A) London B) Venice C) Rome D) Paris
A) Impressionism B) Surrealism C) Cubism D) Renaissance
A) Church and monarchy B) Government and military C) Marketplace and trade D) School and hospital
A) Portraits B) Mythology C) Vanitas D) Landscape
A) 17th century B) 14th century C) 20th century D) 19th century
A) Chiaroscuro B) Collage C) Graffiti D) Pointillism
A) Use of diagonals and spirals B) Horizontal lines C) Geometric shapes D) Symmetrical patterns
A) Louise Élisabeth Vigée Le Brun B) Mary Cassatt C) Frida Kahlo D) Artemisia Gentileschi
A) Rococo B) Baroque C) Neoclassical D) Renaissance
A) Fresco B) Cartouche C) Mosaic D) Bas-relief
A) Italian B) French C) Spanish D) German
A) Irregular pearls B) Silver filigree C) Gold chains D) Diamond cuts
A) Rene Descartes B) Michel de Montaigne C) Voltaire D) Blaise Pascal
A) 1728 B) 1762 C) 1694 D) 1531
A) Jean-Philippe Rameau B) Wolfgang Amadeus Mozart C) Johann Sebastian Bach D) Ludwig van Beethoven
A) Classical music B) Romantic music C) Renaissance music D) Baroque music
A) Jacob Burckhardt B) Heinrich Wölfflin C) John Ruskin D) Quatremère de Quincy
A) Rococo B) Art Nouveau C) Gothic D) Neoclassical
A) An innovative and modern approach. B) A harmonious and balanced composition. C) Something irregular, bizarre or unequal. D) A traditional and classical form.
A) Federico Barocci B) Leonardo da Vinci C) Raphael Sanzio D) Michelangelo Buonarroti
A) 1788 B) 1768 C) 1855 D) 1835
A) To ridicule post-Renaissance art. B) To describe modernist movements. C) To celebrate Gothic architecture. D) To praise Renaissance art.
A) The Renaissance B) The Protestant Reformation C) The French Revolution D) The Industrial Revolution
A) Frescoes on the walls B) Trompe-l'œil paintings on the ceiling C) Stained glass windows D) Sculptures of saints
A) They depict multiple scenes in one perspective B) They avoid religious themes C) They use only monochromatic colors D) They are designed for correct perspective from the floor
A) The twisted column B) The flying buttress C) The pointed spire D) The flat arch
A) Gian Lorenzo Bernini B) Bramante C) Francesco Borromini D) Carlo Maderno
A) Forced perspective B) Geometric abstraction C) Minimalist style D) Symmetrical design
A) 1634 B) 1605 C) 1584 D) 1656
A) Guarino Guarini B) Francesco Borromini C) Gian Lorenzo Bernini D) Baldassare Longhena
A) Andrea Pozzo B) Giovanni Battista Gaulli C) Francesco Borromini D) Gian Lorenzo Bernini
A) Guarino Guarini B) Baldassare Longhena C) Francesco Borromini D) Gian Lorenzo Bernini
A) St. Peter's Basilica B) San Carlo alle Quattro Fontane C) Santa Maria della Salute D) The Church of the Gesù
A) Guarino Guarini B) Francesco Borromini C) Gian Lorenzo Bernini D) Baldassare Longhena
A) San Isidro Chapel in Madrid B) Santiago de Compostela Cathedral C) Palace of San Telmo D) Chapel tower of Palace of San Telmo
A) Madrid B) Granada C) Salamanca D) Seville
A) Alonso Cano B) Pedro de la Torre C) Leonardo de Figueroa D) Fernando de Casas Novoa
A) Gothic B) Rococo C) Churrigueresque style D) Classicism
A) Madrid B) Salamanca C) Seville D) Granada
A) Pedro de Ribera B) Narciso Tomé C) Alonso Cano D) Fernando de Casas Novoa
A) Pompeo Ferrari B) Giovanni Battista Trevano C) Tylman van Gameren D) Christoph Dientzenhofer
A) Johann Bernhard Fischer von Erlach B) Balthasar Neumann C) Dominikus Zimmermann D) Matthäus Daniel Pöppelmann
A) Georg Wenzeslaus von Knobelsdorff B) Balthasar Neumann C) Dominikus Zimmermann D) Johann Bernhard Fischer von Erlach
A) Napoleon Bonaparte B) Louis XV C) Louis XVI D) Louis XIV
A) Pierre Le Muet B) Louis Le Vau C) Robert de Cotte D) François Mansart
A) François Mansart B) André Le Nôtre C) Charles Le Brun D) Claude Perrault
A) Ivan the Terrible B) Nicholas II C) Peter the Great D) Catherine the Great
A) Broken pediments B) Applied order C) Mansard roof D) Curvilinear façades
A) Royal Absolutism B) Baroque Boom C) Pombaline Era D) Golden Age
A) Coimbra B) Braga C) Lisbon D) Porto
