A) New Criticism
B) Romanticism
C) Marxist criticism
D) Postmodernism

A) Judging a poem by the author's intended meaning
B) Using too many literary devices
C) Making intentional spelling errors
D) Writing with deliberate ambiguity

A) As irrelevant to modern poetry
B) As more important than imagery
C) As integral to the poem's meaning and effect
D) As an optional decorative element

A) Using affective language excessively
B) Failing to affect readers emotionally
C) Writing without emotional content
D) Judging a poem by its emotional effect on readers

A) As essential for complexity and depth
B) As a sign of authorial confusion
C) As inappropriate for serious poetry
D) As merely humorous device

A) As evidence of poor editing
B) As necessary for all good poetry
C) As a source of richness and complexity
D) As a flaw in composition

A) It is essential for understanding poetry
B) It works well with New Criticism
C) It should replace close reading
D) It distracts from the poem itself

A) One that is emotionally uplifting
B) One with perfect rhyme and meter
C) One that conveys a clear moral message
D) One where all elements work together organically

A) As identical to prose structure
B) As secondary to thematic content
C) As arbitrary formal requirement
D) As meaningful organization of experience

A) Poetry should convey factual truth
B) Poetry reveals absolute truths
C) Poetry has no relation to truth
D) Poetry creates its own complex truth

A) Paradox
B) Conflict
C) Dissonance
D) Irony

A) Form serves content
B) They are inseparable
C) They are independent
D) Content determines form

A) Theme
B) Mood
C) Tone
D) Voice

A) A decorative element
B) A recurring motif
C) A direct representation of an idea
D) An image that suggests multiple meanings