A) London B) Venice C) Paris D) Rome
A) Renaissance B) Surrealism C) Impressionism D) Cubism
A) Church and monarchy B) Government and military C) Marketplace and trade D) School and hospital
A) Mythology B) Landscape C) Portraits D) Vanitas
A) 19th century B) 17th century C) 14th century D) 20th century
A) Pointillism B) Graffiti C) Collage D) Chiaroscuro
A) Geometric shapes B) Use of diagonals and spirals C) Horizontal lines D) Symmetrical patterns
A) Artemisia Gentileschi B) Louise Élisabeth Vigée Le Brun C) Mary Cassatt D) Frida Kahlo
A) Rococo B) Baroque C) Neoclassical D) Renaissance
A) Bas-relief B) Cartouche C) Mosaic D) Fresco
A) Italian B) French C) Spanish D) German
A) Gold chains B) Silver filigree C) Diamond cuts D) Irregular pearls
A) Rene Descartes B) Blaise Pascal C) Michel de Montaigne D) Voltaire
A) 1762 B) 1531 C) 1728 D) 1694
A) Jean-Philippe Rameau B) Johann Sebastian Bach C) Ludwig van Beethoven D) Wolfgang Amadeus Mozart
A) Renaissance music B) Baroque music C) Classical music D) Romantic music
A) Jacob Burckhardt B) Heinrich Wölfflin C) Quatremère de Quincy D) John Ruskin
A) Art Nouveau B) Neoclassical C) Rococo D) Gothic
A) Something irregular, bizarre or unequal. B) An innovative and modern approach. C) A harmonious and balanced composition. D) A traditional and classical form.
A) Raphael Sanzio B) Federico Barocci C) Leonardo da Vinci D) Michelangelo Buonarroti
A) 1835 B) 1788 C) 1768 D) 1855
A) To celebrate Gothic architecture. B) To praise Renaissance art. C) To ridicule post-Renaissance art. D) To describe modernist movements.
A) The Protestant Reformation B) The Industrial Revolution C) The French Revolution D) The Renaissance
A) Trompe-l'œil paintings on the ceiling B) Stained glass windows C) Sculptures of saints D) Frescoes on the walls
A) They avoid religious themes B) They use only monochromatic colors C) They are designed for correct perspective from the floor D) They depict multiple scenes in one perspective
A) The twisted column B) The flat arch C) The pointed spire D) The flying buttress
A) Francesco Borromini B) Carlo Maderno C) Gian Lorenzo Bernini D) Bramante
A) Forced perspective B) Symmetrical design C) Geometric abstraction D) Minimalist style
A) 1656 B) 1584 C) 1605 D) 1634
A) Guarino Guarini B) Baldassare Longhena C) Gian Lorenzo Bernini D) Francesco Borromini
A) Gian Lorenzo Bernini B) Andrea Pozzo C) Francesco Borromini D) Giovanni Battista Gaulli
A) Guarino Guarini B) Baldassare Longhena C) Francesco Borromini D) Gian Lorenzo Bernini
A) St. Peter's Basilica B) San Carlo alle Quattro Fontane C) Santa Maria della Salute D) The Church of the Gesù
A) Gian Lorenzo Bernini B) Francesco Borromini C) Guarino Guarini D) Baldassare Longhena
A) San Isidro Chapel in Madrid B) Palace of San Telmo C) Chapel tower of Palace of San Telmo D) Santiago de Compostela Cathedral
A) Madrid B) Seville C) Salamanca D) Granada
A) Fernando de Casas Novoa B) Leonardo de Figueroa C) Alonso Cano D) Pedro de la Torre
A) Churrigueresque style B) Classicism C) Rococo D) Gothic
A) Madrid B) Granada C) Salamanca D) Seville
A) Alonso Cano B) Narciso Tomé C) Pedro de Ribera D) Fernando de Casas Novoa
A) Heinrich Schütz B) Claudio Monteverdi C) Johann Pachelbel D) Arcangelo Corelli
A) Dominikus Zimmermann B) Johann Bernhard Fischer von Erlach C) Balthasar Neumann D) Matthäus Daniel Pöppelmann
A) Porto B) Lisbon C) Braga D) Coimbra
A) Francesco Cavalli B) Marc-Antoine Charpentier C) Alessandro Scarlatti D) Tomaso Albinoni
A) Writing letters B) Storing books C) Holding dishes D) Displaying jewelry
A) Alessandro Scarlatti B) Jan Dismas Zelenka C) Francesco Cavalli D) Giovanni Battista Pergolesi
A) Marble B) Bronze C) Polychromed wood D) Stone
A) Berlin B) St. Petersburg C) Rome D) Paris
A) Antonio Vivaldi B) Henry Purcell C) Johann Sebastian Bach D) George Frideric Handel
A) Juan Rodríguez Juárez B) José Juárez C) Gregorio Vasquez de Arce y Ceballos D) Miguel Cabrera
