A) The duration of events in a narrative B) The time period during which a story was written C) The time it takes to read a story out loud D) The time a reader spends on a story
A) A non-participating narrator B) A third-person narrator C) A narrator who is a character in the story D) An all-knowing narrator
A) The chronological order of events in a story B) The moral of a story C) The characters in a story D) The setting of a story
A) The pace at which events in a story unfold B) The climax of a story C) The setting of a story D) The time it takes to read a story out loud
A) Mikhail Bakhtin B) Gérard Genette C) Tzvetan Todorov D) Roland Barthes
A) To describe the setting of a story B) To provide the sequence of events in a story C) To introduce the characters in a story D) To convey the moral lesson of a story
A) A first-person narrator B) A narrator who is not a character in the story C) An unreliable narrator D) A reflective narrator
A) The climax of a story B) The perspective through which a narrative is presented C) The moral of a story D) The setting of a story
A) Narrativity B) Syuzhet C) Heteroglossia D) Fabula
A) "It was the best of times..." B) "Once upon a time..." C) "For sale: baby shoes, never worn" D) "Call me Ishmael."
A) Jonathan Culler B) Astrid Ensslin C) Marie-Laure Ryan D) Roland Barthes
A) Poetics B) The Craft of Fiction C) The Dialogic Imagination D) Communications
A) Roland Barthes B) Tzvetan Todorov C) The Russian Formalists D) Jonathan Culler
A) Literary criticism B) Conversation analysis dealing with spontaneous verbal interaction C) Film theory D) Study of graphic novels
A) Videogame narratives B) Film narratives C) Non-literary narratives D) Literary narratives
A) Physics B) Linguistics C) Chemistry D) Biology
A) Cybertext: Perspectives on Ergodic Literature B) Victory Garden C) Hamlet on the Holodeck D) Pale Fire
A) Vladimir Propp B) Gérard Genette C) William Labov D) Roland Barthes
A) Graphic novels B) Film criticism C) Literary theory D) Sociolinguistics
A) World of Warcraft B) Minecraft C) The Sims D) Final Fantasy
A) Cognitive and structural narratology B) Thematic and modal narratology C) Story and discourse examination D) Fabula and syuzhet analysis
A) Stuart Moulthrop B) Janet Murray C) Espen Aarseth D) Arthur Danto
A) Peter Brooks B) Roland Barthes C) Robert Sternberg D) Arthur Danto
A) Propp, Bremond, Greimas B) Sternberg, Ricoeur, Baroni C) Barthes, Genette, Todorov D) Ryan, Ensslin, Culler
A) A.J. Greimas B) Arthur Danto C) Shlomith Rimmon-Kenan D) Robert Sternberg
A) Hypertext fiction B) Life-simulators C) Cyberdramas D) Ergodic literature
A) Nonergodic literature B) Traditional linear narratives C) Unicursal labyrinths D) Multi-narrative structures
A) Robert Sternberg B) Arthur Danto C) Roland Barthes D) Peter Brooks
A) Semiotics B) Literary theory C) Graph theory D) Film theory
A) Videogames B) Physics C) Mathematics D) Chemistry
A) Unicursal labyrinth B) Multicursal labyrinth C) Nonergodic literature D) Ergodic literature
A) Espen Aarseth B) Janet Murray C) Stuart Moulthrop D) Arthur Danto
A) Texts without a typical plot structure B) Ergodic literature C) Traditional novels D) Linear narratives |