A) 1971 B) 1984 C) 1959 D) 1967
A) Guy Debord B) Jean Baudrillard C) Marshall McLuhan D) Herbert Marcuse
A) A social relationship mediated by images. B) A type of advertising. C) A visual performance art. D) A form of mass entertainment.
A) Increased political awareness. B) Enhanced social connections. C) Alienation from authentic experiences. D) Greater community engagement.
A) As a means for liberation. B) As a catalyst for action. C) As a tool for maintaining the spectacle. D) As an unbiased informer.
A) It is fully expressed and celebrated. B) It is the primary form of activism. C) It is subordinated to collective images. D) It leads to revolutionary change.
A) By avoiding technology. B) By embracing consumer culture. C) By promoting celebrity culture. D) Through critical engagement and social struggle.
A) Existentialism. B) Marxism. C) Postmodernism. D) Structuralism.
A) The commodification of social life. B) Cultural revitalization. C) Advancements in technology. D) Increased political protests. |