A) Knight's tour B) Fibonacci sequence C) Sudoku grid D) Golden ratio
A) 9 B) 12 C) 10 D) 99
A) 42 B) 99 C) 100 D) 21
A) 99 B) 42 C) 21 D) 10
A) Graeco-Latin squares B) Magic squares C) Fractal geometry D) Knight's tours
A) 10 B) 99 C) 42 D) 21
A) Couples like Laurel and Hardy B) Greek and Latin characters C) Fabrics and jewels D) Numbers 1 to 10
A) To dictate how elements are included or omitted in a chapter B) To list the characters in the book C) To determine the architectural layout of the rooms D) To act as the table of contents
A) 1 and 2 B) 5 and 6 C) 41 and 42 D) 39 and 40
A) Ignoring all 42 lists B) Not missing out any other constraint in the group C) Writing a chapter with no elements D) Deleting the entire chapter
A) Ten groups of fabrics B) Ten couples C) Ten Greek characters D) Ten architectural plans
A) 10x10 B) 9x9 C) 21x21 D) 11x11
A) Bartlebooth's failure B) A mistake in the editing process C) The author's lack of time D) The collapse of the building
A) Yes, all 42 elements must be included B) No, they are often mere prompts C) No, they are only used for the appendix D) Yes, but only in the first chapter
A) 15 July 1975 B) 23 June 1975 C) 1 January 1970 D) 23 June 1980
A) At sunrise B) At noon C) At midnight D) Just before 8 pm
A) Smautf B) Serge Valène C) Bartlebooth D) Winckler
A) Painter B) Puzzle maker C) Writer D) Architect
A) A portrait of Bartlebooth B) The Parisian skyline C) The apartment block with its facade removed D) A map of his life
A) 11 rue de la Paix B) 12 rue Simon-Crubellier C) 11 rue Simon-Crubellier D) 10 rue Bartlebooth
A) Like a rook B) Like a knight C) Like a bishop D) Like a queen
A) Smautf B) Winckler C) Serge Valène D) Morellet
A) The date the residents moved in B) The number of rooms it has C) The age of the residents D) The social status of the residents
A) Smautf B) A tourist C) The concierge D) A delivery person
A) Photography B) Poetry C) Mathematics D) Lists
A) 1950 B) 1987 C) 1978 D) 1975
A) Valène B) David Bellos C) Gaspard Winckler D) Georges Perec
A) Dadaism B) Oulipo C) Postmodernism D) Surrealism
A) 1000 B) 439 C) 500 D) 100
A) Dissolving the colors of the paintings B) Binding the paper with a special solution C) Cutting the paintings into jigsaw puzzles D) Teaching Bartlebooth how to paint
A) Georges Morellet B) Gaspard Winckler C) Valène D) Bartlebooth
A) 438 B) 500 C) 439 D) 10
A) Y B) W C) O D) X
A) V B) W C) X D) Z
A) 11 rue Simon-Crubellier B) La Vie mode d'emploi C) Life: A User's Manual D) L'Oulipo
A) 1982 B) 1833 C) 1846 D) 1978
A) 46 pages B) 100 pages C) 70 pages D) 10 pages
A) 12 B) 100 C) 46 D) 70
A) Captain Nemo B) Georges Perec C) Bartlebooth D) Mozart
A) Captain Nemo B) Italo Calvino C) Bartlebooth D) Mozart
A) 1986 B) 1982 C) 1978 D) 1833
A) 33 B) 100 C) 70 D) 46
A) Italo Calvino B) Jules Verne C) Paul Auster D) Georges Perec
A) Captain Nemo B) Italo Calvino C) Jules Verne D) Paul Auster |