Musical theatre - Quiz
A) Jason Robert Brown B) Claude-Michel Schönberg C) Stephen Sondheim D) Andrew Lloyd Webber
A) Los Angeles B) Chicago C) New York City D) London
A) Wicked B) The Phantom of the Opera C) Mamma Mia! D) Hamilton
A) Stephen Sondheim B) Tim Rice C) Lin-Manuel Miranda D) Andrew Lloyd Webber
A) Chicago B) Oliver! C) A Chorus Line D) Cats
A) Rent B) Jersey Boys C) Mamma Mia! D) Spring Awakening
A) Matilda B) Sunset Boulevard C) Les Misérables D) Miss Saigon
A) Marionettes B) Muppets C) Puppets D) Dummies
A) Rent B) Cats C) Sweeney Todd D) Company
A) Rent B) The Producers C) Something Rotten! D) Hairspray
A) Kristin Chenoweth B) Sutton Foster C) Lea Michele D) Idina Menzel
A) Stephen Schwartz B) Andrew Lloyd Webber C) Maury Yeston D) John Kander
A) Avenue Q B) Cats C) The Book of Mormon D) Sunday in the Park with George
A) Leonard Bernstein B) Frank Loesser C) Jerome Kern D) Richard Rodgers
A) Tragedy and farce B) Comedy and drama C) Melodrama and pantomime D) Opera and dance
A) Andrew Lloyd Webber, Stephen Sondheim, Rodgers and Hammerstein B) Kander and Ebb, Leonard Bernstein, Cole Porter C) Lin-Manuel Miranda, Claude-Michel Schönberg, Tim Rice D) Jacques Offenbach, Gilbert and Sullivan, Harrigan and Hart
A) My Fair Lady (1956) B) Hair (1967) C) Show Boat (1927) D) The Fantasticks (1960)
A) Four acts with multiple intermissions B) One act without any intermission C) Two acts with one short intermission D) Three acts with two intermissions
A) Musical scenes B) Operatic arias C) Dance numbers D) Recitatives
A) To manage the financial aspects of the production B) To handle marketing and public relations C) To write the script and compose all the music D) To interpret and creatively characterize the production through direction, music, choreography, and design
A) Spoken dialogue only B) Song and dance C) Prose recitation D) Silent acting
A) Plays B) Novels C) Historical events D) Films
A) To provide background music only B) To be used especially in sung-through musicals C) To serve as intermission entertainment D) To replace all spoken dialogue
A) There are no reprises in the score B) Songs are crafted to suit characters and their situations C) Dance numbers replace all dialogue D) All songs are unrelated to the story
A) Evita B) Hamilton C) Camelot D) Wicked
A) Over eight hours B) Less than one hour C) One and a half to three hours D) Four to six hours
A) Lighting B) Costumes C) Set design D) Marketing strategies
A) Choreographed fight scenes B) Dancing C) Silent mime performances D) Poetry recitations
A) Triple threat B) Dual talent C) Multi-skilled performer D) Versatile artist
A) Pit orchestra B) Chamber orchestra C) String quartet D) Symphony orchestra
A) Indian musical theatre B) Japanese theatre C) Taiwanese opera D) Chinese opera
A) Full-length productions B) Musical revues C) Opera adaptations D) Junior versions or minimusicals
A) Parsi theatre B) Bollywood musicals C) Yakshagana D) Indian classical theatre
A) School musicals B) Youth plays C) Children's operas D) Minimusicals
A) Indian classical dance B) Japanese Noh C) Taiwanese opera D) Chinese theatre
A) Indian theatre B) Chinese opera C) Taiwanese opera D) Japanese Noh
A) Ancient Greece B) Egyptian Civilization C) Roman Empire D) Mesopotamia
A) Roman law B) Christian parables C) The liturgy D) Greek mythology
A) Ballad operas B) Commedia dell'arte C) Opera buffa D) Court masques
A) Henry Purcell B) Johann Strauss II C) John Blow D) Jean-Baptiste Lully
A) In Town B) The Belle of New York C) Florodora D) A Trip to Chinatown
A) The Quaker Girl B) A Chinese Honeymoon C) In Town D) Florodora
A) The Merry Widow B) Shuffle Along C) Naughty Marietta D) Sally; Lady, Be Good
A) Operetta B) Minstrel show routines C) Comic opera D) Ragtime
A) Major Barbara B) Candida C) Saint Joan D) Pygmalion
A) Babes in Arms (1937) B) I'd Rather Be Right (1937) C) On Your Toes (1936) D) The Boys from Syracuse (1938)
A) Hello, Dolly! B) I Do! I Do! C) The Fantasticks D) Celebration
A) Leonard Bernstein B) Cole Porter C) Rodgers and Hammerstein D) Irving Berlin
A) Jesus Christ Superstar B) A Chorus Line C) Cabaret D) Evita
A) Orson Welles B) George Abbott C) Ira Gershwin D) Cole Porter
A) American innovation B) German operettas C) French comédie musicale D) British tradition
A) Hello, Dolly! B) Dear World C) Mame D) La Cage aux Folles
A) Pacific Overtures B) Sunday in the Park with George C) Assassins D) Company
A) Gower Champion B) Bob Fosse C) Jerome Robbins D) Michael Bennett
A) My Fair Lady B) Gypsy C) West Side Story D) The Music Man
A) Seymour Hicks B) Reginald De Koven C) George M. Cohan D) John Philip Sousa
A) The King and I B) South Pacific C) The Sound of Music D) Carousel
A) The Black Crook B) The Black Domino/Between You, Me and the Post C) Evangeline or The Belle of Arcadia D) The Mulligan Guard Picnic
A) No, No, Nanette B) Sally; Lady, Be Good C) Shuffle Along D) Oh, Kay!
