A) 1959 B) 1967 C) 1971 D) 1984
A) Guy Debord B) Herbert Marcuse C) Marshall McLuhan D) Jean Baudrillard
A) A form of mass entertainment. B) A type of advertising. C) A social relationship mediated by images. D) A visual performance art.
A) Greater community engagement. B) Enhanced social connections. C) Increased political awareness. D) Alienation from authentic experiences.
A) As a tool for maintaining the spectacle. B) As a catalyst for action. C) As an unbiased informer. D) As a means for liberation.
A) It is fully expressed and celebrated. B) It is the primary form of activism. C) It leads to revolutionary change. D) It is subordinated to collective images.
A) By promoting celebrity culture. B) By avoiding technology. C) By embracing consumer culture. D) Through critical engagement and social struggle.
A) Structuralism. B) Postmodernism. C) Existentialism. D) Marxism.
A) Advancements in technology. B) Cultural revitalization. C) Increased political protests. D) The commodification of social life. |