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A) The time it takes to read a story out loud B) The duration of events in a narrative C) The time a reader spends on a story D) The time period during which a story was written
A) A third-person narrator B) A non-participating narrator C) An all-knowing narrator D) A narrator who is a character in the story
A) The chronological order of events in a story B) The characters in a story C) The moral of a story D) The setting of a story
A) The pace at which events in a story unfold B) The climax of a story C) The time it takes to read a story out loud D) The setting of a story
A) Roland Barthes B) Gérard Genette C) Tzvetan Todorov D) Mikhail Bakhtin
A) To introduce the characters in a story B) To describe the setting of a story C) To provide the sequence of events in a story D) To convey the moral lesson of a story
A) A narrator who is not a character in the story B) A reflective narrator C) A first-person narrator D) An unreliable narrator
A) The moral of a story B) The climax of a story C) The perspective through which a narrative is presented D) The setting of a story
A) Fabula B) Narrativity C) Heteroglossia D) Syuzhet
A) "Once upon a time..." B) "It was the best of times..." C) "For sale: baby shoes, never worn" D) "Call me Ishmael."
A) Jonathan Culler B) Astrid Ensslin C) Marie-Laure Ryan D) Roland Barthes
A) Communications B) The Craft of Fiction C) Poetics D) The Dialogic Imagination
A) Tzvetan Todorov B) Roland Barthes C) Jonathan Culler D) The Russian Formalists
A) Film theory B) Study of graphic novels C) Literary criticism D) Conversation analysis dealing with spontaneous verbal interaction
A) Videogame narratives B) Film narratives C) Non-literary narratives D) Literary narratives
A) Physics B) Linguistics C) Biology D) Chemistry
A) Pale Fire B) Hamlet on the Holodeck C) Cybertext: Perspectives on Ergodic Literature D) Victory Garden
A) Roland Barthes B) Gérard Genette C) William Labov D) Vladimir Propp
A) Sociolinguistics B) Literary theory C) Film criticism D) Graphic novels
A) Final Fantasy B) Minecraft C) The Sims D) World of Warcraft
A) Story and discourse examination B) Thematic and modal narratology C) Cognitive and structural narratology D) Fabula and syuzhet analysis
A) Stuart Moulthrop B) Janet Murray C) Espen Aarseth D) Arthur Danto
A) Roland Barthes B) Robert Sternberg C) Peter Brooks D) Arthur Danto
A) Barthes, Genette, Todorov B) Propp, Bremond, Greimas C) Sternberg, Ricoeur, Baroni D) Ryan, Ensslin, Culler
A) Robert Sternberg B) Shlomith Rimmon-Kenan C) Arthur Danto D) A.J. Greimas
A) Cyberdramas B) Ergodic literature C) Hypertext fiction D) Life-simulators
A) Nonergodic literature B) Unicursal labyrinths C) Traditional linear narratives D) Multi-narrative structures
A) Roland Barthes B) Robert Sternberg C) Arthur Danto D) Peter Brooks
A) Graph theory B) Semiotics C) Film theory D) Literary theory
A) Chemistry B) Mathematics C) Videogames D) Physics
A) Nonergodic literature B) Multicursal labyrinth C) Unicursal labyrinth D) Ergodic literature
A) Janet Murray B) Espen Aarseth C) Stuart Moulthrop D) Arthur Danto
A) Linear narratives B) Traditional novels C) Texts without a typical plot structure D) Ergodic literature |