Musical theatre - Exam
A) Claude-Michel Schönberg B) Andrew Lloyd Webber C) Stephen Sondheim D) Jason Robert Brown
A) London B) New York City C) Los Angeles D) Chicago
A) Hamilton B) Mamma Mia! C) Wicked D) The Phantom of the Opera
A) Tim Rice B) Stephen Sondheim C) Andrew Lloyd Webber D) Lin-Manuel Miranda
A) A Chorus Line B) Oliver! C) Chicago D) Cats
A) Spring Awakening B) Rent C) Jersey Boys D) Mamma Mia!
A) Matilda B) Les Misérables C) Sunset Boulevard D) Miss Saigon
A) Dummies B) Marionettes C) Muppets D) Puppets
A) Cats B) Sweeney Todd C) Company D) Rent
A) The Producers B) Something Rotten! C) Rent D) Hairspray
A) Sutton Foster B) Lea Michele C) Kristin Chenoweth D) Idina Menzel
A) Andrew Lloyd Webber B) John Kander C) Stephen Schwartz D) Maury Yeston
A) Sunday in the Park with George B) Cats C) The Book of Mormon D) Avenue Q
A) Frank Loesser B) Leonard Bernstein C) Jerome Kern D) Richard Rodgers
A) Melodrama and pantomime B) Tragedy and farce C) Opera and dance D) Comedy and drama
A) Kander and Ebb, Leonard Bernstein, Cole Porter B) Jacques Offenbach, Gilbert and Sullivan, Harrigan and Hart C) Lin-Manuel Miranda, Claude-Michel Schönberg, Tim Rice D) Andrew Lloyd Webber, Stephen Sondheim, Rodgers and Hammerstein
A) My Fair Lady (1956) B) Show Boat (1927) C) The Fantasticks (1960) D) Hair (1967)
A) One act without any intermission B) Three acts with two intermissions C) Four acts with multiple intermissions D) Two acts with one short intermission
A) Musical scenes B) Dance numbers C) Operatic arias D) Recitatives
A) To handle marketing and public relations B) To manage the financial aspects of the production C) To write the script and compose all the music D) To interpret and creatively characterize the production through direction, music, choreography, and design
A) Song and dance B) Silent acting C) Prose recitation D) Spoken dialogue only
A) Films B) Plays C) Historical events D) Novels
A) To provide background music only B) To replace all spoken dialogue C) To be used especially in sung-through musicals D) To serve as intermission entertainment
A) Songs are crafted to suit characters and their situations B) Dance numbers replace all dialogue C) There are no reprises in the score D) All songs are unrelated to the story
A) Evita B) Hamilton C) Wicked D) Camelot
A) One and a half to three hours B) Less than one hour C) Four to six hours D) Over eight hours
A) Lighting B) Costumes C) Marketing strategies D) Set design
A) Poetry recitations B) Silent mime performances C) Choreographed fight scenes D) Dancing
A) Dual talent B) Versatile artist C) Multi-skilled performer D) Triple threat
A) Symphony orchestra B) Chamber orchestra C) String quartet D) Pit orchestra
A) Japanese theatre B) Chinese opera C) Indian musical theatre D) Taiwanese opera
A) Full-length productions B) Musical revues C) Junior versions or minimusicals D) Opera adaptations
A) Yakshagana B) Bollywood musicals C) Parsi theatre D) Indian classical theatre
A) Minimusicals B) School musicals C) Youth plays D) Children's operas
A) Taiwanese opera B) Japanese Noh C) Chinese theatre D) Indian classical dance
A) Japanese Noh B) Taiwanese opera C) Indian theatre D) Chinese opera
A) Egyptian Civilization B) Ancient Greece C) Mesopotamia D) Roman Empire
A) The liturgy B) Roman law C) Christian parables D) Greek mythology
A) Ballad operas B) Commedia dell'arte C) Opera buffa D) Court masques
A) Henry Purcell B) Johann Strauss II C) Jean-Baptiste Lully D) John Blow
A) Florodora B) In Town C) A Trip to Chinatown D) The Belle of New York
A) The Quaker Girl B) In Town C) A Chinese Honeymoon D) Florodora
A) Shuffle Along B) Sally; Lady, Be Good C) Naughty Marietta D) The Merry Widow
A) Ragtime B) Operetta C) Minstrel show routines D) Comic opera
A) Candida B) Major Barbara C) Pygmalion D) Saint Joan
A) Babes in Arms (1937) B) On Your Toes (1936) C) I'd Rather Be Right (1937) D) The Boys from Syracuse (1938)
A) I Do! I Do! B) Celebration C) Hello, Dolly! D) The Fantasticks
