A) Paris B) London C) Venice D) Rome
A) Renaissance B) Surrealism C) Cubism D) Impressionism
A) Government and military B) Marketplace and trade C) School and hospital D) Church and monarchy
A) Vanitas B) Portraits C) Landscape D) Mythology
A) 14th century B) 19th century C) 17th century D) 20th century
A) Graffiti B) Pointillism C) Collage D) Chiaroscuro
A) Use of diagonals and spirals B) Symmetrical patterns C) Geometric shapes D) Horizontal lines
A) Louise Élisabeth Vigée Le Brun B) Frida Kahlo C) Artemisia Gentileschi D) Mary Cassatt
A) Neoclassical B) Baroque C) Rococo D) Renaissance
A) Fresco B) Mosaic C) Cartouche D) Bas-relief
A) German B) Spanish C) Italian D) French
A) Silver filigree B) Irregular pearls C) Gold chains D) Diamond cuts
A) Blaise Pascal B) Michel de Montaigne C) Rene Descartes D) Voltaire
A) 1694 B) 1531 C) 1728 D) 1762
A) Jean-Philippe Rameau B) Johann Sebastian Bach C) Ludwig van Beethoven D) Wolfgang Amadeus Mozart
A) Renaissance music B) Baroque music C) Classical music D) Romantic music
A) John Ruskin B) Heinrich Wölfflin C) Jacob Burckhardt D) Quatremère de Quincy
A) Art Nouveau B) Rococo C) Gothic D) Neoclassical
A) An innovative and modern approach. B) Something irregular, bizarre or unequal. C) A harmonious and balanced composition. D) A traditional and classical form.
A) Leonardo da Vinci B) Michelangelo Buonarroti C) Raphael Sanzio D) Federico Barocci
A) 1788 B) 1835 C) 1855 D) 1768
A) To praise Renaissance art. B) To describe modernist movements. C) To celebrate Gothic architecture. D) To ridicule post-Renaissance art.
A) The French Revolution B) The Protestant Reformation C) The Industrial Revolution D) The Renaissance
A) Trompe-l'œil paintings on the ceiling B) Frescoes on the walls C) Sculptures of saints D) Stained glass windows
A) They avoid religious themes B) They depict multiple scenes in one perspective C) They are designed for correct perspective from the floor D) They use only monochromatic colors
A) The flat arch B) The twisted column C) The flying buttress D) The pointed spire
A) Carlo Maderno B) Gian Lorenzo Bernini C) Bramante D) Francesco Borromini
A) Forced perspective B) Symmetrical design C) Minimalist style D) Geometric abstraction
A) 1605 B) 1656 C) 1584 D) 1634
A) Francesco Borromini B) Guarino Guarini C) Gian Lorenzo Bernini D) Baldassare Longhena
A) Gian Lorenzo Bernini B) Francesco Borromini C) Andrea Pozzo D) Giovanni Battista Gaulli
A) Gian Lorenzo Bernini B) Guarino Guarini C) Baldassare Longhena D) Francesco Borromini
A) The Church of the Gesù B) San Carlo alle Quattro Fontane C) Santa Maria della Salute D) St. Peter's Basilica
A) Guarino Guarini B) Baldassare Longhena C) Francesco Borromini D) Gian Lorenzo Bernini
A) San Isidro Chapel in Madrid B) Palace of San Telmo C) Chapel tower of Palace of San Telmo D) Santiago de Compostela Cathedral
A) Madrid B) Salamanca C) Granada D) Seville
A) Pedro de la Torre B) Alonso Cano C) Fernando de Casas Novoa D) Leonardo de Figueroa
A) Churrigueresque style B) Rococo C) Gothic D) Classicism
A) Seville B) Granada C) Madrid D) Salamanca
A) Narciso Tomé B) Alonso Cano C) Pedro de Ribera D) Fernando de Casas Novoa
A) Giovanni Battista Trevano B) Tylman van Gameren C) Pompeo Ferrari D) Christoph Dientzenhofer
A) Dominikus Zimmermann B) Matthäus Daniel Pöppelmann C) Johann Bernhard Fischer von Erlach D) Balthasar Neumann
A) Balthasar Neumann B) Dominikus Zimmermann C) Johann Bernhard Fischer von Erlach D) Georg Wenzeslaus von Knobelsdorff
A) Louis XV B) Napoleon Bonaparte C) Louis XIV D) Louis XVI
A) Pierre Le Muet B) Robert de Cotte C) François Mansart D) Louis Le Vau
A) Claude Perrault B) Charles Le Brun C) François Mansart D) André Le Nôtre
A) Peter the Great B) Nicholas II C) Catherine the Great D) Ivan the Terrible
A) Applied order B) Broken pediments C) Curvilinear façades D) Mansard roof
A) Royal Absolutism B) Baroque Boom C) Golden Age D) Pombaline Era
A) Porto B) Coimbra C) Lisbon D) Braga
