A) Anthony van Dyck B) Diego Velázquez C) Peter Paul Rubens D) Rembrandt van Rijn
A) Philip IV of Spain B) James I of England C) Louis XIV of France D) Charles I of England
A) Royal Collection, Windsor Castle B) National Gallery, London C) Louvre Museum D) Prado Museum
A) Flemish B) Dutch C) English D) French
A) Rococo B) Neoclassicism C) Renaissance D) Baroque
A) Brown B) Gray C) White D) Black
A) Master of Ceremonies B) Principal Painter C) Court Jester D) Royal Architect
A) Religious devotion B) Regal authority and control C) Chaotic movement D) Peaceful tranquility
A) Toward the background landscape B) Toward M. de St Antoine C) In a circular motion around the painting D) Toward Charles I as the focal point
A) As a common man B) As a religious reformer C) As a divinely appointed monarch D) As a military failure
A) Rough, impasto technique B) Rich variation in fabrics and surfaces C) Flat, uniform textures D) Monochrome treatment
A) Dull colors show humility B) Rich, royal colors emphasize status C) Monochromatic for simplicity D) Bright colors create chaos
A) Established aristocratic portrait style B) Introduced landscape backgrounds C) Had little influence D) Popularized miniature portraits
A) 1633 B) 1702 C) 1651 D) 1588
A) A donkey B) A horse C) A chariot D) A carriage
A) Titian B) Peter Paul Rubens C) Vermeer D) Caravaggio |