Peking Opera - Quiz
  • 1. What is Peking Opera also known as?
A) Beijing Opera
B) Seoul Opera
C) Shanghai Opera
D) Tokyo Opera
  • 2. In which country did Peking Opera originate?
A) Japan
B) China
C) Korea
D) India
  • 3. What are the four main types of roles in traditional Peking Opera?
A) Hero, Villain, Sidekick, Clown
B) King, Queen, Prince, Princess
C) Lead, Supporting, Extra, Comic
D) Sheng, Dan, Jing, Chou
  • 4. Which performer type in Peking Opera often plays female roles?
A) Sheng
B) Jing
C) Chou
D) Dan
  • 5. What is the distinctive feature of Peking Opera costumes?
A) Bright neon colors
B) Modern clothing
C) Minimalist design
D) Elaborate embroidery
  • 6. Which art forms have influenced Peking Opera?
A) Street dance, graffiti art, rap music
B) Opera, acrobatics, martial arts, music
C) Ballet, classical music, sculpture
D) Film, video games, literature
  • 7. What is the purpose of the traditional Peking Opera vocal style?
A) Sing in a modern pop style
B) Yell loudly to be heard
C) Convey emotions with stylized techniques
D) Speak the lines without melody
  • 8. Who is considered one of the most famous Peking Opera performers of all time?
A) Mei Lanfang
B) Maria Callas
C) Michael Jackson
D) Bruce Lee
  • 9. In which dynasty did Peking opera arise?
A) Tang dynasty
B) Mid-Qing dynasty (1644–1912)
C) Han dynasty
D) Ming dynasty
  • 10. What are the four main role types in Peking opera?
A) Nan, Nu, Laosheng, Wusheng
B) Wang, Gong, Daomadan, Xiaosheng
C) Shēng (gentlemen), dàn (women), jìng (rough men), chǒu (clowns)
D) Laodan, Xiaosheng, Wudan, Chou
  • 11. What are the two main melodies in Peking opera?
A) Jingju and Pingxi
B) Xīpí and èrhuáng
C) Kunqu and Qinqiang
D) Gaoqiang and Xiaoling
  • 12. What was Peking opera denounced as during the Cultural Revolution?
A) Westernized and capitalist
B) Feudalistic and bourgeois
C) Traditional and artistic
D) Modernist and progressive
  • 13. What was the original name for Peking opera when Beijing was known as Beiping?
A) Píhuáng
B) Guójù
C) Jingju
D) Pingxi or Pingju
  • 14. Which emperor's birthday did the Four Great Anhui Troupes perform for in 1790?
A) Qianlong Emperor
B) Yongzheng Emperor
C) Jiaqing Emperor
D) Kangxi Emperor
  • 15. What form of Mandarin is closest to the archaic form used in Peking opera?
A) Cantonese
B) Zhongyuan Mandarin dialects of Henan and Shaanxi
C) Beijing Mandarin
D) Shanghainese
  • 16. What was the name of the first female Peking-opera troupe in Shanghai?
A) Founded by Kangxi Emperor
B) Founded by Yu Zhenting
C) Founded by Li Maoer
D) Founded by Qianlong Emperor
  • 17. What year was the ban on female performers in Peking opera lifted?
A) 1905
B) 1930
C) 1912
D) 1923
  • 18. What year did the Chinese Communist Party come to power in mainland China?
A) 1956
B) 1949
C) 1976
D) 1966
  • 19. Who was responsible for using opera as a tool to transmit communist ideology during the Cultural Revolution?
A) Jiang Qing
B) Mao Zedong
C) Deng Xiaoping
D) Lin Biao
  • 20. What percentage of musical dramas staged in China were traditional plays from the pre-Communist era according to a study in People's Daily?
A) 10 percent
B) 50 percent
C) 30 percent
D) Over 80 percent
  • 21. What was the status of Peking opera in Taiwan after the retreat of the Republic of China in 1949?
A) Political symbolism
B) Cultural taboo
C) Complete ban
D) Minor art form
  • 22. What was one reason for sending a Taiwanese opera group to a mainland cultural event in 1990?
A) To showcase modern art
B) To celebrate Chinese unity
C) To emphasize 'Taiwaneseness'
D) To promote Peking opera
  • 23. What happened to performances of works beyond the eight model plays during the Cultural Revolution?
A) They became more popular than model plays.
B) They were performed without any changes.
C) They were completely banned.
D) They were allowed only in heavily modified form.
  • 24. What was one change made to traditional Peking opera performances during the Cultural Revolution?
A) Piano accompaniment was introduced.
B) All operas were performed in English.
C) Visible stage assistants were eliminated.
