A) Diego Velázquez B) Peter Paul Rubens C) Rembrandt van Rijn D) Anthony van Dyck
A) Charles I of England B) James I of England C) Louis XIV of France D) Philip IV of Spain
A) Prado Museum B) Louvre Museum C) Royal Collection, Windsor Castle D) National Gallery, London
A) French B) Flemish C) English D) Dutch
A) Baroque B) Neoclassicism C) Rococo D) Renaissance
A) Brown B) Gray C) Black D) White
A) Court Jester B) Royal Architect C) Master of Ceremonies D) Principal Painter
A) Peaceful tranquility B) Religious devotion C) Regal authority and control D) Chaotic movement
A) In a circular motion around the painting B) Toward Charles I as the focal point C) Toward the background landscape D) Toward M. de St Antoine
A) As a divinely appointed monarch B) As a military failure C) As a common man D) As a religious reformer
A) Flat, uniform textures B) Monochrome treatment C) Rough, impasto technique D) Rich variation in fabrics and surfaces
A) Monochromatic for simplicity B) Dull colors show humility C) Rich, royal colors emphasize status D) Bright colors create chaos
A) Introduced landscape backgrounds B) Popularized miniature portraits C) Established aristocratic portrait style D) Had little influence
A) 1651 B) 1702 C) 1633 D) 1588
A) A chariot B) A donkey C) A horse D) A carriage
A) Peter Paul Rubens B) Caravaggio C) Vermeer D) Titian |