A) Paris B) Rome C) London D) Venice
A) Surrealism B) Renaissance C) Cubism D) Impressionism
A) Church and monarchy B) Government and military C) Marketplace and trade D) School and hospital
A) Vanitas B) Mythology C) Landscape D) Portraits
A) 20th century B) 17th century C) 19th century D) 14th century
A) Chiaroscuro B) Pointillism C) Graffiti D) Collage
A) Geometric shapes B) Horizontal lines C) Use of diagonals and spirals D) Symmetrical patterns
A) Frida Kahlo B) Artemisia Gentileschi C) Louise Élisabeth Vigée Le Brun D) Mary Cassatt
A) Renaissance B) Neoclassical C) Baroque D) Rococo
A) Cartouche B) Mosaic C) Bas-relief D) Fresco
A) German B) French C) Spanish D) Italian
A) Gold chains B) Diamond cuts C) Silver filigree D) Irregular pearls
A) Blaise Pascal B) Michel de Montaigne C) Voltaire D) Rene Descartes
A) 1728 B) 1531 C) 1762 D) 1694
A) Johann Sebastian Bach B) Wolfgang Amadeus Mozart C) Ludwig van Beethoven D) Jean-Philippe Rameau
A) Classical music B) Baroque music C) Renaissance music D) Romantic music
A) John Ruskin B) Jacob Burckhardt C) Quatremère de Quincy D) Heinrich Wölfflin
A) Art Nouveau B) Neoclassical C) Gothic D) Rococo
A) A traditional and classical form. B) Something irregular, bizarre or unequal. C) A harmonious and balanced composition. D) An innovative and modern approach.
A) Michelangelo Buonarroti B) Leonardo da Vinci C) Federico Barocci D) Raphael Sanzio
A) 1835 B) 1768 C) 1788 D) 1855
A) To praise Renaissance art. B) To describe modernist movements. C) To ridicule post-Renaissance art. D) To celebrate Gothic architecture.
A) The Renaissance B) The French Revolution C) The Industrial Revolution D) The Protestant Reformation
A) Sculptures of saints B) Frescoes on the walls C) Trompe-l'œil paintings on the ceiling D) Stained glass windows
A) They avoid religious themes B) They depict multiple scenes in one perspective C) They are designed for correct perspective from the floor D) They use only monochromatic colors
A) The flat arch B) The pointed spire C) The twisted column D) The flying buttress
A) Carlo Maderno B) Bramante C) Gian Lorenzo Bernini D) Francesco Borromini
A) Symmetrical design B) Forced perspective C) Minimalist style D) Geometric abstraction
A) 1584 B) 1634 C) 1656 D) 1605
A) Francesco Borromini B) Guarino Guarini C) Gian Lorenzo Bernini D) Baldassare Longhena
A) Andrea Pozzo B) Giovanni Battista Gaulli C) Francesco Borromini D) Gian Lorenzo Bernini
A) Baldassare Longhena B) Francesco Borromini C) Guarino Guarini D) Gian Lorenzo Bernini
A) St. Peter's Basilica B) Santa Maria della Salute C) The Church of the Gesù D) San Carlo alle Quattro Fontane
A) Baldassare Longhena B) Gian Lorenzo Bernini C) Francesco Borromini D) Guarino Guarini
A) Santiago de Compostela Cathedral B) Chapel tower of Palace of San Telmo C) San Isidro Chapel in Madrid D) Palace of San Telmo
A) Madrid B) Salamanca C) Granada D) Seville
A) Pedro de la Torre B) Alonso Cano C) Fernando de Casas Novoa D) Leonardo de Figueroa
A) Rococo B) Churrigueresque style C) Classicism D) Gothic
A) Salamanca B) Seville C) Granada D) Madrid
A) Alonso Cano B) Narciso Tomé C) Pedro de Ribera D) Fernando de Casas Novoa
A) Heinrich Schütz B) Johann Pachelbel C) Claudio Monteverdi D) Arcangelo Corelli
A) Balthasar Neumann B) Johann Bernhard Fischer von Erlach C) Dominikus Zimmermann D) Matthäus Daniel Pöppelmann
A) Braga B) Lisbon C) Porto D) Coimbra
A) Marc-Antoine Charpentier B) Alessandro Scarlatti C) Francesco Cavalli D) Tomaso Albinoni
A) Storing books B) Holding dishes C) Displaying jewelry D) Writing letters
A) Francesco Cavalli B) Giovanni Battista Pergolesi C) Alessandro Scarlatti D) Jan Dismas Zelenka
A) Polychromed wood B) Stone C) Bronze D) Marble
A) St. Petersburg B) Paris C) Rome D) Berlin
A) George Frideric Handel B) Antonio Vivaldi C) Johann Sebastian Bach D) Henry Purcell
A) Miguel Cabrera B) José Juárez C) Gregorio Vasquez de Arce y Ceballos D) Juan Rodríguez Juárez
