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A) Only buildings constructed with natural materials B) Strictly as traditional meeting houses and shrines C) Anything involving a Māori client with a Māori focus D) Architectural designs created only by Māori architects
A) The use of specific traditional carvings B) The kaupapa and client's aspirations C) The architectural budget and timeline D) The size of the land available
A) Only within the last decade B) From the 1960s C) Since the 1980s D) During the 1920s
A) Sacred place B) Shared kitchen C) Meeting ground D) Sleeping quarters
A) Private hotel B) Retail shopping centre C) Sports stadium D) Whare ora (health centre)
A) One large space with a porch and one door and window in front B) A circular building with multiple entrances C) Multiple small rooms surrounding a central courtyard D) An open-air pavilion with no walls
A) Private suburban homes and apartment complexes B) International airports and government embassies C) Prisons, schools and universities D) Public parks and industrial warehouses
A) Te Papa Museum B) Sky Tower C) Futuna Chapel D) Auckland War Memorial Museum
A) Providing permanent housing for the general public B) Serving as a commercial marketplace C) Hosting events like weddings and funerals D) Exclusively for government council meetings
A) Traditional fishing ports B) Educational research centres C) Domestic Māori villages D) Religious temples
A) Uniform architectural styles B) Strict adherence to building codes C) Abundance of modern apartments D) Acute shortage of dwellings
A) Resistance from Indigenous communities B) Excessive land availability C) Rapid population growth D) Lack of building materials
A) Governmental administrative preferences B) Global architectural trends C) Indigenous Australian cultural norms D) Western industrial standards
A) Lack of political will to build B) Failure to recognize diverse cultural housing needs C) Use of environmentally friendly materials D) High costs of specialized labor
A) Improvement of infrastructure B) Disruption of social organization C) Reduction of construction costs D) Easier maintenance of households
A) Personal storage capacity B) Avoidance behaviours C) Parking space requirements D) Internet connectivity
A) Independently B) By copying urban city models C) Through a singular national design D) Using standardized blueprints
A) Twelve B) Seven C) Ten D) Nine
A) Large garden spaces B) Ability to wash people C) Installation of high-speed internet D) Provision of luxury appliances
A) Market resale value B) Investment potential C) Domiciliary behaviours D) Construction speed
A) Improved family bonding B) Severe stress on the occupants C) Better financial management D) Increased housing longevity
A) Eradicating all natural wildlife B) Reducing impact of pests or vermin C) Painting exterior walls D) Increasing the number of windows
A) European colonial designs B) Standardized global housing C) Culture-specific architecture D) Only historical ruins
A) Teepee B) Yurt C) Wiltja D) Igloo
A) Concrete slabs B) Brick and mortar C) Basalt rocks D) Steel beams
A) Elongated egg shape B) Perfectly square C) Flat rectangle D) Tall pyramid
A) Iron bars B) Cane C) Bamboo D) Plastic piping
A) Synthetic shingles B) Wood paneling C) Animal fur D) Sod cladding
A) Late 1980s B) Mid 1970s C) Late 1990s D) Early 2000s
A) Halls Gap, Victoria B) Yirrkala, Northern Territory C) Perth, Western Australia D) Redfern, Sydney
A) Derby, Western Australia B) Halls Gap, Victoria C) Bathurst, New South Wales D) Tennant Creek, Northern Territory
A) Sydney Opera House B) Parliament House C) The National Gallery of Australia D) West Kimberley Regional Prison
A) University of Melbourne B) University of Newcastle C) Edith Cowan University D) University of Sydney
A) Modernist urban design B) Universal design C) Country-centred design D) Colonial design
A) Sarah Lynn Rees B) Paul Pholeros C) Elizabeth Grant D) Timothy O'Rourke
A) Tipi B) Igloo C) Longhouse D) Pit house
A) Wickiup ruins B) Quiggly holes C) Longhouse pits D) Igloo foundations
A) Whale bones B) Red cedar planks C) Animal hides D) Snow blocks
