A) Venice B) Paris C) London D) Rome
A) Renaissance B) Impressionism C) Cubism D) Surrealism
A) School and hospital B) Marketplace and trade C) Church and monarchy D) Government and military
A) Mythology B) Vanitas C) Landscape D) Portraits
A) 14th century B) 20th century C) 17th century D) 19th century
A) Collage B) Chiaroscuro C) Pointillism D) Graffiti
A) Geometric shapes B) Use of diagonals and spirals C) Symmetrical patterns D) Horizontal lines
A) Louise Élisabeth Vigée Le Brun B) Frida Kahlo C) Mary Cassatt D) Artemisia Gentileschi
A) Baroque B) Neoclassical C) Renaissance D) Rococo
A) Mosaic B) Cartouche C) Fresco D) Bas-relief
A) French B) German C) Spanish D) Italian
A) Diamond cuts B) Irregular pearls C) Gold chains D) Silver filigree
A) Voltaire B) Rene Descartes C) Blaise Pascal D) Michel de Montaigne
A) 1762 B) 1728 C) 1531 D) 1694
A) Johann Sebastian Bach B) Jean-Philippe Rameau C) Wolfgang Amadeus Mozart D) Ludwig van Beethoven
A) Baroque music B) Classical music C) Romantic music D) Renaissance music
A) Quatremère de Quincy B) Heinrich Wölfflin C) Jacob Burckhardt D) John Ruskin
A) Rococo B) Gothic C) Neoclassical D) Art Nouveau
A) A traditional and classical form. B) An innovative and modern approach. C) A harmonious and balanced composition. D) Something irregular, bizarre or unequal.
A) Raphael Sanzio B) Michelangelo Buonarroti C) Federico Barocci D) Leonardo da Vinci
A) 1788 B) 1855 C) 1835 D) 1768
A) To praise Renaissance art. B) To ridicule post-Renaissance art. C) To describe modernist movements. D) To celebrate Gothic architecture.
A) The Protestant Reformation B) The Renaissance C) The Industrial Revolution D) The French Revolution
A) Trompe-l'œil paintings on the ceiling B) Stained glass windows C) Sculptures of saints D) Frescoes on the walls
A) They avoid religious themes B) They use only monochromatic colors C) They depict multiple scenes in one perspective D) They are designed for correct perspective from the floor
A) The flying buttress B) The twisted column C) The flat arch D) The pointed spire
A) Carlo Maderno B) Gian Lorenzo Bernini C) Bramante D) Francesco Borromini
A) Forced perspective B) Geometric abstraction C) Symmetrical design D) Minimalist style
A) 1605 B) 1634 C) 1656 D) 1584
A) Guarino Guarini B) Gian Lorenzo Bernini C) Baldassare Longhena D) Francesco Borromini
A) Giovanni Battista Gaulli B) Andrea Pozzo C) Gian Lorenzo Bernini D) Francesco Borromini
A) Gian Lorenzo Bernini B) Francesco Borromini C) Baldassare Longhena D) Guarino Guarini
A) San Carlo alle Quattro Fontane B) St. Peter's Basilica C) Santa Maria della Salute D) The Church of the Gesù
A) Francesco Borromini B) Gian Lorenzo Bernini C) Guarino Guarini D) Baldassare Longhena
A) San Isidro Chapel in Madrid B) Santiago de Compostela Cathedral C) Palace of San Telmo D) Chapel tower of Palace of San Telmo
A) Granada B) Madrid C) Seville D) Salamanca
A) Leonardo de Figueroa B) Pedro de la Torre C) Fernando de Casas Novoa D) Alonso Cano
A) Gothic B) Rococo C) Churrigueresque style D) Classicism
A) Salamanca B) Madrid C) Seville D) Granada
A) Alonso Cano B) Fernando de Casas Novoa C) Narciso Tomé D) Pedro de Ribera
A) Heinrich Schütz B) Arcangelo Corelli C) Johann Pachelbel D) Claudio Monteverdi
A) Dominikus Zimmermann B) Matthäus Daniel Pöppelmann C) Balthasar Neumann D) Johann Bernhard Fischer von Erlach
A) Lisbon B) Porto C) Coimbra D) Braga
A) Alessandro Scarlatti B) Francesco Cavalli C) Tomaso Albinoni D) Marc-Antoine Charpentier
A) Holding dishes B) Displaying jewelry C) Writing letters D) Storing books
A) Alessandro Scarlatti B) Jan Dismas Zelenka C) Giovanni Battista Pergolesi D) Francesco Cavalli
A) Stone B) Marble C) Polychromed wood D) Bronze
A) St. Petersburg B) Paris C) Berlin D) Rome
A) Johann Sebastian Bach B) George Frideric Handel C) Antonio Vivaldi D) Henry Purcell
A) Gregorio Vasquez de Arce y Ceballos B) Juan Rodríguez Juárez C) Miguel Cabrera D) José Juárez