D) Traditional costumes were replaced with modern ones.
  • 25. What has made it difficult for Peking opera to capture modern life?
A) Excessive use of modern elements
B) The archaic language requiring electronic subtitles
C) Absence of traditional themes
D) Lack of talented performers
  • 26. Which country did Mei Lanfang first perform Peking opera in outside of China?
A) Hong Kong
B) Japan
C) United States
D) Soviet Union
  • 27. What was the initial duration planned for Mei Lanfang's American tour before it was extended?
A) Three weeks
B) One week
C) Four weeks
D) Two weeks
  • 28. Which theater in New York City had to relocate Mei Lanfang's performances due to high demand?
A) Carnegie Hall
B) Broadway Theatre
C) Metropolitan Opera House
D) 49th Street Theater
  • 29. What is the term for the 'false foot' technique developed by Wei Changsheng?
A) Zhao Kuang-yin
B) Cai ciao
C) Mei Lanfang
D) Guan Gong
  • 30. Which role type did Mei Lanfang pioneer that combines the status of qingyi with the sensuality of huadan?
A) Huashan
B) Daomadan
C) Wudan
D) Laodan
  • 31. Which subtype of Sheng represents young male characters with a high, shrill voice?
A) Hongsheng
B) Laosheng
C) Xiaosheng
D) Wusheng
  • 32. Which subtype of Sheng is known for roles involving combat and acrobatics?
A) Laosheng
B) Wusheng
C) Xiaosheng
D) Hongsheng
  • 33. Which style of Peking opera is considered more improvisational?
A) Both are equally improvisational
B) Neither is improvisational
C) Xipi
D) Erhuang
  • 34. How many works are included in the repertoire of Peking opera?
A) Over 3,000
B) About 2,000
C) Around 500
D) Nearly 1,400
  • 35. How many main types of song lyrics are there in Peking opera?
A) Six
B) Eight
C) Four
D) Ten
  • 36. What do actors use to represent fire on stage?
A) Wind flags
B) Water flags
C) Fire flags
D) Vehicle flags
  • 37. What is the basic principle of breath control in Chinese opera?
A) Strong centralized breath moves the melodic-passages (zhong qi xing xiang)
B) Breath must always be visible to the audience
C) Breath is controlled by the chest and shoulders
D) Breath should be expelled quickly to maintain energy
  • 38. What direction do performers move to upon entering the Peking opera stage?
A) Center west
B) Center north
C) Center south
D) Center east
  • 39. Which subtype of Dan role is known for playing virtuous and elite women?
A) Huadan
B) Wudan
C) Daomadan
D) Qingyi
  • 40. Who is known for developing the 'false foot' technique to simulate bound feet in Peking opera?
A) Guan Gong
B) Otis Skinner
C) Wei Changsheng
D) Mei Lanfang
  • 41. What color robes do emperors and their families wear in Peking opera?
A) Blue
B) Purple
C) Red
D) Yellow
  • 42. Which director is known for using formal norms of Peking opera in his films?
A) King Hu
B) Li Wenrui
C) Fei Mu
D) Chen Kaige
  • 43. Which item is used to demonstrate environments and can be a backdrop?
A) Horsewhips
B) Tea sets
C) Cloth backdrops
D) Ink slabs
  • 44. What is a criticism of the portrayal of Peking opera in 'Farewell My Concubine'?
A) One-dimensional
B) Lacking authenticity
C) Overly complex
D) Too modernized
  • 45. Name one of the ten masterpieces of traditional Peking opera repertoire mentioned by Li Wenrui.
A) The Drunken Concubine
B) Othello
C) Hamlet
D) Macbeth
  • 46. What do cloth backdrops represent in Peking opera?
A) Mountains
B) Cities
C) Deserts
D) Forests
  • 47. In which film does Peking opera serve as a backdrop for the protagonists' romance?
A) Farewell My Concubine
B) Hero
C) The Great Wall
D) Crouching Tiger, Hidden Dragon
  • 48. What does walking in a large circle symbolize in Peking opera?
A) A character's confusion
B) A change of heart
C) Traveling a long distance
D) A festive celebration
  • 49. What type of roles do Chou characters typically play in a Beijing opera troupe?
A) Secondary roles
B) Primary roles
C) Supporting roles
D) Leading roles
  • 50. What has lessened in Chou performances due to the standardization of Beijing opera?
A) Improvisation
B) Vocal timbre
C) Use of percussion instruments
D) Costume elaborateness
  • 51. Which Jing role is known for combining martial and acrobatic skills?
A) Chou
B) Jiazi
C) Dongchui
D) Wujing
  • 52. What is the ideal basic timbre for Peking opera songs described as?
