Musical theatre - Exam
A) Stephen Sondheim B) Jason Robert Brown C) Claude-Michel Schönberg D) Andrew Lloyd Webber
A) London B) Chicago C) Los Angeles D) New York City
A) Mamma Mia! B) Hamilton C) The Phantom of the Opera D) Wicked
A) Stephen Sondheim B) Lin-Manuel Miranda C) Tim Rice D) Andrew Lloyd Webber
A) Oliver! B) A Chorus Line C) Chicago D) Cats
A) Spring Awakening B) Rent C) Jersey Boys D) Mamma Mia!
A) Miss Saigon B) Les Misérables C) Sunset Boulevard D) Matilda
A) Muppets B) Marionettes C) Dummies D) Puppets
A) Cats B) Company C) Rent D) Sweeney Todd
A) The Producers B) Hairspray C) Rent D) Something Rotten!
A) Sutton Foster B) Kristin Chenoweth C) Idina Menzel D) Lea Michele
A) John Kander B) Andrew Lloyd Webber C) Maury Yeston D) Stephen Schwartz
A) Cats B) Sunday in the Park with George C) The Book of Mormon D) Avenue Q
A) Richard Rodgers B) Frank Loesser C) Jerome Kern D) Leonard Bernstein
A) Melodrama and pantomime B) Tragedy and farce C) Opera and dance D) Comedy and drama
A) Jacques Offenbach, Gilbert and Sullivan, Harrigan and Hart B) Kander and Ebb, Leonard Bernstein, Cole Porter C) Lin-Manuel Miranda, Claude-Michel Schönberg, Tim Rice D) Andrew Lloyd Webber, Stephen Sondheim, Rodgers and Hammerstein
A) My Fair Lady (1956) B) Show Boat (1927) C) The Fantasticks (1960) D) Hair (1967)
A) One act without any intermission B) Four acts with multiple intermissions C) Two acts with one short intermission D) Three acts with two intermissions
A) Recitatives B) Musical scenes C) Dance numbers D) Operatic arias
A) To write the script and compose all the music B) To interpret and creatively characterize the production through direction, music, choreography, and design C) To manage the financial aspects of the production D) To handle marketing and public relations
A) Silent acting B) Prose recitation C) Spoken dialogue only D) Song and dance
A) Films B) Novels C) Plays D) Historical events
A) To be used especially in sung-through musicals B) To replace all spoken dialogue C) To serve as intermission entertainment D) To provide background music only
A) Dance numbers replace all dialogue B) There are no reprises in the score C) All songs are unrelated to the story D) Songs are crafted to suit characters and their situations
A) Camelot B) Hamilton C) Wicked D) Evita
A) Four to six hours B) Over eight hours C) One and a half to three hours D) Less than one hour
A) Marketing strategies B) Lighting C) Costumes D) Set design
A) Poetry recitations B) Silent mime performances C) Choreographed fight scenes D) Dancing
A) Triple threat B) Dual talent C) Multi-skilled performer D) Versatile artist
A) Pit orchestra B) String quartet C) Symphony orchestra D) Chamber orchestra
A) Chinese opera B) Indian musical theatre C) Taiwanese opera D) Japanese theatre
A) Opera adaptations B) Junior versions or minimusicals C) Full-length productions D) Musical revues
A) Indian classical theatre B) Parsi theatre C) Yakshagana D) Bollywood musicals
A) Youth plays B) Children's operas C) Minimusicals D) School musicals
A) Chinese theatre B) Indian classical dance C) Japanese Noh D) Taiwanese opera
A) Indian theatre B) Japanese Noh C) Taiwanese opera D) Chinese opera
A) Roman Empire B) Egyptian Civilization C) Ancient Greece D) Mesopotamia
A) The liturgy B) Greek mythology C) Roman law D) Christian parables
A) Ballad operas B) Commedia dell'arte C) Opera buffa D) Court masques
A) Henry Purcell B) Jean-Baptiste Lully C) John Blow D) Johann Strauss II
A) Florodora B) In Town C) The Belle of New York D) A Trip to Chinatown
A) The Quaker Girl B) A Chinese Honeymoon C) Florodora D) In Town
A) Sally; Lady, Be Good B) The Merry Widow C) Shuffle Along D) Naughty Marietta
A) Operetta B) Minstrel show routines C) Ragtime D) Comic opera
A) Saint Joan B) Pygmalion C) Major Barbara D) Candida
A) The Boys from Syracuse (1938) B) I'd Rather Be Right (1937) C) On Your Toes (1936) D) Babes in Arms (1937)
A) Hello, Dolly! B) Celebration C) I Do! I Do! D) The Fantasticks