A) Maximalist railings decorated with rinceaux B) Flat metal grilles C) Simple wooden fences without decoration D) Minimalist stone barriers
A) 1725 B) 1736 C) 1688 D) 1717
A) Buenos Aires B) Santiago C) Mexico City D) Lima
A) Faces clearly expressed emotions B) Faces were abstract and non-representational C) Faces were more tranquil D) Faces were not depicted
A) Jean-Baptiste Lully B) Pierre Perrin C) Henry Purcell D) Heinrich Schütz
A) Florence B) Padua C) Venice D) Rome
A) 1940 B) 1919 C) 1734 D) 1768
A) Miguel Cabrera B) Juan Rodríguez Juárez C) Gregorio Vasquez de Arce y Ceballos D) José Juárez
A) Railings at Mogoșoaia Palace B) Flat roofs without decoration C) Simple stone walls D) Minimalist wooden furniture
A) Bartolomeo Cristofori B) Heinrich Schütz C) Henry Purcell D) Jean-Baptiste Lully
A) Vienna B) Tuscany C) Florence D) Paris, opened by Pierre Perrin
A) 1919 B) May 1734 C) October 1733 D) 1768
A) Phanariot reigns B) Romanian independence era C) Byzantine rule D) Ottoman Empire's peak period
A) Dominikus Zimmermann B) Balthasar Neumann C) Johann Bernhard Fischer von Erlach D) Georg Wenzeslaus von Knobelsdorff
A) Simple geometric shapes B) Geometric patterns without depth C) Minimalist stone carvings D) Delicate floral motifs
A) Royal Absolutism B) Golden Age C) Pombaline Era D) Baroque Boom
A) Heinrich Schütz's compositions B) Jean-Philippe Rameau's Hippolyte et Aricie C) Jacopo Peri's Dafne D) Robert Cambert's Pomone
A) Basilio Santa Cruz Pumacallao B) Marcos Zapata C) Diego Quispe Tito D) Luis de Riaño
A) Mansard roof B) Curvilinear façades C) Applied order D) Broken pediments
A) François Mansart B) Pierre Le Muet C) Robert de Cotte D) Louis Le Vau
A) Marin Marais B) Antonio Vivaldi C) Henry Purcell D) Arcangelo Corelli
A) Cusco School of painting B) Quito School C) Sevillan Tenebrism D) Murillesque
A) Davao City B) Manila C) Vigan D) Cebu City
A) Lully's operas B) Pomone C) Dafne D) Hippolyte et Aricie
A) Milan B) Florence C) Venice D) Bologna
A) Encyclopédie by Denis Diderot B) Opera libretti C) Musical compositions D) Mercure de France
A) Francesco Borromini B) Nicolau Nasoni C) Giovanni Battista Piranesi D) Carlo Maderno
A) André Le Nôtre B) Claude Perrault C) Charles Le Brun D) François Mansart
A) Against a wall B) Underneath a window C) On top of another piece of furniture D) In the center of a room
A) Carlos Drummond de Andrade B) Lúcio Costa C) Oscar Niemeyer D) Aleijadinho
A) Charles II of Spain B) Pope Urban VIII C) Frederick the Great D) Louis XIV
A) Ivan the Terrible B) Peter the Great C) Nicholas II D) Catherine the Great
A) Arcangelo Corelli B) Claudio Monteverdi C) Giovanni Gabrieli D) Heinrich Schütz
A) Curt Sachs B) Jean-Jacques Rousseau C) Denis Diderot D) Manfred Bukofzer
A) Pietro da Cortona B) Elisabetta Sirani C) Diego Velázquez D) François Boucher
A) Christoph Dientzenhofer B) Giovanni Battista Trevano C) Pompeo Ferrari D) Tylman van Gameren
A) Salvador B) Fortaleza C) São Paulo D) Recife
A) Jean-Philippe Rameau B) George Frideric Handel C) Johann Sebastian Bach D) Antonio Vivaldi
A) François Couperin B) Domenico Scarlatti C) Johann Sebastian Bach D) Arcangelo Corelli
A) Modern art B) Nature C) Classical models D) Renaissance works
A) François Boucher B) Michelangelo Merisi da Caravaggio C) Nicolas Poussin D) Pietro da Cortona
A) Commode B) Fauteuil en confessionale C) Chest D) Canapé
A) Marc-Antoine Charpentier B) Francesco Cavalli C) Alessandro Scarlatti D) Jan Dismas Zelenka
A) L'Orfeo, favola in musica B) Musikalische Exequien C) Symphoniae sacrae book 2 D) Ercole amante
A) Louis XIV B) Louis XV C) Napoleon Bonaparte D) Louis XVI
A) Bernardo Bitti B) Sebastián López de Arteaga C) Melchor Pérez de Holguín D) José Juárez
A) Matei Basarab B) Vasile Lupu C) Michael the Brave D) Constantin Brâncoveanu
A) Un cimbalo di cipresso di piano e forte B) Fortepiano C) Concerto D) Sinfonia
A) Marc-Antoine Charpentier B) George Frideric Handel C) Domenico Scarlatti D) Jean-Philippe Rameau
A) Arcangelo Corelli B) Henry Purcell C) Marin Marais D) Johann Pachelbel |