A) Marxist criticism
B) New Criticism
C) Romanticism
D) Postmodernism

A) Making intentional spelling errors
B) Using too many literary devices
C) Judging a poem by the author's intended meaning
D) Writing with deliberate ambiguity

A) As irrelevant to modern poetry
B) As integral to the poem's meaning and effect
C) As an optional decorative element
D) As more important than imagery

A) Using affective language excessively
B) Judging a poem by its emotional effect on readers
C) Writing without emotional content
D) Failing to affect readers emotionally

A) As merely humorous device
B) As a sign of authorial confusion
C) As inappropriate for serious poetry
D) As essential for complexity and depth

A) As a source of richness and complexity
B) As necessary for all good poetry
C) As a flaw in composition
D) As evidence of poor editing

A) It is essential for understanding poetry
B) It distracts from the poem itself
C) It works well with New Criticism
D) It should replace close reading

A) One that is emotionally uplifting
B) One with perfect rhyme and meter
C) One that conveys a clear moral message
D) One where all elements work together organically

A) As identical to prose structure
B) As arbitrary formal requirement
C) As meaningful organization of experience
D) As secondary to thematic content

A) Poetry has no relation to truth
B) Poetry should convey factual truth
C) Poetry creates its own complex truth
D) Poetry reveals absolute truths

A) Dissonance
B) Irony
C) Conflict
D) Paradox

A) Content determines form
B) They are inseparable
C) Form serves content
D) They are independent

A) Voice
B) Tone
C) Theme
D) Mood

A) A recurring motif
B) An image that suggests multiple meanings
C) A direct representation of an idea
D) A decorative element