A) Irving Berlin B) Leonard Bernstein C) Cole Porter D) Rodgers and Hammerstein
A) Cabaret B) Jesus Christ Superstar C) Evita D) A Chorus Line
A) George Abbott B) Ira Gershwin C) Cole Porter D) Orson Welles
A) American innovation B) French comédie musicale C) German operettas D) British tradition
A) Hello, Dolly! B) Dear World C) La Cage aux Folles D) Mame
A) Pacific Overtures B) Sunday in the Park with George C) Assassins D) Company
A) Bob Fosse B) Jerome Robbins C) Gower Champion D) Michael Bennett
A) My Fair Lady B) The Music Man C) Gypsy D) West Side Story
A) Seymour Hicks B) John Philip Sousa C) George M. Cohan D) Reginald De Koven
A) The King and I B) The Sound of Music C) Carousel D) South Pacific
A) The Mulligan Guard Picnic B) The Black Crook C) The Black Domino/Between You, Me and the Post D) Evangeline or The Belle of Arcadia
A) Shuffle Along B) Oh, Kay! C) No, No, Nanette D) Sally; Lady, Be Good
A) Merrily We Roll Along B) A Funny Thing Happened on the Way to the Forum C) Company D) Anyone Can Whistle
A) 1936 B) 1939 C) 1938 D) 1934
A) Jule Styne B) Stephen Sondheim C) Frederick Loewe D) Leonard Bernstein
A) The Beggar's Opera B) Chu Chin Chow C) Shuffle Along D) Irene
A) A Chorus Line B) Dreamgirls C) Jesus Christ Superstar D) Evita
A) Oscar Hammerstein II B) George and Ira Gershwin C) Ira Gershwin D) Cole Porter
A) John Gay B) Lewis Hallam C) P.T. Barnum D) William Hallam
A) The Wiz B) Dreamgirls C) Godspell D) Pippin
A) The Fantasticks B) Hello, Dolly! C) Fiddler on the Roof D) Man of La Mancha
A) The Maid of the Mountains B) Irene C) Shuffle Along D) Chu Chin Chow
A) Sidney Jones B) Ivan Caryll C) John Philip Sousa D) Lionel Monckton
A) The Cradle Will Rock (1937) B) As Thousands Cheer (1933) C) Porgy and Bess (1935) D) Of Thee I Sing (1931)
A) The Black Crook B) H.M.S. Pinafore C) Seven Sisters D) The Magic Deer
A) Harrigan and Hart pieces B) Gilbert and Sullivan works C) New York musical comedies D) George Edwardes's productions
A) The Arcadians B) Florodora C) A Chinese Honeymoon D) In Town
A) Synchronized sound B) Widescreen format C) Color film D) 3D technology
A) The Rocky Horror Show B) Jesus Christ Superstar C) Evita D) Two Gentlemen of Verona
A) Julie Andrews B) Rex Harrison C) Mary Martin D) Gypsy Rose Lee
A) Sunday in the Park with George B) Into the Woods C) Assassins D) Company
A) South Pacific B) Oklahoma! C) Carousel D) The King and I
A) George Abbott B) Arthur Laurents C) Trevor Nunn D) Meredith Willson
A) Operettas B) Tin Pan Alley C) Comic operas D) Minstrel shows
A) Me and My Girl B) Anything Goes (1934) C) Hellzapoppin (1938) D) The Band Wagon (1931)
A) John Philip Sousa B) Seymour Hicks C) George Edwardes D) Reginald De Koven
A) Jerome Robbins B) Bob Fosse C) Michael Bennett D) Agnes de Mille
A) Ragtime B) Parade C) West Side Story D) Fiddler on the Roof
A) Anything Goes (1934) B) Hellzapoppin (1938) C) On Your Toes (1936) D) The Cradle Will Rock (1937)
A) Charles Frohman B) George Edwardes C) John Philip Sousa D) Reginald De Koven
A) Princess Theatre shows B) Shuffle Along C) The Merry Widow D) Ziegfeld Follies
A) Cole Porter B) Jerome Kern C) Victor Herbert D) Ivor Novello
A) Man of La Mancha B) Hello, Dolly! C) Fiddler on the Roof D) Hair
A) H.M.S. Pinafore B) Evangeline or The Belle of Arcadia C) The Mikado D) Dorothy
A) Fascinating Rhythm B) Tea for Two C) Someone to Watch Over Me D) Naughty Marietta
A) Noël Coward B) Ethel Merman C) Irving Berlin D) Adele Astaire
A) Victor Herbert B) Oscar Straus C) Franz Lehár D) P. G. Wodehouse
A) My Fair Lady B) The Boy Friend C) Guys and Dolls D) Salad Days
A) A Chinese Honeymoon B) The Belle of New York C) The Geisha D) Florodora
A) Julie Andrews B) Mary Martin C) Gypsy Rose Lee D) Rex Harrison
A) We Need a Little Christmas B) Hello, Dolly! C) I Am What I Am D) Mame
A) Barbra Streisand B) Angela Lansbury C) Zero Mostel D) Lee Remick
A) Company B) Sweeney Todd C) Pacific Overtures D) Follies |
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