truth

A) Dissonance
B) Conflict
C) Paradox
D) Irony

A) Form serves content
B) They are inseparable
C) Content determines form
D) They are independent

A) Voice
B) Theme
C) Tone
D) Mood

A) A decorative element
B) An image that suggests multiple meanings
C) A recurring motif
D) A direct representation of an idea