A) To disassemble the artworks after display
B) To dictate how the audience should interpret the artwork
C) To select and arrange artworks for display
D) To create hidden compartments for art pieces

A) To reduce the worth of the artwork
B) To enhance the visibility and atmosphere of the artwork
C) To make it difficult for viewers to appreciate the art
D) To cast shadows and obscure the artwork

A) To make the space look smaller
B) To provide a neutral backdrop that enhances the artworks
C) To prevent viewers from getting close to the art
D) To distract viewers from the art

A) To restrict any interaction with the artworks
B) To intimidate the audience
C) To engage the audience and make them active participants
D) To create a barrier between the art and the viewers

A) By conforming to outdated methods of display
B) By breaking down boundaries and exploring new forms of expression and experience
C) By banning access to the art
D) By limiting the viewers' understanding of the artwork

A) To prevent viewers from reading about the art
B) To mislead viewers about the artwork
C) To cover up the artwork
D) To provide context, explanation, or provoke thought

A) By creating dialogue and interactions with the surroundings
B) By ignoring the architecture completely
C) By positioning the artworks randomly within the space
D) By blocking the architecture from view

A) To deter viewers from engaging with the art
B) To confuse viewers about the artwork's meaning
C) To diminish the significance of the artwork
D) To create a sense of drama, impact, or intimacy

A) To overpower the artworks
B) To alienate viewers from nature
C) To introduce organic beauty and connect with the environment
D) To pollute the exhibition space

A) To create immersive and dynamic experiences for viewers
B) To make the art less appealing
C) To hide the artworks from the public
D) To limit the audience's access to art