A) Nicolau Nasoni B) Giovanni Battista Piranesi C) Carlo Maderno D) Francesco Borromini
A) Lima B) Buenos Aires C) Santiago D) Mexico City
A) Fortaleza B) Recife C) São Paulo D) Salvador
A) Aleijadinho B) Carlos Drummond de Andrade C) Oscar Niemeyer D) Lúcio Costa
A) Michael the Brave B) Vasile Lupu C) Constantin Brâncoveanu D) Matei Basarab
A) Romanian independence era B) Ottoman Empire's peak period C) Phanariot reigns D) Byzantine rule
A) Cebu City B) Manila C) Vigan D) Davao City
A) Delicate floral motifs B) Simple geometric shapes C) Geometric patterns without depth D) Minimalist stone carvings
A) Minimalist stone barriers B) Flat metal grilles C) Maximalist railings decorated with rinceaux D) Simple wooden fences without decoration
A) Flat roofs without decoration B) Minimalist wooden furniture C) Simple stone walls D) Railings at Mogoșoaia Palace
A) Faces were more tranquil B) Faces were abstract and non-representational C) Faces clearly expressed emotions D) Faces were not depicted
A) Bologna B) Florence C) Milan D) Venice
A) François Boucher B) Pietro da Cortona C) Michelangelo Merisi da Caravaggio D) Nicolas Poussin
A) Pietro da Cortona B) Diego Velázquez C) François Boucher D) Elisabetta Sirani
A) José Juárez B) Melchor Pérez de Holguín C) Sebastián López de Arteaga D) Bernardo Bitti
A) Marcos Zapata B) Diego Quispe Tito C) Luis de Riaño D) Basilio Santa Cruz Pumacallao
A) Murillesque B) Cusco School of painting C) Quito School D) Sevillan Tenebrism
A) Juan Rodríguez Juárez B) Gregorio Vasquez de Arce y Ceballos C) José Juárez D) Miguel Cabrera
A) Miguel Cabrera B) Juan Rodríguez Juárez C) Gregorio Vasquez de Arce y Ceballos D) José Juárez
A) Charles II of Spain B) Louis XIV C) Frederick the Great D) Pope Urban VIII
A) Nature B) Modern art C) Renaissance works D) Classical models
A) Berlin B) Rome C) Paris D) St. Petersburg
A) Marble B) Stone C) Bronze D) Polychromed wood
A) Fauteuil en confessionale B) Chest C) Canapé D) Commode
A) Against a wall B) Underneath a window C) In the center of a room D) On top of another piece of furniture
A) Displaying jewelry B) Writing letters C) Storing books D) Holding dishes
A) Lully's operas B) Pomone C) Hippolyte et Aricie D) Dafne
A) 1768 B) May 1734 C) 1919 D) October 1733
A) Jean-Jacques Rousseau B) Manfred Bukofzer C) Denis Diderot D) Curt Sachs
A) Bartolomeo Cristofori B) Henry Purcell C) Heinrich Schütz D) Jean-Baptiste Lully
A) Concerto B) Fortepiano C) Un cimbalo di cipresso di piano e forte D) Sinfonia
A) Henry Purcell B) Jean-Baptiste Lully C) Heinrich Schütz D) Pierre Perrin
A) Paris, opened by Pierre Perrin B) Florence C) Tuscany D) Vienna
A) Heinrich Schütz's compositions B) Jacopo Peri's Dafne C) Robert Cambert's Pomone D) Jean-Philippe Rameau's Hippolyte et Aricie
A) Encyclopédie by Denis Diderot B) Mercure de France C) Musical compositions D) Opera libretti
A) 1768 B) 1919 C) 1940 D) 1734
A) Venice B) Rome C) Padua D) Florence
A) Arcangelo Corelli B) Giovanni Gabrieli C) Claudio Monteverdi D) Heinrich Schütz
A) 1736 B) 1725 C) 1717 D) 1688
A) Musikalische Exequien B) Ercole amante C) Symphoniae sacrae book 2 D) L'Orfeo, favola in musica
A) Henry Purcell B) George Frideric Handel C) Antonio Vivaldi D) Johann Sebastian Bach
A) Francesco Cavalli B) Alessandro Scarlatti C) Marc-Antoine Charpentier D) Tomaso Albinoni
A) Antonio Vivaldi B) Jean-Philippe Rameau C) George Frideric Handel D) Johann Sebastian Bach
A) Henry Purcell B) Antonio Vivaldi C) Marin Marais D) Arcangelo Corelli
A) Alessandro Scarlatti B) Francesco Cavalli C) Giovanni Battista Pergolesi D) Jan Dismas Zelenka
A) Johann Pachelbel B) Claudio Monteverdi C) Arcangelo Corelli D) Heinrich Schütz
A) François Couperin B) Johann Sebastian Bach C) Domenico Scarlatti D) Arcangelo Corelli
A) Marc-Antoine Charpentier B) Francesco Cavalli C) Jan Dismas Zelenka D) Alessandro Scarlatti
A) Arcangelo Corelli B) Henry Purcell C) Johann Pachelbel D) Marin Marais
A) George Frideric Handel B) Marc-Antoine Charpentier C) Domenico Scarlatti D) Jean-Philippe Rameau |