A) Company B) Merrily We Roll Along C) A Funny Thing Happened on the Way to the Forum D) Anyone Can Whistle
A) 1934 B) 1936 C) 1938 D) 1939
A) Leonard Bernstein B) Frederick Loewe C) Stephen Sondheim D) Jule Styne
A) The Beggar's Opera B) Shuffle Along C) Chu Chin Chow D) Irene
A) A Chorus Line B) Evita C) Dreamgirls D) Jesus Christ Superstar
A) Oscar Hammerstein II B) Cole Porter C) Ira Gershwin D) George and Ira Gershwin
A) William Hallam B) John Gay C) Lewis Hallam D) P.T. Barnum
A) Godspell B) The Wiz C) Pippin D) Dreamgirls
A) Fiddler on the Roof B) Hello, Dolly! C) The Fantasticks D) Man of La Mancha
A) Chu Chin Chow B) Shuffle Along C) The Maid of the Mountains D) Irene
A) Sidney Jones B) Lionel Monckton C) John Philip Sousa D) Ivan Caryll
A) Of Thee I Sing (1931) B) The Cradle Will Rock (1937) C) Porgy and Bess (1935) D) As Thousands Cheer (1933)
A) H.M.S. Pinafore B) The Black Crook C) The Magic Deer D) Seven Sisters
A) Harrigan and Hart pieces B) New York musical comedies C) George Edwardes's productions D) Gilbert and Sullivan works
A) Florodora B) In Town C) The Arcadians D) A Chinese Honeymoon
A) Widescreen format B) Color film C) Synchronized sound D) 3D technology
A) Jesus Christ Superstar B) The Rocky Horror Show C) Evita D) Two Gentlemen of Verona
A) Mary Martin B) Rex Harrison C) Julie Andrews D) Gypsy Rose Lee
A) Sunday in the Park with George B) Company C) Assassins D) Into the Woods
A) South Pacific B) The King and I C) Carousel D) Oklahoma!
A) Trevor Nunn B) Meredith Willson C) Arthur Laurents D) George Abbott
A) Tin Pan Alley B) Minstrel shows C) Comic operas D) Operettas
A) The Band Wagon (1931) B) Me and My Girl C) Anything Goes (1934) D) Hellzapoppin (1938)
A) John Philip Sousa B) Seymour Hicks C) Reginald De Koven D) George Edwardes
A) Bob Fosse B) Michael Bennett C) Jerome Robbins D) Agnes de Mille
A) West Side Story B) Ragtime C) Parade D) Fiddler on the Roof
A) Anything Goes (1934) B) The Cradle Will Rock (1937) C) On Your Toes (1936) D) Hellzapoppin (1938)
A) Charles Frohman B) George Edwardes C) John Philip Sousa D) Reginald De Koven
A) Shuffle Along B) Ziegfeld Follies C) Princess Theatre shows D) The Merry Widow
A) Cole Porter B) Victor Herbert C) Ivor Novello D) Jerome Kern
A) Man of La Mancha B) Fiddler on the Roof C) Hello, Dolly! D) Hair
A) The Mikado B) Evangeline or The Belle of Arcadia C) H.M.S. Pinafore D) Dorothy
A) Fascinating Rhythm B) Naughty Marietta C) Tea for Two D) Someone to Watch Over Me
A) Adele Astaire B) Irving Berlin C) Ethel Merman D) Noël Coward
A) Victor Herbert B) Franz Lehár C) P. G. Wodehouse D) Oscar Straus
A) Salad Days B) Guys and Dolls C) The Boy Friend D) My Fair Lady
A) The Geisha B) The Belle of New York C) Florodora D) A Chinese Honeymoon
A) Rex Harrison B) Julie Andrews C) Mary Martin D) Gypsy Rose Lee
A) I Am What I Am B) Mame C) We Need a Little Christmas D) Hello, Dolly!
A) Barbra Streisand B) Lee Remick C) Zero Mostel D) Angela Lansbury
A) Company B) Sweeney Todd C) Follies D) Pacific Overtures |
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