A) Flat metal grilles B) Maximalist railings decorated with rinceaux C) Minimalist stone barriers D) Simple wooden fences without decoration
A) 1717 B) 1725 C) 1688 D) 1736
A) Mexico City B) Buenos Aires C) Lima D) Santiago
A) Faces were abstract and non-representational B) Faces clearly expressed emotions C) Faces were more tranquil D) Faces were not depicted
A) Henry Purcell B) Heinrich Schütz C) Jean-Baptiste Lully D) Pierre Perrin
A) Venice B) Rome C) Padua D) Florence
A) 1919 B) 1734 C) 1768 D) 1940
A) Gregorio Vasquez de Arce y Ceballos B) Juan Rodríguez Juárez C) José Juárez D) Miguel Cabrera
A) Minimalist wooden furniture B) Simple stone walls C) Flat roofs without decoration D) Railings at Mogoșoaia Palace
A) Bartolomeo Cristofori B) Heinrich Schütz C) Henry Purcell D) Jean-Baptiste Lully
A) Paris, opened by Pierre Perrin B) Tuscany C) Vienna D) Florence
A) May 1734 B) 1919 C) 1768 D) October 1733
A) Romanian independence era B) Phanariot reigns C) Byzantine rule D) Ottoman Empire's peak period
A) Balthasar Neumann B) Dominikus Zimmermann C) Georg Wenzeslaus von Knobelsdorff D) Johann Bernhard Fischer von Erlach
A) Minimalist stone carvings B) Geometric patterns without depth C) Simple geometric shapes D) Delicate floral motifs
A) Golden Age B) Baroque Boom C) Pombaline Era D) Royal Absolutism
A) Heinrich Schütz's compositions B) Jacopo Peri's Dafne C) Jean-Philippe Rameau's Hippolyte et Aricie D) Robert Cambert's Pomone
A) Luis de Riaño B) Diego Quispe Tito C) Basilio Santa Cruz Pumacallao D) Marcos Zapata
A) Mansard roof B) Broken pediments C) Curvilinear façades D) Applied order
A) Louis Le Vau B) Robert de Cotte C) François Mansart D) Pierre Le Muet
A) Arcangelo Corelli B) Marin Marais C) Henry Purcell D) Antonio Vivaldi
A) Sevillan Tenebrism B) Cusco School of painting C) Quito School D) Murillesque
A) Davao City B) Cebu City C) Manila D) Vigan
A) Pomone B) Hippolyte et Aricie C) Dafne D) Lully's operas
A) Venice B) Milan C) Bologna D) Florence
A) Musical compositions B) Opera libretti C) Mercure de France D) Encyclopédie by Denis Diderot
A) Francesco Borromini B) Nicolau Nasoni C) Giovanni Battista Piranesi D) Carlo Maderno
A) Charles Le Brun B) André Le Nôtre C) François Mansart D) Claude Perrault
A) Underneath a window B) Against a wall C) On top of another piece of furniture D) In the center of a room
A) Lúcio Costa B) Aleijadinho C) Oscar Niemeyer D) Carlos Drummond de Andrade
A) Louis XIV B) Charles II of Spain C) Pope Urban VIII D) Frederick the Great
A) Nicholas II B) Catherine the Great C) Peter the Great D) Ivan the Terrible
A) Heinrich Schütz B) Giovanni Gabrieli C) Arcangelo Corelli D) Claudio Monteverdi
A) Curt Sachs B) Jean-Jacques Rousseau C) Manfred Bukofzer D) Denis Diderot
A) François Boucher B) Diego Velázquez C) Pietro da Cortona D) Elisabetta Sirani
A) Giovanni Battista Trevano B) Tylman van Gameren C) Christoph Dientzenhofer D) Pompeo Ferrari
A) São Paulo B) Salvador C) Fortaleza D) Recife
A) George Frideric Handel B) Johann Sebastian Bach C) Antonio Vivaldi D) Jean-Philippe Rameau
A) Johann Sebastian Bach B) François Couperin C) Domenico Scarlatti D) Arcangelo Corelli
A) Modern art B) Nature C) Renaissance works D) Classical models
A) Nicolas Poussin B) Michelangelo Merisi da Caravaggio C) Pietro da Cortona D) François Boucher
A) Fauteuil en confessionale B) Canapé C) Chest D) Commode
A) Francesco Cavalli B) Alessandro Scarlatti C) Jan Dismas Zelenka D) Marc-Antoine Charpentier
A) L'Orfeo, favola in musica B) Symphoniae sacrae book 2 C) Ercole amante D) Musikalische Exequien
A) Napoleon Bonaparte B) Louis XV C) Louis XIV D) Louis XVI
A) Sebastián López de Arteaga B) José Juárez C) Melchor Pérez de Holguín D) Bernardo Bitti
A) Constantin Brâncoveanu B) Michael the Brave C) Matei Basarab D) Vasile Lupu
A) Fortepiano B) Un cimbalo di cipresso di piano e forte C) Concerto D) Sinfonia
A) Marc-Antoine Charpentier B) George Frideric Handel C) Domenico Scarlatti D) Jean-Philippe Rameau
A) Arcangelo Corelli B) Henry Purcell C) Marin Marais D) Johann Pachelbel |