A) London B) Rome C) Venice D) Paris
A) Impressionism B) Surrealism C) Renaissance D) Cubism
A) Government and military B) Marketplace and trade C) Church and monarchy D) School and hospital
A) Landscape B) Vanitas C) Portraits D) Mythology
A) 20th century B) 19th century C) 14th century D) 17th century
A) Pointillism B) Graffiti C) Collage D) Chiaroscuro
A) Symmetrical patterns B) Use of diagonals and spirals C) Geometric shapes D) Horizontal lines
A) Artemisia Gentileschi B) Frida Kahlo C) Mary Cassatt D) Louise Élisabeth Vigée Le Brun
A) Rococo B) Neoclassical C) Baroque D) Renaissance
A) Cartouche B) Bas-relief C) Mosaic D) Fresco
A) Spanish B) German C) Italian D) French
A) Gold chains B) Silver filigree C) Diamond cuts D) Irregular pearls
A) Rene Descartes B) Blaise Pascal C) Voltaire D) Michel de Montaigne
A) 1531 B) 1728 C) 1762 D) 1694
A) Johann Sebastian Bach B) Ludwig van Beethoven C) Wolfgang Amadeus Mozart D) Jean-Philippe Rameau
A) Baroque music B) Classical music C) Renaissance music D) Romantic music
A) Heinrich Wölfflin B) Jacob Burckhardt C) John Ruskin D) Quatremère de Quincy
A) Rococo B) Neoclassical C) Art Nouveau D) Gothic
A) Something irregular, bizarre or unequal. B) An innovative and modern approach. C) A harmonious and balanced composition. D) A traditional and classical form.
A) Federico Barocci B) Michelangelo Buonarroti C) Raphael Sanzio D) Leonardo da Vinci
A) 1835 B) 1788 C) 1855 D) 1768
A) To describe modernist movements. B) To ridicule post-Renaissance art. C) To praise Renaissance art. D) To celebrate Gothic architecture.
A) The Renaissance B) The Protestant Reformation C) The Industrial Revolution D) The French Revolution
A) Trompe-l'œil paintings on the ceiling B) Stained glass windows C) Frescoes on the walls D) Sculptures of saints
A) They are designed for correct perspective from the floor B) They depict multiple scenes in one perspective C) They avoid religious themes D) They use only monochromatic colors
A) The twisted column B) The flat arch C) The pointed spire D) The flying buttress
A) Francesco Borromini B) Carlo Maderno C) Bramante D) Gian Lorenzo Bernini
A) Forced perspective B) Minimalist style C) Symmetrical design D) Geometric abstraction
A) 1605 B) 1584 C) 1634 D) 1656
A) Guarino Guarini B) Baldassare Longhena C) Francesco Borromini D) Gian Lorenzo Bernini
A) Giovanni Battista Gaulli B) Francesco Borromini C) Andrea Pozzo D) Gian Lorenzo Bernini
A) Guarino Guarini B) Gian Lorenzo Bernini C) Baldassare Longhena D) Francesco Borromini
A) San Carlo alle Quattro Fontane B) The Church of the Gesù C) Santa Maria della Salute D) St. Peter's Basilica
A) Guarino Guarini B) Baldassare Longhena C) Gian Lorenzo Bernini D) Francesco Borromini
A) Santiago de Compostela Cathedral B) San Isidro Chapel in Madrid C) Chapel tower of Palace of San Telmo D) Palace of San Telmo
A) Salamanca B) Seville C) Granada D) Madrid
A) Leonardo de Figueroa B) Pedro de la Torre C) Fernando de Casas Novoa D) Alonso Cano
A) Classicism B) Churrigueresque style C) Gothic D) Rococo
A) Granada B) Salamanca C) Seville D) Madrid
A) Fernando de Casas Novoa B) Narciso Tomé C) Pedro de Ribera D) Alonso Cano
A) Arcangelo Corelli B) Heinrich Schütz C) Claudio Monteverdi D) Johann Pachelbel
A) Balthasar Neumann B) Johann Bernhard Fischer von Erlach C) Dominikus Zimmermann D) Matthäus Daniel Pöppelmann
A) Coimbra B) Lisbon C) Braga D) Porto
A) Tomaso Albinoni B) Francesco Cavalli C) Marc-Antoine Charpentier D) Alessandro Scarlatti
A) Storing books B) Displaying jewelry C) Writing letters D) Holding dishes
A) Francesco Cavalli B) Alessandro Scarlatti C) Giovanni Battista Pergolesi D) Jan Dismas Zelenka
A) Stone B) Marble C) Polychromed wood D) Bronze
A) Berlin B) St. Petersburg C) Rome D) Paris
A) Johann Sebastian Bach B) Henry Purcell C) Antonio Vivaldi D) George Frideric Handel
A) Gregorio Vasquez de Arce y Ceballos B) José Juárez C) Miguel Cabrera D) Juan Rodríguez Juárez