A) Flat metal grilles B) Simple wooden fences without decoration C) Minimalist stone barriers D) Maximalist railings decorated with rinceaux
A) 1736 B) 1688 C) 1725 D) 1717
A) Santiago B) Buenos Aires C) Lima D) Mexico City
A) Faces were abstract and non-representational B) Faces clearly expressed emotions C) Faces were not depicted D) Faces were more tranquil
A) Henry Purcell B) Heinrich Schütz C) Jean-Baptiste Lully D) Pierre Perrin
A) Rome B) Venice C) Florence D) Padua
A) 1940 B) 1734 C) 1919 D) 1768
A) Gregorio Vasquez de Arce y Ceballos B) Juan Rodríguez Juárez C) Miguel Cabrera D) José Juárez
A) Flat roofs without decoration B) Simple stone walls C) Minimalist wooden furniture D) Railings at Mogoșoaia Palace
A) Bartolomeo Cristofori B) Henry Purcell C) Heinrich Schütz D) Jean-Baptiste Lully
A) Florence B) Vienna C) Paris, opened by Pierre Perrin D) Tuscany
A) May 1734 B) 1768 C) October 1733 D) 1919
A) Romanian independence era B) Byzantine rule C) Phanariot reigns D) Ottoman Empire's peak period
A) Balthasar Neumann B) Georg Wenzeslaus von Knobelsdorff C) Johann Bernhard Fischer von Erlach D) Dominikus Zimmermann
A) Simple geometric shapes B) Geometric patterns without depth C) Minimalist stone carvings D) Delicate floral motifs
A) Baroque Boom B) Pombaline Era C) Royal Absolutism D) Golden Age
A) Robert Cambert's Pomone B) Jacopo Peri's Dafne C) Jean-Philippe Rameau's Hippolyte et Aricie D) Heinrich Schütz's compositions
A) Diego Quispe Tito B) Basilio Santa Cruz Pumacallao C) Luis de Riaño D) Marcos Zapata
A) Mansard roof B) Curvilinear façades C) Applied order D) Broken pediments
A) François Mansart B) Pierre Le Muet C) Robert de Cotte D) Louis Le Vau
A) Antonio Vivaldi B) Marin Marais C) Arcangelo Corelli D) Henry Purcell
A) Sevillan Tenebrism B) Murillesque C) Quito School D) Cusco School of painting
A) Vigan B) Cebu City C) Manila D) Davao City
A) Pomone B) Hippolyte et Aricie C) Dafne D) Lully's operas
A) Venice B) Bologna C) Florence D) Milan
A) Mercure de France B) Opera libretti C) Musical compositions D) Encyclopédie by Denis Diderot
A) Carlo Maderno B) Francesco Borromini C) Giovanni Battista Piranesi D) Nicolau Nasoni
A) André Le Nôtre B) Charles Le Brun C) François Mansart D) Claude Perrault
A) Against a wall B) Underneath a window C) On top of another piece of furniture D) In the center of a room
A) Oscar Niemeyer B) Carlos Drummond de Andrade C) Lúcio Costa D) Aleijadinho
A) Frederick the Great B) Pope Urban VIII C) Charles II of Spain D) Louis XIV
A) Ivan the Terrible B) Peter the Great C) Catherine the Great D) Nicholas II
A) Claudio Monteverdi B) Giovanni Gabrieli C) Arcangelo Corelli D) Heinrich Schütz
A) Jean-Jacques Rousseau B) Manfred Bukofzer C) Curt Sachs D) Denis Diderot
A) Pietro da Cortona B) Elisabetta Sirani C) François Boucher D) Diego Velázquez
A) Giovanni Battista Trevano B) Christoph Dientzenhofer C) Tylman van Gameren D) Pompeo Ferrari
A) Fortaleza B) Salvador C) Recife D) São Paulo
A) Antonio Vivaldi B) George Frideric Handel C) Jean-Philippe Rameau D) Johann Sebastian Bach
A) François Couperin B) Johann Sebastian Bach C) Domenico Scarlatti D) Arcangelo Corelli
A) Classical models B) Modern art C) Renaissance works D) Nature
A) Pietro da Cortona B) Nicolas Poussin C) François Boucher D) Michelangelo Merisi da Caravaggio
A) Canapé B) Chest C) Commode D) Fauteuil en confessionale
A) Jan Dismas Zelenka B) Marc-Antoine Charpentier C) Alessandro Scarlatti D) Francesco Cavalli
A) Ercole amante B) Symphoniae sacrae book 2 C) L'Orfeo, favola in musica D) Musikalische Exequien
A) Louis XVI B) Napoleon Bonaparte C) Louis XIV D) Louis XV
A) José Juárez B) Melchor Pérez de Holguín C) Bernardo Bitti D) Sebastián López de Arteaga
A) Vasile Lupu B) Constantin Brâncoveanu C) Matei Basarab D) Michael the Brave
A) Concerto B) Sinfonia C) Fortepiano D) Un cimbalo di cipresso di piano e forte
A) Domenico Scarlatti B) Marc-Antoine Charpentier C) Jean-Philippe Rameau D) George Frideric Handel
A) Henry Purcell B) Marin Marais C) Arcangelo Corelli D) Johann Pachelbel |