Musical theatre - Exam
A) Andrew Lloyd Webber B) Stephen Sondheim C) Claude-Michel Schönberg D) Jason Robert Brown
A) New York City B) Chicago C) London D) Los Angeles
A) Mamma Mia! B) Wicked C) The Phantom of the Opera D) Hamilton
A) Andrew Lloyd Webber B) Stephen Sondheim C) Lin-Manuel Miranda D) Tim Rice
A) Oliver! B) Chicago C) Cats D) A Chorus Line
A) Mamma Mia! B) Rent C) Jersey Boys D) Spring Awakening
A) Sunset Boulevard B) Matilda C) Les Misérables D) Miss Saigon
A) Muppets B) Puppets C) Marionettes D) Dummies
A) Rent B) Company C) Cats D) Sweeney Todd
A) Hairspray B) Rent C) The Producers D) Something Rotten!
A) Kristin Chenoweth B) Idina Menzel C) Sutton Foster D) Lea Michele
A) Maury Yeston B) Stephen Schwartz C) Andrew Lloyd Webber D) John Kander
A) Sunday in the Park with George B) Cats C) The Book of Mormon D) Avenue Q
A) Frank Loesser B) Jerome Kern C) Richard Rodgers D) Leonard Bernstein
A) Opera and dance B) Tragedy and farce C) Comedy and drama D) Melodrama and pantomime
A) Lin-Manuel Miranda, Claude-Michel Schönberg, Tim Rice B) Andrew Lloyd Webber, Stephen Sondheim, Rodgers and Hammerstein C) Jacques Offenbach, Gilbert and Sullivan, Harrigan and Hart D) Kander and Ebb, Leonard Bernstein, Cole Porter
A) Hair (1967) B) My Fair Lady (1956) C) Show Boat (1927) D) The Fantasticks (1960)
A) Three acts with two intermissions B) One act without any intermission C) Two acts with one short intermission D) Four acts with multiple intermissions
A) Operatic arias B) Musical scenes C) Dance numbers D) Recitatives
A) To manage the financial aspects of the production B) To interpret and creatively characterize the production through direction, music, choreography, and design C) To write the script and compose all the music D) To handle marketing and public relations
A) Spoken dialogue only B) Prose recitation C) Song and dance D) Silent acting
A) Novels B) Films C) Historical events D) Plays
A) To be used especially in sung-through musicals B) To provide background music only C) To replace all spoken dialogue D) To serve as intermission entertainment
A) Dance numbers replace all dialogue B) All songs are unrelated to the story C) Songs are crafted to suit characters and their situations D) There are no reprises in the score
A) Camelot B) Wicked C) Evita D) Hamilton
A) One and a half to three hours B) Less than one hour C) Four to six hours D) Over eight hours
A) Costumes B) Lighting C) Marketing strategies D) Set design
A) Dancing B) Silent mime performances C) Poetry recitations D) Choreographed fight scenes
A) Triple threat B) Dual talent C) Multi-skilled performer D) Versatile artist
A) Pit orchestra B) String quartet C) Symphony orchestra D) Chamber orchestra
A) Taiwanese opera B) Indian musical theatre C) Japanese theatre D) Chinese opera
A) Musical revues B) Opera adaptations C) Junior versions or minimusicals D) Full-length productions
A) Bollywood musicals B) Parsi theatre C) Indian classical theatre D) Yakshagana
A) Children's operas B) Minimusicals C) Youth plays D) School musicals
A) Chinese theatre B) Taiwanese opera C) Indian classical dance D) Japanese Noh
A) Japanese Noh B) Indian theatre C) Chinese opera D) Taiwanese opera
A) Mesopotamia B) Ancient Greece C) Egyptian Civilization D) Roman Empire
A) Roman law B) Greek mythology C) The liturgy D) Christian parables
A) Commedia dell'arte B) Court masques C) Ballad operas D) Opera buffa
A) Jean-Baptiste Lully B) John Blow C) Henry Purcell D) Johann Strauss II
A) A Trip to Chinatown B) Florodora C) The Belle of New York D) In Town
A) The Quaker Girl B) A Chinese Honeymoon C) Florodora D) In Town
A) The Merry Widow B) Naughty Marietta C) Sally; Lady, Be Good D) Shuffle Along
A) Minstrel show routines B) Ragtime C) Operetta D) Comic opera
A) Candida B) Saint Joan C) Pygmalion D) Major Barbara
A) Babes in Arms (1937) B) The Boys from Syracuse (1938) C) On Your Toes (1936) D) I'd Rather Be Right (1937)
A) Hello, Dolly! B) The Fantasticks C) I Do! I Do! D) Celebration
