A) Pyotr Tchaikovsky B) Aleksey Konstantinovich Tolstoy C) Tirso de Molina D) Johann Wolfgang von Goethe
A) The Romanticist Weekly B) The Russian Messenger C) The Moscow Review D) Literary Gazette
A) Imperial Russian Ballet B) St. Petersburg Drama Society C) Adelgeim Brothers D) Moscow Art Theatre
A) Wolfgang Amadeus Mozart B) Eduard Nápravník C) Aleksey Tolstoy D) Pyotr Tchaikovsky
A) Don Juan's Serenade B) The Russian Messenger Waltz C) The Alpine Dream D) Satan's Aria
A) Mikhail Katkov and Ivan Aksakov B) Goethe and Tirso de Molina C) Mozart and E. T. A. Hoffmann D) Boleslav Markevich and Vasily Botkin
A) Hoffmann edited the final manuscript B) Hoffmann was a personal friend of the author C) Hoffmann wrote the original music for the play D) Hoffmann saw Don Juan as a seeker of high ideal
A) 1862 B) 1905 C) 1858 D) 1891
A) Faust B) Don Quixote C) Romeo D) Hamlet
A) Tirso de Molina B) Goethe C) Dostoevsky D) Pushkin
A) Eduard Nápravník B) The Adelgeim Brothers C) Tchaikovsky D) Mikhail Katkov and Ivan Aksakov
A) A physical desire based on worldly beginnings B) A source of philandering and chaos C) A distraction from universal laws D) A link between the human soul and higher spheres
A) That the play be performed immediately B) That the incidental music be included C) Not a single word being crossed out D) That it be dedicated to the Tsar
A) 1862 B) 1860 C) 1857 D) 1861 |