A) To disassemble the artworks after display
B) To create hidden compartments for art pieces
C) To select and arrange artworks for display
D) To dictate how the audience should interpret the artwork

A) To enhance the visibility and atmosphere of the artwork
B) To reduce the worth of the artwork
C) To cast shadows and obscure the artwork
D) To make it difficult for viewers to appreciate the art

A) To prevent viewers from getting close to the art
B) To provide a neutral backdrop that enhances the artworks
C) To distract viewers from the art
D) To make the space look smaller

A) To create a barrier between the art and the viewers
B) To restrict any interaction with the artworks
C) To intimidate the audience
D) To engage the audience and make them active participants

A) By breaking down boundaries and exploring new forms of expression and experience
B) By conforming to outdated methods of display
C) By banning access to the art
D) By limiting the viewers' understanding of the artwork

A) To cover up the artwork
B) To prevent viewers from reading about the art
C) To provide context, explanation, or provoke thought
D) To mislead viewers about the artwork

A) By creating dialogue and interactions with the surroundings
B) By ignoring the architecture completely
C) By positioning the artworks randomly within the space
D) By blocking the architecture from view

A) To deter viewers from engaging with the art
B) To confuse viewers about the artwork's meaning
C) To diminish the significance of the artwork
D) To create a sense of drama, impact, or intimacy

A) To introduce organic beauty and connect with the environment
B) To alienate viewers from nature
C) To pollute the exhibition space
D) To overpower the artworks

A) To limit the audience's access to art
B) To create immersive and dynamic experiences for viewers
C) To hide the artworks from the public
D) To make the art less appealing