A) 1959 B) 1971 C) 1984 D) 1967
A) Guy Debord B) Herbert Marcuse C) Marshall McLuhan D) Jean Baudrillard
A) A form of mass entertainment. B) A social relationship mediated by images. C) A type of advertising. D) A visual performance art.
A) Greater community engagement. B) Enhanced social connections. C) Alienation from authentic experiences. D) Increased political awareness.
A) As a catalyst for action. B) As a means for liberation. C) As an unbiased informer. D) As a tool for maintaining the spectacle.
A) It leads to revolutionary change. B) It is the primary form of activism. C) It is subordinated to collective images. D) It is fully expressed and celebrated.
A) By avoiding technology. B) Through critical engagement and social struggle. C) By promoting celebrity culture. D) By embracing consumer culture.
A) Existentialism. B) Marxism. C) Structuralism. D) Postmodernism.
A) Advancements in technology. B) The commodification of social life. C) Increased political protests. D) Cultural revitalization. |