A) To create hidden compartments for art pieces
B) To select and arrange artworks for display
C) To dictate how the audience should interpret the artwork
D) To disassemble the artworks after display

A) To reduce the worth of the artwork
B) To make it difficult for viewers to appreciate the art
C) To cast shadows and obscure the artwork
D) To enhance the visibility and atmosphere of the artwork

A) To provide a neutral backdrop that enhances the artworks
B) To distract viewers from the art
C) To make the space look smaller
D) To prevent viewers from getting close to the art

A) To engage the audience and make them active participants
B) To intimidate the audience
C) To create a barrier between the art and the viewers
D) To restrict any interaction with the artworks

A) By banning access to the art
B) By limiting the viewers' understanding of the artwork
C) By breaking down boundaries and exploring new forms of expression and experience
D) By conforming to outdated methods of display

A) To cover up the artwork
B) To mislead viewers about the artwork
C) To prevent viewers from reading about the art
D) To provide context, explanation, or provoke thought

A) By positioning the artworks randomly within the space
B) By ignoring the architecture completely
C) By blocking the architecture from view
D) By creating dialogue and interactions with the surroundings

A) To create a sense of drama, impact, or intimacy
B) To diminish the significance of the artwork
C) To confuse viewers about the artwork's meaning
D) To deter viewers from engaging with the art

A) To introduce organic beauty and connect with the environment
B) To alienate viewers from nature
C) To pollute the exhibition space
D) To overpower the artworks

A) To limit the audience's access to art
B) To make the art less appealing
C) To create immersive and dynamic experiences for viewers
D) To hide the artworks from the public