A) Maximalist railings decorated with rinceaux B) Flat metal grilles C) Simple wooden fences without decoration D) Minimalist stone barriers
A) 1717 B) 1736 C) 1688 D) 1725
A) Buenos Aires B) Lima C) Santiago D) Mexico City
A) Faces were not depicted B) Faces were abstract and non-representational C) Faces clearly expressed emotions D) Faces were more tranquil
A) Heinrich Schütz B) Pierre Perrin C) Jean-Baptiste Lully D) Henry Purcell
A) Padua B) Venice C) Rome D) Florence
A) 1919 B) 1940 C) 1734 D) 1768
A) Gregorio Vasquez de Arce y Ceballos B) Miguel Cabrera C) Juan Rodríguez Juárez D) José Juárez
A) Railings at Mogoșoaia Palace B) Flat roofs without decoration C) Minimalist wooden furniture D) Simple stone walls
A) Jean-Baptiste Lully B) Bartolomeo Cristofori C) Heinrich Schütz D) Henry Purcell
A) Tuscany B) Vienna C) Paris, opened by Pierre Perrin D) Florence
A) 1919 B) October 1733 C) May 1734 D) 1768
A) Phanariot reigns B) Ottoman Empire's peak period C) Romanian independence era D) Byzantine rule
A) Dominikus Zimmermann B) Johann Bernhard Fischer von Erlach C) Balthasar Neumann D) Georg Wenzeslaus von Knobelsdorff
A) Geometric patterns without depth B) Minimalist stone carvings C) Simple geometric shapes D) Delicate floral motifs
A) Royal Absolutism B) Golden Age C) Pombaline Era D) Baroque Boom
A) Jacopo Peri's Dafne B) Heinrich Schütz's compositions C) Jean-Philippe Rameau's Hippolyte et Aricie D) Robert Cambert's Pomone
A) Basilio Santa Cruz Pumacallao B) Marcos Zapata C) Luis de Riaño D) Diego Quispe Tito
A) Mansard roof B) Applied order C) Curvilinear façades D) Broken pediments
A) Pierre Le Muet B) François Mansart C) Robert de Cotte D) Louis Le Vau
A) Marin Marais B) Arcangelo Corelli C) Antonio Vivaldi D) Henry Purcell
A) Quito School B) Sevillan Tenebrism C) Cusco School of painting D) Murillesque
A) Cebu City B) Vigan C) Davao City D) Manila
A) Dafne B) Pomone C) Lully's operas D) Hippolyte et Aricie
A) Florence B) Milan C) Venice D) Bologna
A) Opera libretti B) Mercure de France C) Encyclopédie by Denis Diderot D) Musical compositions
A) Giovanni Battista Piranesi B) Carlo Maderno C) Nicolau Nasoni D) Francesco Borromini
A) François Mansart B) Claude Perrault C) André Le Nôtre D) Charles Le Brun
A) On top of another piece of furniture B) Against a wall C) In the center of a room D) Underneath a window
A) Lúcio Costa B) Carlos Drummond de Andrade C) Oscar Niemeyer D) Aleijadinho
A) Louis XIV B) Pope Urban VIII C) Charles II of Spain D) Frederick the Great
A) Ivan the Terrible B) Nicholas II C) Peter the Great D) Catherine the Great
A) Giovanni Gabrieli B) Arcangelo Corelli C) Claudio Monteverdi D) Heinrich Schütz
A) Manfred Bukofzer B) Curt Sachs C) Jean-Jacques Rousseau D) Denis Diderot
A) Pietro da Cortona B) Elisabetta Sirani C) François Boucher D) Diego Velázquez
A) Tylman van Gameren B) Giovanni Battista Trevano C) Christoph Dientzenhofer D) Pompeo Ferrari
A) São Paulo B) Fortaleza C) Salvador D) Recife
A) Johann Sebastian Bach B) Jean-Philippe Rameau C) George Frideric Handel D) Antonio Vivaldi
A) François Couperin B) Johann Sebastian Bach C) Arcangelo Corelli D) Domenico Scarlatti
A) Classical models B) Modern art C) Renaissance works D) Nature
A) Pietro da Cortona B) Michelangelo Merisi da Caravaggio C) François Boucher D) Nicolas Poussin
A) Canapé B) Fauteuil en confessionale C) Commode D) Chest
A) Jan Dismas Zelenka B) Francesco Cavalli C) Alessandro Scarlatti D) Marc-Antoine Charpentier
A) L'Orfeo, favola in musica B) Musikalische Exequien C) Symphoniae sacrae book 2 D) Ercole amante
A) Louis XIV B) Louis XVI C) Napoleon Bonaparte D) Louis XV
A) Bernardo Bitti B) Melchor Pérez de Holguín C) Sebastián López de Arteaga D) José Juárez
A) Michael the Brave B) Constantin Brâncoveanu C) Vasile Lupu D) Matei Basarab
A) Sinfonia B) Concerto C) Un cimbalo di cipresso di piano e forte D) Fortepiano
A) George Frideric Handel B) Marc-Antoine Charpentier C) Domenico Scarlatti D) Jean-Philippe Rameau
A) Henry Purcell B) Arcangelo Corelli C) Marin Marais D) Johann Pachelbel |