A) Irving Berlin B) Cole Porter C) Leonard Bernstein D) Rodgers and Hammerstein
A) A Chorus Line B) Evita C) Jesus Christ Superstar D) Cabaret
A) Orson Welles B) Cole Porter C) George Abbott D) Ira Gershwin
A) British tradition B) German operettas C) French comédie musicale D) American innovation
A) Hello, Dolly! B) Mame C) La Cage aux Folles D) Dear World
A) Sunday in the Park with George B) Pacific Overtures C) Company D) Assassins
A) Gower Champion B) Jerome Robbins C) Bob Fosse D) Michael Bennett
A) The Music Man B) West Side Story C) Gypsy D) My Fair Lady
A) John Philip Sousa B) George M. Cohan C) Seymour Hicks D) Reginald De Koven
A) The Sound of Music B) Carousel C) The King and I D) South Pacific
A) The Black Crook B) The Mulligan Guard Picnic C) The Black Domino/Between You, Me and the Post D) Evangeline or The Belle of Arcadia
A) Sally; Lady, Be Good B) Shuffle Along C) Oh, Kay! D) No, No, Nanette
A) A Funny Thing Happened on the Way to the Forum B) Merrily We Roll Along C) Company D) Anyone Can Whistle
A) 1936 B) 1934 C) 1938 D) 1939
A) Jule Styne B) Stephen Sondheim C) Frederick Loewe D) Leonard Bernstein
A) Shuffle Along B) Irene C) The Beggar's Opera D) Chu Chin Chow
A) Evita B) A Chorus Line C) Jesus Christ Superstar D) Dreamgirls
A) George and Ira Gershwin B) Oscar Hammerstein II C) Cole Porter D) Ira Gershwin
A) John Gay B) P.T. Barnum C) William Hallam D) Lewis Hallam
A) Godspell B) Dreamgirls C) The Wiz D) Pippin
A) Man of La Mancha B) Hello, Dolly! C) Fiddler on the Roof D) The Fantasticks
A) The Maid of the Mountains B) Irene C) Chu Chin Chow D) Shuffle Along
A) John Philip Sousa B) Lionel Monckton C) Sidney Jones D) Ivan Caryll
A) As Thousands Cheer (1933) B) Of Thee I Sing (1931) C) Porgy and Bess (1935) D) The Cradle Will Rock (1937)
A) The Black Crook B) Seven Sisters C) The Magic Deer D) H.M.S. Pinafore
A) New York musical comedies B) Gilbert and Sullivan works C) Harrigan and Hart pieces D) George Edwardes's productions
A) Florodora B) A Chinese Honeymoon C) The Arcadians D) In Town
A) Widescreen format B) Color film C) Synchronized sound D) 3D technology
A) The Rocky Horror Show B) Two Gentlemen of Verona C) Evita D) Jesus Christ Superstar
A) Mary Martin B) Rex Harrison C) Julie Andrews D) Gypsy Rose Lee
A) Company B) Into the Woods C) Assassins D) Sunday in the Park with George
A) Carousel B) The King and I C) Oklahoma! D) South Pacific
A) George Abbott B) Trevor Nunn C) Meredith Willson D) Arthur Laurents
A) Comic operas B) Tin Pan Alley C) Minstrel shows D) Operettas
A) The Band Wagon (1931) B) Anything Goes (1934) C) Me and My Girl D) Hellzapoppin (1938)
A) Reginald De Koven B) Seymour Hicks C) John Philip Sousa D) George Edwardes
A) Michael Bennett B) Agnes de Mille C) Jerome Robbins D) Bob Fosse
A) West Side Story B) Parade C) Ragtime D) Fiddler on the Roof
A) Hellzapoppin (1938) B) The Cradle Will Rock (1937) C) Anything Goes (1934) D) On Your Toes (1936)
A) Reginald De Koven B) George Edwardes C) John Philip Sousa D) Charles Frohman
A) The Merry Widow B) Ziegfeld Follies C) Shuffle Along D) Princess Theatre shows
A) Cole Porter B) Victor Herbert C) Jerome Kern D) Ivor Novello
A) Hello, Dolly! B) Man of La Mancha C) Fiddler on the Roof D) Hair
A) The Mikado B) H.M.S. Pinafore C) Evangeline or The Belle of Arcadia D) Dorothy
A) Someone to Watch Over Me B) Fascinating Rhythm C) Tea for Two D) Naughty Marietta
A) Adele Astaire B) Ethel Merman C) Irving Berlin D) Noël Coward
A) P. G. Wodehouse B) Franz Lehár C) Oscar Straus D) Victor Herbert
A) The Boy Friend B) Guys and Dolls C) Salad Days D) My Fair Lady
A) A Chinese Honeymoon B) Florodora C) The Geisha D) The Belle of New York
A) Julie Andrews B) Rex Harrison C) Gypsy Rose Lee D) Mary Martin
A) Mame B) Hello, Dolly! C) I Am What I Am D) We Need a Little Christmas
A) Zero Mostel B) Barbra Streisand C) Angela Lansbury D) Lee Remick
A) Sweeney Todd B) Pacific Overtures C) Company D) Follies |
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