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A) Citizen Kane B) It's a Wonderful Life C) Make Way for Tomorrow D) All About Eve
A) Leo McCarey B) John Ford C) Orson Welles D) Frank Capra
A) David Bordwell B) Chishū Ryū C) Yūharu Atsuta D) Noda
A) Cultural and emotional B) Economical C) Educational D) Political
A) Shochiku Ōfuna Studio B) A hotel in Tokyo C) A ryokan called Chigasakikan D) An Onomichi inn
A) Kamakura B) Kyoto C) Osaka D) Chigasaki
A) Three months B) Another month C) Two weeks D) Six months
A) May to August B) January to April C) July to October D) September to December
A) None of the major cast members B) Ryū, Hara and Kagawa C) Only Chishū Ryū D) Hara and Ozu
A) A Tokyo soundstage B) Shochiku Ōfuna Studio C) Chigasakikan D) An Onomichi studio
A) Tokyo B) Kamakura C) Atami D) Onomichi
A) During the editing process B) While scouting locations C) When the film premiered D) When finishing the final draft of a script
A) Late Spring B) The Only Son C) Make Way for Tomorrow D) Tokyo Story
A) Through title cards B) Through flashback sequences C) Through the characters' dialogue D) Through a narrator
A) High B) Eye level C) Low D) Bird's eye view
A) The camera never moves at all B) The camera moves constantly C) The camera pans in every scene D) The camera moves once in the film
A) Standing in a crowded train B) Lying down on a bed C) Sitting on a traditional Japanese tatami mat D) Looking out a second-story window
A) The 30-degree rule B) The rule of thirds C) The 180-second rule D) The 180-degree rule
A) Still lifes of non-human subjects B) Archival war footage C) Interviews with townspeople D) Fast-paced action sequences
A) Zen Buddhism B) Western capitalism C) Greek tragedy D) Italian neorealism
A) The industrial revolution in Onomichi B) Agricultural development in post-war Japan C) The rise of the Japanese imperial navy D) The break-up and Westernization of the traditional Japanese family
A) Wealth in Osaka with poverty in Atami B) Modern education with illiteracy C) Military service with civilian life D) Urban life in Tokyo with rural life of their parents
A) 1937 B) 1953 C) 1948 D) 1955
A) Meiji Constitution B) New Civil Code of 1948 C) Tokyo Municipal Act D) Post-War Trade Agreement
A) His sister B) His cinematographer C) His collaborator Noda D) His own mother
A) Jidai-geki B) Kaiju C) Shomin-geki D) Anime
A) Leo McCarey B) David Bordwell C) David Desser D) Roger Ebert
A) Kogo Noda B) Yasujirō Ozu C) Chishū Ryū D) Yūharu Atsuta
A) Adachi B) Taitō C) Chūō D) Kyoto
A) Smokestacks and landscapes B) Clock towers and bridges C) Books and teacups D) Automobiles and neon signs
A) Keizo B) Yasujirō Ozu C) Chieko Higashiyama D) Sight and Sound E) Chishū Ryū
A) Academy Award for Best Foreign Film B) Sutherland Trophy C) Palme d'Or D) Golden Globe
A) 1953 B) 1972 C) 1957 D) 2012
A) Onomichi B) Osaka C) Atami D) Tokyo
A) Office worker B) Physician C) Primary school teacher D) Hairdresser
A) Five B) Four C) Three D) Six
A) Five B) Three C) Two D) Four
A) Primary school teacher B) Hairdresser C) Policeman D) Physician
A) Hairdressing salon B) Office C) Hot spring spa D) Clinic
A) Youngest daughter B) Widowed daughter-in-law C) Eldest daughter D) Primary school teacher
A) Noriko B) Shige C) Tomi D) Kyōko
A) A clinic in Tokyo suburbs B) Ueno Park C) A hotel in Osaka D) A hot spring spa at Atami
A) Onomichi B) Atami C) Ueno Park D) Osaka
A) A policeman B) Keizō C) Kōichi D) Noriko
A) Kōichi B) Noriko C) Keizō D) Shōji
A) The train broke down B) Tomi suddenly becomes ill C) Keizō invited them to dinner D) They missed their stop
A) Kyōko moves to Tokyo B) Shūkichi starts drinking again C) Tomi falls critically ill D) Noriko gets married
A) Kyōko B) Shige C) Tomi D) Noriko
A) The family watch B) Tomi's clothes as keepsakes C) Money from the clinic D) The house in Onomichi
A) A watch B) A ring C) A photograph D) A dress
A) All of his children by his side B) A bustling life in Tokyo C) The solitude he must endure D) Noriko living with him in Onomichi
A) Lindsay Anderson B) Yasujiro Ozu C) Stanley Kauffmann D) Haruko Sugimura
A) 1953 B) 1960 C) 1972 D) 1957
A) Tokyo Story B) Rashomon C) Psycho D) The Mirror E) Make Way for Tomorrow
A) McCarey B) Yasujiro Ozu C) Derek Malcolm D) Akira Kurosawa
A) 1960s B) 1970s C) 1940s D) 1950s
A) Roger Ebert B) Charles Micherer C) Lindsay Anderson D) Stanley Kauffmann
A) Stanley Kauffmann B) Charles Micherer C) John Walker D) David Thomson
A) Time B) Newsweek C) The Village Voice D) Cahiers du Cinéma
A) ¥53 million B) ¥131.65 million C) ¥200 million D) ¥100 million
A) 177,456 B) 53,000 C) 92,810 D) 84,646
A) 90% B) 95% C) 100% D) 88%
A) 8.5 B) 9.6 C) 10.0 D) 9.0
A) Martin Scorsese B) John Walker C) Derek Malcolm D) Roger Ebert
A) Eric Hynes B) Derek Malcolm C) Leonard Maltin D) Wally Hammond
A) The Village Voice B) Entertainment Weekly C) Time D) Newsweek
A) Martin Scorsese B) Arthur Nolletti Jr C) Paul Schrader D) Roger Ebert
A) Yasujiro Ozu B) Paul Schrader C) Akira Kurosawa D) Martin Scorsese
A) Ignoring it B) Destroying it C) Recasting it D) Dubbing it
A) The Great Depression B) Postwar push toward industrialization C) The Cold War D) World War II
A) Feudalism B) The Great Depression C) Intensified postwar push toward industrialization D) The rise of television
A) Derek Malcolm B) John Walker C) Eric Hynes D) Wally Hammond
A) Number 36 B) Number 14 C) Number 1 D) Number 95
A) No. 95 B) No. 50 C) No. 1 D) No. 14
A) Sight and Sound B) Cahiers du Cinéma C) Kinema Junpo D) Newsweek
A) 1st B) 14th C) 95th D) 36th
A) Third B) Fifth C) Seventeenth D) First
A) Seventeenth B) Fifth C) Topped the poll D) Fourth
A) 100 B) 14 C) 48 D) 358
A) Third B) Fourth C) First D) Fifth
A) Yasujirō Ozu B) Akira Kurosawa C) Yōji Yamada D) Doris Dörrie
A) Brothers and Sisters of the Toda Family B) Tokyo Family C) Tōkyō Kazoku D) Cherry Blossoms
A) BFI B) Doris Dörrie Films C) The Criterion Collection D) Tartan Video
A) The Criterion Collection B) Cherry Blossoms Productions C) Tartan Video D) BFI
A) 2008 B) 2013 C) 2011 D) 2010
A) Region 3 DVD only B) Region 2 dual-format edition C) Region 2 VHS edition D) Region 1 Blu-ray only
A) 2010 B) 2013 C) 2005 D) 2008 |