A) A flat monotone
B) A controlled nasal tone
C) A deep bass tone
D) A bright soprano tone
  • 53. Which skill is not one of the four main skills used by Peking opera performers?
A) Dance-acting
B) Painting
C) Combat
D) Song
  • 54. Which Shakespearean play has been adapted for Peking opera?
A) A Midsummer Night's Dream
B) Othello
C) Macbeth
D) Hamlet
  • 55. Which of the following is not a school based on famous Peking opera performers?
A) Cheng Yanqiu school
B) Chen Jialin school
C) Mei Lanfang school
D) Ma Lianliang school
  • 56. What is the term for traditional plays performed before 1949?
A) Xinbian de lishixi
B) Xiandaixi
C) Chuantongxi
D) Daxi
  • 57. What is the principle that contrasts with Mo in Peking opera?
A) Detailed accuracy
B) Literal representation
C) Suggestive, not imitative
D) Realistic portrayal
  • 58. What is the primary melodic instrument in Peking opera?
A) The jinghu, a small high-pitched two-string spike fiddle
B) The daluo, a large gong
C) The yueqin, a circular bodied plucked lute
D) The naobo, a type of drum
  • 59. In Peking opera, what does a character sweeping their eyes in a circular motion symbolize?
A) Being surprised
B) Expressing confusion
C) Looking at an object above them
D) Searching for someone
  • 60. Which type of Jing role is characterized by being a loyal general with a black face?
A) Dongchui
B) Wujing
C) Jiazi
D) Chou
  • 61. How many methods are there for articulating consonants in Peking opera?
A) Five
B) Six
C) Three
D) Four
  • 62. At what age did students traditionally start their apprenticeship in Peking opera before the 20th century?
A) A young age
B) At age ten
C) In their teenage years
D) After completing basic education
  • 63. Which of the following is an example of a simple decoration in qimo?
A) Projectors
B) Table curtains
C) Spotlights
D) Microphones
  • 64. Which of the following is NOT an example of qimo props?
A) Candlesticks
B) Microphone
C) Fans
D) Tea and wine sets
  • 65. How are motions and poses typically manipulated in Peking opera to avoid sharpness?
A) Sharp angles
B) Roundness
C) Straight lines
D) Rigid postures
  • 66. Which of the following is NOT a type of flag used in Peking opera?
A) Water flag
B) Square flag with 'marshal'
C) Food flag
D) Rectangular flag with 'commander'
  • 67. What shape are traditional Peking opera stages?
A) Round
B) Rectangular
C) Square
D) Triangular
  • 68. What additional component do modern Peking opera performance schools include besides traditional arts?
A) Academic studies
B) Foreign languages
C) Military training
D) Business management
  • 69. What does a whip signify in Peking opera?
A) A horse
B) A chariot
C) A dragon
D) A sword
  • 70. How many rhyme categories are identified in Peking opera?
A) Thirteen
B) Fifteen
C) Eight
D) Ten
  • 71. How many basic shapes are there for the throat and mouth in Peking opera?
A) Five
B) Six
C) Three
D) Four
  • 72. When were new Peking opera training schools reopened after being closed due to the Japanese invasion?
A) 1960
B) 1952
C) 1935
D) 1945
  • 73. Which Jing face color represents soundness and integrity?
A) Black
B) Yellow
C) Red
D) White
  • 74. Who usually delivers an exit speech?
A) An audience member
B) The director
C) The main protagonist
D) A supporting character
  • 75. What type of training method was introduced in schools after 1930?
A) Military-style discipline
B) More rigorous methods
C) Self-directed learning
D) Less harsh methods
  • 76. Which Jing role is played by a skilled actor and involves complex characters?
A) Chou
B) Wujing
C) Jiazi
D) Dongchui
  • 77. How long was the traditional apprenticeship period for Peking opera students before the 20th century?
A) Ten years
B) Five years
C) Seven years
D) Three years
  • 78. Which of the following is a traditional qimo item used in Peking opera?
A) Laptops
B) Tablets
C) Smartphones
D) Handkerchiefs
  • 79. Which director used Peking opera in a number of plays within Westernized, realistic plots?
A) Li Wenrui
B) Fei Mu
C) King Hu
D) Chen Kaige
  • 80. What do actors shake to represent waves on stage in Peking opera?
A) Fire flags
B) Water flags
C) Wind flags
D) Vehicle flags
  • 81. What controversial form of brothel arose due to the ban on female performers in early Beijing opera?
A) Guan Gong
B) Xianggong tangzi
C) Zhao Kuang-yin
D) Mei Lanfang
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