A) A stone statue B) A garden arch C) A heraldric pole D) A totem pole made of ice
A) Saplings B) Whale bones C) Bison hides D) Red cedar
A) Paul Memmott B) Rueben Berg C) Craig Kerslake D) Linda Kennedy
A) Southern Ontario B) The Canadian Prairies C) The far north D) The Interior of British Columbia
A) Exacerbated overcrowding B) A decline in farming C) Increased migration to rural areas D) A shortage of food supplies
A) Wanda Dalla Costa B) Patrick Stewart C) Ryan Walker D) Brian Porter
A) Alfred Waugh B) Douglas Cardinal C) Étienne Gaboury D) David Fortin
A) Gatineau B) Vancouver C) Winnipeg D) Regina
A) Wanda Dalla Costa B) David Fortin C) Ryan Walker D) Douglas Cardinal
A) Vancouver B) Wendake C) Thunder Bay D) Winnipeg
A) Rectangular B) Triangular C) Square D) Circular
A) Gabled B) Flat C) Pyramid-like D) Domed
A) Clay B) Plants C) Metal D) Stone
A) Scented flora B) Fruit trees C) Thorny bushes D) Vegetables
A) They were set higher B) They lacked roofs C) They were round D) They were made of brick
A) Schools B) Government offices C) Shopping malls D) Churches
A) They are evolving at the same rate B) Rural areas are evolving at a slower rate C) Rural areas have stopped evolving D) Rural areas are evolving faster
A) La Flèche Case B) Le Clan Case C) Le Petit Case D) La Grande Case
A) Houp wood B) Pine wood C) Oak wood D) Palm wood
A) Katana B) Behno C) Kanak D) Ixoe
A) A bad spirit B) The clan's protector C) The living chief D) The ancestor
A) Pandanus leaf B) Banana leaf C) Coconut leaf D) Houp wood strips
A) Behno B) Katana C) Grande Case D) Ixoe
A) Alban Bensa B) Jean-Marie Tjibaou C) Paul Vincent D) Renzo Piano
A) Ten B) Eight C) Twelve D) Thirty-four
A) Cedar B) Iroko C) Pine D) Oak
A) Eight B) Fifty-seven C) Four D) Ten
A) New Caledonia mountain range B) Nouméa City Center C) A remote tribal village D) Tinu Peninsula
A) The god of the lagoon B) Téâ Kanaké C) A French explorer D) The first tribal chief
A) 1998 B) 1989 C) 2005 D) 1853
A) 341 B) 4,000 C) 57 D) 8
A) Oceanic boat structures B) Colonial French architecture C) Traditional Kanak Grand Hut D) Modern industrial warehouses
A) Alban Bensa B) Jean-Marie Tjibaou C) Paul Vincent D) Renzo Piano
A) Clay tiles B) Palm fronds C) Metal sheets D) Totara-bark shingles
A) Storage of fishing nets B) Carved meeting house C) Sleeping house D) Cooking house
A) Ribs B) Backbone C) Head D) Heart
A) Kāuta B) Pātaka C) Whare puni D) Marae
A) It represents the heart B) It functions as a storage rack C) It acts as the front door D) It supports the roof as a ridge beam
A) Hair B) Fingers C) Eyes D) Toes
A) Ancestor tomb B) Fish drying rack C) Sleeping hut D) Carved meeting house
A) A local chief from the North Island central plateau B) Ruatepupuke C) A Polynesian navigator from Tahiti D) A mythological figure who created the moon
A) As lungs B) As arms C) As fingers D) As ribs
A) 2 metres x 3 metres B) 5 metres x 5 metres C) 10 metres x 10 metres D) 1 metre x 2 metres
A) For better insulation B) To provide extra storage space C) To honor the earth deity D) To hide from enemies
A) Kamalig B) Bahay Kubo C) Batalan D) Bai
A) Elders' Bai B) Koror Bai C) Ancient Bai D) Airai Bai
A) Bubungan B) Silong C) Ventanilla D) Kisame
A) Elisapeta Heta B) John Scott C) Rewi Thompson D) Elsdon Best
A) Smaller windows underneath larger ones B) Wall dividers made of bamboo C) Traditional floor mats D) Roof vents for smoke
A) Bahay na Bato B) Batalan C) Kamalig D) Nipa Hut
A) The floor B) The wall frame C) The ceiling D) The window frame
A) Fleur Palmer B) Jade Kake C) Elsdon Best D) Deidre Brown
A) Nordland B) Scandia C) Arcticus D) Sápmi
A) Canada B) Scandinavia C) Russia D) Greenland
A) Lavvu poles meet, goahti poles remain separate B) Lavvu poles are wood, goahti poles are stone C) Lavvu has a chimney, goahti has an open hole D) Lavvu is square, goahti is circular
A) Straight poles B) Size and quantity of poles C) Three forked poles D) Guy-wire
A) Three B) Zero C) One D) Two
A) Circular B) Rectangular C) Hexagonal D) Elongated
A) Turf shelter B) Bread box lavvu C) Arctic dome D) Reindeer hut
A) Six B) Two C) Four D) Eight
A) 90° B) 130° C) 45° D) 180°
A) Canvas B) Plastic sheeting C) Heavy wool felt D) Reindeer leather |