A) Carlo Maderno B) Giovanni Battista Piranesi C) Nicolau Nasoni D) Francesco Borromini
A) Mexico City B) Santiago C) Lima D) Buenos Aires
A) Fortaleza B) Salvador C) Recife D) São Paulo
A) Lúcio Costa B) Carlos Drummond de Andrade C) Oscar Niemeyer D) Aleijadinho
A) Vasile Lupu B) Matei Basarab C) Constantin Brâncoveanu D) Michael the Brave
A) Phanariot reigns B) Ottoman Empire's peak period C) Romanian independence era D) Byzantine rule
A) Vigan B) Cebu City C) Manila D) Davao City
A) Minimalist stone carvings B) Geometric patterns without depth C) Delicate floral motifs D) Simple geometric shapes
A) Maximalist railings decorated with rinceaux B) Simple wooden fences without decoration C) Flat metal grilles D) Minimalist stone barriers
A) Simple stone walls B) Flat roofs without decoration C) Railings at Mogoșoaia Palace D) Minimalist wooden furniture
A) Faces were abstract and non-representational B) Faces were more tranquil C) Faces clearly expressed emotions D) Faces were not depicted
A) Milan B) Venice C) Bologna D) Florence
A) Pietro da Cortona B) François Boucher C) Michelangelo Merisi da Caravaggio D) Nicolas Poussin
A) François Boucher B) Diego Velázquez C) Elisabetta Sirani D) Pietro da Cortona
A) Sebastián López de Arteaga B) José Juárez C) Bernardo Bitti D) Melchor Pérez de Holguín
A) Basilio Santa Cruz Pumacallao B) Marcos Zapata C) Diego Quispe Tito D) Luis de Riaño
A) Sevillan Tenebrism B) Cusco School of painting C) Quito School D) Murillesque
A) Juan Rodríguez Juárez B) José Juárez C) Miguel Cabrera D) Gregorio Vasquez de Arce y Ceballos
A) Juan Rodríguez Juárez B) Gregorio Vasquez de Arce y Ceballos C) Miguel Cabrera D) José Juárez
A) Frederick the Great B) Pope Urban VIII C) Louis XIV D) Charles II of Spain
A) Renaissance works B) Nature C) Classical models D) Modern art
A) St. Petersburg B) Rome C) Berlin D) Paris
A) Bronze B) Marble C) Stone D) Polychromed wood
A) Canapé B) Commode C) Fauteuil en confessionale D) Chest
A) Underneath a window B) Against a wall C) On top of another piece of furniture D) In the center of a room
A) Storing books B) Displaying jewelry C) Writing letters D) Holding dishes
A) Pomone B) Hippolyte et Aricie C) Dafne D) Lully's operas
A) 1919 B) May 1734 C) 1768 D) October 1733
A) Jean-Jacques Rousseau B) Denis Diderot C) Curt Sachs D) Manfred Bukofzer
A) Henry Purcell B) Jean-Baptiste Lully C) Bartolomeo Cristofori D) Heinrich Schütz
A) Sinfonia B) Un cimbalo di cipresso di piano e forte C) Concerto D) Fortepiano
A) Henry Purcell B) Heinrich Schütz C) Pierre Perrin D) Jean-Baptiste Lully
A) Paris, opened by Pierre Perrin B) Vienna C) Tuscany D) Florence
A) Jean-Philippe Rameau's Hippolyte et Aricie B) Robert Cambert's Pomone C) Heinrich Schütz's compositions D) Jacopo Peri's Dafne
A) Encyclopédie by Denis Diderot B) Musical compositions C) Mercure de France D) Opera libretti
A) 1734 B) 1940 C) 1768 D) 1919
A) Rome B) Padua C) Venice D) Florence
A) Giovanni Gabrieli B) Arcangelo Corelli C) Heinrich Schütz D) Claudio Monteverdi
A) 1717 B) 1725 C) 1688 D) 1736
A) Symphoniae sacrae book 2 B) Musikalische Exequien C) Ercole amante D) L'Orfeo, favola in musica
A) Antonio Vivaldi B) Henry Purcell C) George Frideric Handel D) Johann Sebastian Bach
A) Tomaso Albinoni B) Marc-Antoine Charpentier C) Alessandro Scarlatti D) Francesco Cavalli
A) Johann Sebastian Bach B) Jean-Philippe Rameau C) George Frideric Handel D) Antonio Vivaldi
A) Marin Marais B) Arcangelo Corelli C) Antonio Vivaldi D) Henry Purcell
A) Giovanni Battista Pergolesi B) Alessandro Scarlatti C) Francesco Cavalli D) Jan Dismas Zelenka
A) Claudio Monteverdi B) Heinrich Schütz C) Arcangelo Corelli D) Johann Pachelbel
A) Domenico Scarlatti B) Arcangelo Corelli C) François Couperin D) Johann Sebastian Bach
A) Francesco Cavalli B) Marc-Antoine Charpentier C) Jan Dismas Zelenka D) Alessandro Scarlatti
A) Marin Marais B) Johann Pachelbel C) Henry Purcell D) Arcangelo Corelli
A) George Frideric Handel B) Marc-Antoine Charpentier C) Jean-Philippe Rameau D) Domenico Scarlatti |