Symphony No. 4 (Mahler) - Quiz
A) Thila Plaichinger B) Michalek C) Etta de Montjau D) Alida Lütkemann
A) Frankfurt B) Stuttgart C) Nuremberg D) Karlsruhe
A) Vaudeville-Symphony B) Folk-dance masterpiece C) Tragic symphony D) Masterpiece of the era
A) A screeching owl B) Autumn wind blowing through dead leaves C) A gathering storm D) The sound of breaking glass
A) The hall was too small B) The orchestra refused to play the full work C) Weingartner chose it because of a near-empty audience D) The sheet music was missing
A) Neues Taggblatt B) Schwäbischer Merkur C) Vossische Zeitung D) Berliner Tageblatt
A) He retired from music completely B) He was traumatized and never conducted Mahler again C) He was fired from the Kaim Orchestra D) He became Mahler's primary supporter
A) Thila Plaichinger B) Olga Wood C) Bella Alten D) Michalek
A) Max Kalbeck B) Bruno Walter C) Willem Mengelberg D) Donald Mitchell
A) Vienna B) Berlin C) Wiesbaden D) Amsterdam
A) The work's naïveté B) The soprano soloist C) The orchestration D) The conductor's tempo
A) Bruno Walter B) Henry Wood C) Walter Damrosch D) Gustav Mahler
A) Anatole Fistoulari B) Willem Mengelberg C) Adrian Boult D) Henry Wood
A) Olga Wood B) Bella Alten C) Alida Lütkemann D) Etta de Montjau
A) Bruno Walter B) Willem Mengelberg C) Henry Wood D) Adrian Boult
A) The orchestration of the strings B) Religious references in Das himmlische Leben C) The tempo of the finale D) The soprano's lyrics
A) The 1920 Amsterdam Festival B) The invention of radio broadcasts C) Performances by Fistoulari and Boult D) The publication of Mahler's letters
A) Its modest resources and approachability B) Its endorsement by famous politicians C) Its extreme length and complexity D) Its experimental musical structure
A) La Grange B) Zychowicz C) Donald Mitchell D) Kurt Blaukopf
A) The composer was uncannily concise B) It was Mahler's most difficult work C) It was rarely performed D) The orchestration was widely considered vulgar
A) D minor B) G major C) E-flat major D) C major
A) 1904 to 1905 B) 1899 to 1900 C) 1901 to 1902 D) 1892 to 1895
A) Three B) Four C) Six D) Five
A) A soprano B) A baritone C) A full choir D) A tenor
A) Maiernigg B) Vienna C) Munich D) Bad Aussee
A) Willem Mengelberg B) Hidemaro Konoye C) Gustav Mahler D) Bruno Walter
A) A child's vision of heaven B) Heroic suffering C) Death at his fiddle D) The resurrection of the dead
A) Seven B) Six C) Four D) Five
A) Paul Bekker B) James L. Zychowicz C) Donald Mitchell D) Natalie Bauer-Lechner
A) Bavarian folk tales B) Des Knaben Wunderhorn C) A collection of five Humoresken D) The Third Symphony programs
A) 1899 B) 1901 C) 1900 D) 1892
A) Vienna B) Munich C) London D) Berlin
A) Cyclic form B) Baroque fugal form C) Rondo form D) Strict serialism
A) Kaim Orchestra B) Berlin Philharmonic C) Vienna Philharmonic D) London Symphony Orchestra
A) Romantic B) Expressionist C) Impressionist D) Neoclassical
A) Double theme and variations B) Ländler-like trios C) Strophic variations D) Sonata form developments
A) Richard Strauss B) Felix Weingartner C) Margarete Michalek D) Henry-Louis de La Grange
A) October 1901 B) November 1901 C) August or September 1901 D) July 1901
A) 25 November B) 12 October C) 18 November D) 3 July
A) January 1902 B) 25 November 1901 C) 18 November 1901 D) 12 October 1901
A) The second movement B) The Finale C) The third movement D) The first movement
A) Die Musik B) Kleine Journal C) Allgemeine Zeitung D) Münchener Zeitung
A) Münchener Zeitung B) Die Musik C) Münchener Post D) Bayerischer Kurier
A) Incredible cacophony B) Immense spiky thistles C) Troubled waters D) Instrumental quirks
A) A work of incredible cacophony B) A succession of disjointed atmospheres C) A work trespassing against the Holy Spirit D) Transparent, sensitive, almost hysterical |
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