A) New Criticism
B) Marxist criticism
C) Postmodernism
D) Romanticism

A) Using too many literary devices
B) Writing with deliberate ambiguity
C) Judging a poem by the author's intended meaning
D) Making intentional spelling errors

A) As irrelevant to modern poetry
B) As integral to the poem's meaning and effect
C) As more important than imagery
D) As an optional decorative element

A) Judging a poem by its emotional effect on readers
B) Using affective language excessively
C) Failing to affect readers emotionally
D) Writing without emotional content

A) As inappropriate for serious poetry
B) As essential for complexity and depth
C) As a sign of authorial confusion
D) As merely humorous device

A) As necessary for all good poetry
B) As a source of richness and complexity
C) As a flaw in composition
D) As evidence of poor editing

A) It is essential for understanding poetry
B) It should replace close reading
C) It distracts from the poem itself
D) It works well with New Criticism

A) One where all elements work together organically
B) One that conveys a clear moral message
C) One that is emotionally uplifting
D) One with perfect rhyme and meter

A) As secondary to thematic content
B) As identical to prose structure
C) As meaningful organization of experience
D) As arbitrary formal requirement

A) Poetry reveals absolute truths
B) Poetry has no relation to truth
C) Poetry should convey factual truth
D) Poetry creates its own complex truth

A) Dissonance
B) Conflict
C) Irony
D) Paradox

A) They are inseparable
B) Content determines form
C) Form serves content
D) They are independent

A) Mood
B) Tone
C) Theme
D) Voice

A) A decorative element
B) An image that suggests multiple meanings
C) A recurring motif
D) A direct representation of an idea