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A) Richard Norman Shaw B) Peter Waite C) Maurice Adams D) Harry Kent
A) 1880 to 1905 B) 1900 to 1920 C) 1890 to 1915 D) 1885 to 1910
A) Modernist B) Federation Queen Anne C) Federation Bungalow D) Victorian
A) Plastic molding B) Stone carvings C) Elaborate fretwork D) Aluminum siding
A) Basement garages B) Flat roofs C) Skylights D) Verandahs
A) Annesbury B) Caerleon C) Urrbrae House D) West Maling
A) Ashfield B) Penshurst C) Burwood D) Bellevue Hill
A) Federation architect B) Harry Kent C) Maurice Adams D) Richard Norman Shaw
A) Weld Club B) APA Building C) Campion College D) ANZ Bank
A) 1981 B) 1890 C) 1990 D) 1915
A) Lack of historical significance B) Rapacious development C) Fire damage D) Earthquake damage
A) 1888 B) 1900 C) 1885 D) 1895
A) Caerleon B) Urrbrae House C) West Maling D) Redcourt Estate
A) The working class B) Rural farmers C) Reasonably well-off people D) Government officials only
A) To allow for indoor gardening B) To provide extra bedrooms C) To keep the sun out D) To store farming equipment
A) Urrbrae B) Bellevue Hill C) Hawthorn D) Ashfield
A) Federation Bungalow B) Federation Modernist C) Federation Tudor D) Federation Victorian
A) Flat B) Pyramid-shaped C) Sawtooth D) Gabled only
A) 1870s B) 1900s C) 1850s D) 1880s
A) Watercolor sketches B) Charcoal portraits C) Blueprints D) Pen-and-ink drawings
A) Italy B) United States C) Germany D) France
A) Neoclassical elements B) Baroque elements C) Tudor elements D) Gothic elements
A) Art Deco B) Brutalism C) Arts and Crafts D) Industrial Modernism
A) The Tower of London B) Severalls Hospital C) The Royal Albert Hall D) Buckingham Palace
A) Colchester, Essex B) Manchester, England C) Liverpool, England D) London, England
A) Warmer and softer finish B) Cold and industrial C) Rough and unfinished D) Painted entirely black
A) Plastic siding B) Concrete blocks C) Steel beams and glass D) Terracotta panels or tile-hung upper storeys
A) Arranged in a circle B) Often stacked one above another C) Used exclusively on the roof D) Placed only on the ground floor
A) Central courtyards B) Flat, unornamented facades C) Symmetrical grand entrances D) Corner towers
A) Asymmetrical B) Perfectly symmetrical C) Triangular D) Minimalist
A) Flemish mannerist sunken panels of strapwork B) Modernist abstract steel plates C) Gothic gargoyles D) Roman marble friezes
A) Grand and symmetrical B) Flush with the wall C) Brightly illuminated D) Deeply shadowed
A) An aggressive Baroque style B) A purely functionalist style C) A rigid industrial style D) A domesticated free Renaissance style
A) George Devey B) Frank Lloyd Wright C) Norman Shaw D) Edwin Lutyens
A) Yellow brick with dark wood B) White walls with black trim C) Red-brick walls with pale stone details D) Grey concrete with blue glass
A) 1831 B) 1858 C) 1820 D) 1870
A) White marble B) Stucco C) Grey limestone D) Red brick
A) Christopher Wren B) Inigo Jones C) Marcus Binney D) William Kent
A) Hampton Court Palace B) Windsor Castle C) Blenheim Palace D) Poulton House
A) Single room row house B) L-shaped courtyard plan C) Circular central hall plan D) Double pile, two rooms deep
A) Historical accuracy B) Architectural uniformity C) Government mandate D) Marketing purposes
A) Creating a doorway B) Emphasizing corners C) Decorating the windows D) Supporting the roof
A) Chicago B) Boston C) New York City D) Washington D.C.
A) Rooftop deck B) Sunken basement porch C) Internal courtyard porch D) Wraparound front porch
A) Polished marble slabs B) Patterned wood shingles C) Fiberglass panels D) Solid steel plating
A) Frank Lloyd Wright B) H.H. Richardson C) Louis Sullivan D) Sidney V. Stratton
A) Stone statues B) Concrete barriers C) Iron security gates D) Wooden fences
A) Flat-topped gable B) Interior roof gable C) Dominant front-facing gable D) Side-hidden gable
A) Stone columns without detail B) Spindle work C) Modern glass panels D) Minimalist chrome railings
A) Bauhaus B) Art Deco C) Brutalism D) Second Empire |