A) The duration of events in a narrative B) The time period during which a story was written C) The time a reader spends on a story D) The time it takes to read a story out loud
A) An all-knowing narrator B) A non-participating narrator C) A third-person narrator D) A narrator who is a character in the story
A) The moral of a story B) The setting of a story C) The characters in a story D) The chronological order of events in a story
A) The setting of a story B) The time it takes to read a story out loud C) The climax of a story D) The pace at which events in a story unfold
A) Roland Barthes B) Mikhail Bakhtin C) Gérard Genette D) Tzvetan Todorov
A) To provide the sequence of events in a story B) To describe the setting of a story C) To convey the moral lesson of a story D) To introduce the characters in a story
A) An unreliable narrator B) A reflective narrator C) A narrator who is not a character in the story D) A first-person narrator
A) The climax of a story B) The moral of a story C) The perspective through which a narrative is presented D) The setting of a story
A) Syuzhet B) Fabula C) Narrativity D) Heteroglossia
A) "Call me Ishmael." B) "For sale: baby shoes, never worn" C) "It was the best of times..." D) "Once upon a time..."
A) Roland Barthes B) Jonathan Culler C) Astrid Ensslin D) Marie-Laure Ryan
A) The Craft of Fiction B) Communications C) Poetics D) The Dialogic Imagination
A) Tzvetan Todorov B) The Russian Formalists C) Roland Barthes D) Jonathan Culler
A) Film theory B) Literary criticism C) Study of graphic novels D) Conversation analysis dealing with spontaneous verbal interaction
A) Literary narratives B) Videogame narratives C) Non-literary narratives D) Film narratives
A) Biology B) Linguistics C) Physics D) Chemistry
A) Hamlet on the Holodeck B) Cybertext: Perspectives on Ergodic Literature C) Victory Garden D) Pale Fire
A) Roland Barthes B) Vladimir Propp C) Gérard Genette D) William Labov
A) Graphic novels B) Sociolinguistics C) Film criticism D) Literary theory
A) The Sims B) Minecraft C) Final Fantasy D) World of Warcraft
A) Fabula and syuzhet analysis B) Thematic and modal narratology C) Cognitive and structural narratology D) Story and discourse examination
A) Espen Aarseth B) Stuart Moulthrop C) Janet Murray D) Arthur Danto
A) Roland Barthes B) Robert Sternberg C) Peter Brooks D) Arthur Danto
A) Barthes, Genette, Todorov B) Ryan, Ensslin, Culler C) Sternberg, Ricoeur, Baroni D) Propp, Bremond, Greimas
A) Arthur Danto B) Robert Sternberg C) Shlomith Rimmon-Kenan D) A.J. Greimas
A) Life-simulators B) Hypertext fiction C) Cyberdramas D) Ergodic literature
A) Nonergodic literature B) Multi-narrative structures C) Unicursal labyrinths D) Traditional linear narratives
A) Robert Sternberg B) Roland Barthes C) Arthur Danto D) Peter Brooks
A) Film theory B) Literary theory C) Semiotics D) Graph theory
A) Videogames B) Physics C) Mathematics D) Chemistry
A) Unicursal labyrinth B) Ergodic literature C) Multicursal labyrinth D) Nonergodic literature
A) Janet Murray B) Espen Aarseth C) Arthur Danto D) Stuart Moulthrop
A) Texts without a typical plot structure B) Ergodic literature C) Linear narratives D) Traditional novels |