A) To disassemble the artworks after display
B) To dictate how the audience should interpret the artwork
C) To create hidden compartments for art pieces
D) To select and arrange artworks for display

A) To make it difficult for viewers to appreciate the art
B) To enhance the visibility and atmosphere of the artwork
C) To cast shadows and obscure the artwork
D) To reduce the worth of the artwork

A) To distract viewers from the art
B) To provide a neutral backdrop that enhances the artworks
C) To prevent viewers from getting close to the art
D) To make the space look smaller

A) To create a barrier between the art and the viewers
B) To engage the audience and make them active participants
C) To intimidate the audience
D) To restrict any interaction with the artworks

A) By conforming to outdated methods of display
B) By banning access to the art
C) By breaking down boundaries and exploring new forms of expression and experience
D) By limiting the viewers' understanding of the artwork

A) To prevent viewers from reading about the art
B) To provide context, explanation, or provoke thought
C) To cover up the artwork
D) To mislead viewers about the artwork

A) By blocking the architecture from view
B) By creating dialogue and interactions with the surroundings
C) By ignoring the architecture completely
D) By positioning the artworks randomly within the space

A) To deter viewers from engaging with the art
B) To confuse viewers about the artwork's meaning
C) To create a sense of drama, impact, or intimacy
D) To diminish the significance of the artwork

A) To alienate viewers from nature
B) To pollute the exhibition space
C) To overpower the artworks
D) To introduce organic beauty and connect with the environment

A) To limit the audience's access to art
B) To create immersive and dynamic experiences for viewers
C) To make the art less appealing
D) To hide the artworks from the public