A) Cole Porter B) Rodgers and Hammerstein C) Leonard Bernstein D) Irving Berlin
A) Evita B) Cabaret C) Jesus Christ Superstar D) A Chorus Line
A) Ira Gershwin B) George Abbott C) Orson Welles D) Cole Porter
A) French comédie musicale B) American innovation C) German operettas D) British tradition
A) La Cage aux Folles B) Dear World C) Hello, Dolly! D) Mame
A) Assassins B) Company C) Pacific Overtures D) Sunday in the Park with George
A) Gower Champion B) Bob Fosse C) Jerome Robbins D) Michael Bennett
A) Gypsy B) West Side Story C) My Fair Lady D) The Music Man
A) John Philip Sousa B) Reginald De Koven C) George M. Cohan D) Seymour Hicks
A) Carousel B) The Sound of Music C) South Pacific D) The King and I
A) The Mulligan Guard Picnic B) The Black Crook C) The Black Domino/Between You, Me and the Post D) Evangeline or The Belle of Arcadia
A) Oh, Kay! B) No, No, Nanette C) Sally; Lady, Be Good D) Shuffle Along
A) Anyone Can Whistle B) Merrily We Roll Along C) A Funny Thing Happened on the Way to the Forum D) Company
A) 1936 B) 1939 C) 1938 D) 1934
A) Leonard Bernstein B) Frederick Loewe C) Stephen Sondheim D) Jule Styne
A) Shuffle Along B) Chu Chin Chow C) The Beggar's Opera D) Irene
A) A Chorus Line B) Evita C) Dreamgirls D) Jesus Christ Superstar
A) Cole Porter B) Ira Gershwin C) Oscar Hammerstein II D) George and Ira Gershwin
A) Lewis Hallam B) William Hallam C) P.T. Barnum D) John Gay
A) Godspell B) Pippin C) The Wiz D) Dreamgirls
A) Hello, Dolly! B) The Fantasticks C) Fiddler on the Roof D) Man of La Mancha
A) Chu Chin Chow B) Irene C) Shuffle Along D) The Maid of the Mountains
A) John Philip Sousa B) Lionel Monckton C) Ivan Caryll D) Sidney Jones
A) Porgy and Bess (1935) B) The Cradle Will Rock (1937) C) Of Thee I Sing (1931) D) As Thousands Cheer (1933)
A) Seven Sisters B) H.M.S. Pinafore C) The Black Crook D) The Magic Deer
A) Gilbert and Sullivan works B) New York musical comedies C) Harrigan and Hart pieces D) George Edwardes's productions
A) Florodora B) In Town C) A Chinese Honeymoon D) The Arcadians
A) Color film B) 3D technology C) Widescreen format D) Synchronized sound
A) Evita B) The Rocky Horror Show C) Two Gentlemen of Verona D) Jesus Christ Superstar
A) Rex Harrison B) Julie Andrews C) Gypsy Rose Lee D) Mary Martin
A) Assassins B) Into the Woods C) Company D) Sunday in the Park with George
A) Carousel B) Oklahoma! C) South Pacific D) The King and I
A) Meredith Willson B) Trevor Nunn C) Arthur Laurents D) George Abbott
A) Comic operas B) Minstrel shows C) Tin Pan Alley D) Operettas
A) Hellzapoppin (1938) B) Me and My Girl C) Anything Goes (1934) D) The Band Wagon (1931)
A) John Philip Sousa B) Reginald De Koven C) George Edwardes D) Seymour Hicks
A) Michael Bennett B) Bob Fosse C) Agnes de Mille D) Jerome Robbins
A) West Side Story B) Parade C) Ragtime D) Fiddler on the Roof
A) The Cradle Will Rock (1937) B) On Your Toes (1936) C) Hellzapoppin (1938) D) Anything Goes (1934)
A) Charles Frohman B) George Edwardes C) John Philip Sousa D) Reginald De Koven
A) Shuffle Along B) The Merry Widow C) Princess Theatre shows D) Ziegfeld Follies
A) Jerome Kern B) Cole Porter C) Victor Herbert D) Ivor Novello
A) Fiddler on the Roof B) Hair C) Hello, Dolly! D) Man of La Mancha
A) The Mikado B) H.M.S. Pinafore C) Dorothy D) Evangeline or The Belle of Arcadia
A) Tea for Two B) Fascinating Rhythm C) Someone to Watch Over Me D) Naughty Marietta
A) Adele Astaire B) Ethel Merman C) Irving Berlin D) Noël Coward
A) Victor Herbert B) P. G. Wodehouse C) Franz Lehár D) Oscar Straus
A) Salad Days B) The Boy Friend C) My Fair Lady D) Guys and Dolls
A) The Belle of New York B) Florodora C) The Geisha D) A Chinese Honeymoon
A) Gypsy Rose Lee B) Rex Harrison C) Mary Martin D) Julie Andrews
A) We Need a Little Christmas B) Mame C) I Am What I Am D) Hello, Dolly!
A) Angela Lansbury B) Zero Mostel C) Barbra Streisand D) Lee Remick
A) Company B) Sweeney Todd C) Pacific Overtures D) Follies |
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